Category Archives: Nature

Articles relating to nature photography

Brisbane and South-East Queensland Visit – 2017

Late in 2017, we headed to Brisbane and south-east Queensland for the first time since 2013.

It was high time to visit Dave and Lea, and engage in some photography, tomfoolery and shiraz consumption.

On our first full day, we decided to head south-west to Queen Mary Falls, as there had been some recent rain in the Gold Coast area, and there was predicted cloud cover, which made waterfall photography ideal.

Our first stop was at Daggs Falls, where an observation platform provided a great view.  Unfortunately, the platform was very prone to vibrations, which made shooting long exposures with a 200mm lens and ten-stop ND filter somewhat impossible.

We drove up the road for a few minutes and got to Queen Mary Falls, which had a much more stable observation platform.  This time, I used my 14mm lens to capture the vast expanse of the scenery and the high view.

Long Way Down

Long Way Down

After we had finished shooting, we decided it was time for a late lunch.  Heading north-east for around five minutes, we happened across the Spring Creek Mountain Café, which offers a very pleasant view of the Scenic Rim.

While waiting for our lunch at an outside table, I took advantage of the light and cloud conditions over the valley, and captured this view.

Spring Creek Mountain

Spring Creek Mountain

The plan for the same day was to visit Brisbane‘s iconic Story Bridge for a twilight shoot.  The last time I photographed the Story Bridge was in 2008, and it was time for a new look at it, applying the experience and gear I have acquired since I last shot it.

The bridge is often photographed from Wilson Outlook Reserve, high up on the cliffs to the east.

This time, we decided to venture down onto the Brisbane River Walk below and try a different vantage point, which gave us a lower angle, allowing the reflections of the lights in the water to appear much more prominently.

During the session, the bridge put on an ever-changing show of multi-coloured lights, which created a nice contrast to the blue and cloudy night sky.

Story of Colour

Story of Colour

On the topic of the sky, the clouds were somewhat annoying and detracted from the image I had pictured, but it was what it was, and I had to make the best of the conditions at the time we were there.

After our shoot concluded, we walked to New Farm and stopped in an Italian restaurant for a late dinner before making the drive north-west to Cedar Creek.

The next day, the plan was to head out for an afternoon landscape shoot during golden hour.  This time, Dave and I headed out on our own.

We decided, given all the driving the day before, to remain in the local vicinity, and we threw around a few ideas.  We figured we would look for a view of the mountains in the area such that the sun would be behind us.

Driving around, we ended up at Mount Pleasant, but the scenes we visited just were not right, so we continued on, and this time headed up Mount Mee.

While driving north along Mount Mee Road, Dave spotted an interesting tree on the right at the junction with Sellin Road.

We stopped and headed over to the eastern side of the road to photograph the tree, which also had some grazing cows lingering nearby.

The light was warm, as it was quite late in the afternoon, but not quite warm enough for what we had in mind.  However, the light was still decent enough, so we snapped away as the cows grazed.

Here is what I captured:

High Steaks

High Steaks

For this image, and the image I was to shoot later in the day, I used my Canon EF 200mm f/2L IS USM lens.  Now, this lens was not one I bought to shoot landscapes, and I rarely ever use a telephoto lens for landscapes, much preferring the wide vista provided by an ultra-wide lens; however, from where we were standing, the 200mm focal length was just right, and provided a nice amount of compression.

After we had finished shooting at this spot, we headed west along Sellin Road, and spotted a lone tree we had photographed at dawn back in 2010.  To our surprise, there was now a large house now on the property, close to Sellin Road.  We could still see the tree further up the paddock in the distance.

Here are the stand-out images I captured of the ‘ Mount Mee Tree‘ in 2010:

Dawn on Mount Mee

Dawn on Mount Mee

Tree on Mee

Tree on Mee

We continued westward, and found some lovely side-lighting htting the lush green grasses down the ravine, but compositionally, there was not much on offer; so, we turned around and headed east.

I was beginning to think that we may not find much at all, and I pointed out that one really needs to scout and plan a location, which, we clearly had not done.

However, heading further east to where we had photographed the cows, I spotted a lovely, large tree down a valley to our left.  After driving past it, we swung back around and pulled up, with this location to be our final location for the day, in which we would photograph this beautiful tree in the rich and warm golden hour light which would greet us a little later.

I quickly found my composition, again using my Canon EF 200mm f/2L IS USM lens.  The view I found from the spot where I perched myself also contained some lush, long green grasses in the foreground, which I purposefully kept in the frame.  I liked the extra interest, as well as the framing device, it provided.

From then, it was a waiting game.

Once the light became even warmer, we snapped away.  Dave was capturing all sorts of images of different subjects in the area, from varying positions.  I remain focused on the tree.  That was my image, and I was not interested in anything else.

After waiting for the right light, here is the image I shot:

Glowing Tree

Glowing Tree

After the lovely light had disappeared, we headed back to Samford to collect some cows (of the non-grazing variety) and fermented grape juice for dinner at the house.

Thus, my photography for this trip was completed.

During our stay, Dave and I decided to compare our 200mm lenses.  He owns a Canon EF 200mm f/1.8L USM (a legendary and relatively rare lens, with only 8,000 having been built), and I own a Canon EF 200mm f/2L IS USM, which effectively replaced the 200/1.8L some 20 years after it was introduced.

We lined them up for a ‘family portrait’, and Dave captured an image of the two lenses side-by-side.  Later during the visit, we also staged a semi-scientific shoot, with a foam rubber dinosaur as the subject.  We photographed the dinosaur with both lenses, using the widest apertures available on both, as well as the widest aperture common to both.

Upon inspecting the resulting images, there is not a great deal of difference in sharpness between the two lenses.  Both deliver outstanding results.

All in all, it was a fun trip, and while photographically the conditions were not super exciting, I did manage to capture a few pleasing images along the way.

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Mount Wilson: Cathedral of Ferns

During an exploratory day-trip to the Blue Mountains west of SydneyDave and I decided to look around Mount Wilson, a place of which I had heard in photography circles, but never visited.

We encountered the Cathedral of Ferns, where we stopped to capture a few images of the beautiful, lush foliage.

Here is one of them:

Cathedral of Ferns

Cathedral of Ferns

The weather was on our side on this day, as it was overcast with some occasional drizzle, which made for excellent shooting conditions.

Naturally a fantastic time to visit Mount Wilson is during autumn when all the rich colours are on display; but in spite of being there at the ‘wrong’ time, the weather certainly was on our side.

The Moon Isn’t Made of Cheese

The night after I photographed the recent September moon during Waxing Gibbous phase, I headed out the following night and shot it again.

Here is a closer view of the moon’s craters during its Waxing Gibbous phase on 7 September, 2014.

Craters

Craters

In this more recent image (24 hours later), more of the moon was visible.

This time I’ve gone for a different composition, and focused more on the craters and shadow-laden edge of the moon.

Again I captured the moon with the longest focal length I have — 1,120mm — by stacking my 1.4x and 2x tele-converters onto my 400mm lens.

Waxing Gibbous

Having recently bought a 400mm f/2.8 lens, I have been somewhat keen to use it.

I bought it to photograph wildlife during our next African safari, but for the lack of any local leopards or lions, I decided to use this lens for the next best subject: the moon.

Here, on 6 September, 2014, the moon is in Waxing Gibbous phase.

I headed outside earlier this evening to photograph the moon, which was a challenge given the heavy cloud cover that was blowing over.

During one of a few short windows of opportunity, I captured this frame.

Waxing Gibbous

Waxing Gibbous

Ignore the focal length of 800mm; I actually shot this at 1,120mm as a result of having stacked both my 1.4x and 2x tele-converters; but when stacking more than one tele-converter, the focal length and aperture are not transmitted to the camera, so it appears that I used only my 2x tele-converter.

 

Partial Lunar Eclipse – 26 June, 2010

As I type this, the moon is undergoing a partial eclipse.

I don’t often shoot the moon (it’s been done to death, and I had great success during the 2007 eclipse), but given the easy opportunity and the lack of effort required, I went outside with 600mm of focal length and captured this image of the partial eclipse:

Lunar Eclipse on 26 June, 2010

Lunar Eclipse on 26 June, 2010

I used my Canon EOS 5D Mark II, Canon EF 300mm f/2.8L IS USM, Canon Extender EF 2x II, a tripod, remote cable release and mirror lockup.

Photographed at 9:16pm on 26/06/2010 with a Canon EOS 5D Mark II at 600mm for 1/160 sec at f/8 and ISO 200.