Tag Archives: New South Wales

Precarious Position: First Seascape of 2018

This image of Turimetta Beach was captured during my first seascape session in nearly a year, and this was the first time I have returned to Turimetta since 2012.

Precarious Position

Precarious Position

The conditions were a lot more dangerous than this image would suggest, with a strong south-easterly wind, medium-to-large swell and an incoming tide.

Large waves were crashing near this small part of exposed rock shelf and causing splashes and surges which made standing here dangerous.  I had to be quick about composing and capturing images in between sets of larger waves.

It was good to be near the ocean again, but having been out of the seascaping scene for quite some time, this morning’s shoot had its challenges.

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My New Canon EF 24mm f/1.4L II USM: Ideal for Cityscapes

Last week, I decided to buy a Canon EF 24mm f/1.4L II USM lens.

It was a lens I had entertained — but not seriously — adding to my rig.

Until the addition of this lens, my two wide lenses consisted of my Canon EF 14mm f/2.8L II USM  and Canon EF 35mm f/1.4L USM.

While I love a wide vista, sometimes 14mm is just too wide.  I never thought I would say so, but alas, it is true.

On the other hand, 35mm can sometimes be too long.

Twice in the past 12 months I have needed a focal length in between 14mm and 35mm, but did not have a lens of that focal length.

I have barely owned my Canon EF 24mm f/1.4L II USM for a week, and I have used it on two separate twilight cityscape shoots.

So far, the 24mm focal length is proving to be very useful for cityscapes — particularly when shooting skylines across the water from a distance.  With a wider lens, the skyline can shrink into a vast expanse of sky and water; and with a longer lens, the framing can be just a bit too tight, whereby there is not quite enough sky.

My first shoot, on the same day I bought the lens, resulted in the following image:

Lavender Bay on a Summer Night

Lavender Bay on a Summer Night

This particular location does not seem to be hugely popular for cityscapes, but it was something different, and the 24mm focal length was absolutely perfect for this composition.

My second shoot with the new lens was last night.

After a few lazy days at home, I felt the need to get out for a photoshoot.

I decided to re-visit Mrs Macquarie’s Point.  The last time I photographed Sydney from this location was just over eight years ago.

Mrs Macquarie's View

Mrs Macquarie’s View

From this view, the skyline has not changed a great deal, but there are some buildings which did not exist in my previous image.

For this image, I opted for a wider focal length, and waited for the rich blue light of twilight to emerge after sunset.

I am enjoying the field of view this new lens provides.  Not having used the  24mm focal length for quite a while, it made for a nice change, and has been quite suitable so far for the images I have captured with it.

I am hoping to use it more next week, but I really need to invest in the NiSi filter holder which will fit this lens, as I need to be able to use my grads and ND filters with it.

Trip to Taronga Western Plains Zoo

In late October, we headed away with some good friends of ours for a three-day trip to Mudgee and Dubbo.

Our plan, apart from sampling and buying some fantastic wine in Mudgee, was to stay at Taronga Western Plains Zoo, in its exclusive Zoofari lodge, at which ten luxurious tents, complete with mod-cons, overlook the savannah, where African, Asian and even Australiananimals roam.

You know you know you are in Australia when an eland — a large Africanantelope — chases kangaroos away!

On day one, we headed to Mudgee, where we stopped at my favourite winery and stocked up on premium shiraz.  A nice dinner in town, followed by an overnight stay nearby, concluded the day.

On the following morning we headed up to Dubbo and went straight to the zoo.  Our official check-in was at 2pm, but we had time to roam the zoo via our inclusive two-day zoo pass.

Having been to Africa twice and spent time with truly wild animals in their natural habitat, a zoo can never quite come close; but Zoofari is an experience designed to emulate, as closely as possible, the safari experience.

Upon arriving at the zoo, our first stop was naturally the lion enclosure.  Unfortunately the lions were not terribly active or welcoming, so photography was not a terribly successful pursuit.  Incidentally and somewhat ironically, it is easier to photograph lions in the wild than in captivity.

One pleasing image I did capture at the lion enclosure was not an image of a lion, but an Australian pied cormorant, which was perched on a log over the lion enclosure’s moat in the morning sun.

Australian Pied Cormorant

Australian Pied Cormorant

Being a fan of big cats, naturally, we needed to visit the cheetahs.  We fortunately timed our arrival to see the keepers feed the cheetahs, which consisted of a king cheetah mother and several sub-adult cubs.

Contrary to popular belief, the king cheetah is not a separate species of cheetah, but rather, is a cheetah which has a rare fur pattern mutation as a result of a recessive gene.

The light was quite harsh, and the cheetah were very active — particularly as food was being provided — so photography was quite challenging, but I did land this pleasing image of the king cheetah.

King Cheetah

King Cheetah

The king cheetah is quite rare, so it was a pleasure to see one, and capture pleasing images of her.

Following the big cats theme, high on the agenda was a visit to the Sumatran tiger.

Now, I do not have many images of tigers, so I was keen to capture some pleasing tiger portraits despite the difficulty of broad daylight.

Again, we timed our visit to co-incide with the keeper’s talk and a feeding session, so this Sumatran beauty was very alert and more often than not, looked in our general direction, which is always what a wildlife photographer wants.

Striped Beauty

Striped Beauty

As the biggest of the big cats, the tiger is a very impressive big cat.

After lunch, we roamed the zoo and found our way to the siamangs.  I had never seen one before, so we spent a bit of time watching them play, and I snapped away, trying to land a pleasing image of one of them.

Siamang Stare

Siamang Stare

Not long afterwards, we headed to Zoofari lodge and checked in.

With adjacent tents, we soon joined at our tent for some afternoon lounging.  It was a taxing experience to sit on the back deck, overlooking the savannah, whilst consuming premium shiraz and munching on potato chips.  It is a tough life, but someone has to do it.

These were the appalling, slum-like conditions we had to endure during our overnight stay:

Animal View Lodge

Animal View Lodge

It was tolerable.

What cannot be seen in this image is the open door overlooking the savannah.  We decided to keep the doors and windows open so that we could hear the incredible sounds of wildlife at night, just as we experienced in South Africa and Kenya.

In the late afternoon light, we had the pleasure of watcing the giraffes grazing on the savannah, while these two particular giraffes (of the four inhabiting the reserve) shared a sticky snack.

Sharing a Sticky Snack

Sharing a Sticky Snack

During our lazy afternoon on the deck, we were visited by a peacock, which was only too happy to munch on our snacks, and sit very close with us on the deck overlooking the savannah.

In the early evening we headed to the communal dining room, where some wine tasting, and later, dinner, were served.

After dinner, we got to experience a night tour of the zoo, whereby 4WD vehicles drove us around the zoo in complete darkness.  We visited the lions, hippos and rhinos in their night enclosures, which are not accessible to the general public.

As can be imagined, photography was just not going to happen, as it was pitch-black; but it was great to be close to these animals in the darkness.

After a good night‘s sleep, the following morning saw another early start, with a pre-breakfast tour of the zoo — again, behind the scenes — during which we got to visit the cheetahs and see them from a different location; feed a giraffe; spend some time with the meerkats; and partake in an exclusive visit to the elephant ‘maintenance’ shed, in which the keepers bathed and fed the elephants in preparation for their entrance into their exhibition enclosures for the day.

Here is an image of one of the meerkats on sentry duty.

Wide-Eyed Meerkat

Wide-Eyed Meerkat

After the tour, we returned for a communal breakfast, before making our way back to the lodge to pack and check out.

On our arrival at the zoo the previous day, we had booked ourselves onto a rhino encounter.  Once the tour guide arrived, we found out that we were the only people booked on the tour, so we got an even more exclusive tour of the rhinos and spent a great morning learning about the zoo and how it operates — a much more personal tour than would have been otherwise possible.

After the conclusion of our Zoofari experience, we made another round of the zoo, before embarking on the long trip home.

All in all, it was a fantastic weekend, and I did manage to land some pleasing images of the  wildlife which inhabits Taronga Western Plains Zoo.

Portrait Session with Anabelle

It has been a few years since I shot any portraits, and in recent months, the desire to shoot some more portraiture came back to me.

A friend of mine has a very photogenic daughter, Anabelle, who I thought would make a great subject.

In terms of location and conditions, I want to photograph her in natural surroundings during the warmth of the late afternoon light.

I also wanted to use my new lens for the shoot, plus my staple portraiture lens.

We headed over to Rouse Hill Regional Park, where, after some earlier recce, I had located a nice lake with trees and grasses surrounding it.

Here are some of the images I captured:

Beaming

Beaming

In this image, I captured this distant shot of Anabelle beaming as the sun shone upon her.

Anabelle in the Park

Anabelle in the Park

For this image, I specifically wanted rim lighting on Anabelle‘s hair, so I had her facing away from the sun, and I used a reflector to bounce the wam, late afternoon light back onto her.

When photographing human subjects during golden hour, the challenge is that even though the sun is low in the sky, if a human subject looks into the sun, the eyes will be largely hidden due to squinting.

That never looks good in images, so the work-around is to have the subject facing either 90 degrees or 180 degrees away from the sun, and use a reflector to bounce the light back.

Lastly, a black and white image:

Portrait of Anabelle

Portrait of Anabelle

This is a close-up portrait of Anabelle as she sat in the park during the final moments before sunset.

While this image was originally shot in colour, I also wanted a striking black and white version.

All in all, it was a fun and productive session.

It was Anabelle‘s first time modelling, and she did well.  I landed some pleasing images in the conditions I had pictured in my mind, which is always satisfying.

Twilight Delight

The view of Sydney‘s skyline from the western side of Darling Harbour is always a beautiful spectacle as the evening twilight descends.

I have photographed it before, and I will photograph it again.

This time, I captured a view of that same skyline from the south-western corner of Cockle Bay, right outside the new International Convention Centre.

Twilight Delight

Twilight Delight

The angle is different to what I have captured before, and now depicts the completed skyscrapers at Barangaroo to the far left of the frame.

This place is always a pleasure to visit and photograph.

Re-Visiting Featherdale Wildlife Park

Early this year, we took a trip to Featherdale Wildlife Park for the first time, and photographed a number of animals and birds.

Having recently bought a new Canon EOS 5D Mark IV and a new Canon EF 200mm f/2L IS USM, I was keen to head back to Featherdale Wildlife Park to shoot with my new gear, and hopefully capture a pleasing image or two.

Normally I would take my Canon EF 400mm f/2.8L IS USM for a photoshoot involving wildlife, but I specifically wanted to shoot with my new 200mm lens, so I took that, plus my Canon EF 300mm f/2.8L IS USM and both the 1.4x and 2x tele-converters.

Throughout the half-day visit, I mostly shot with new 200mm lens, and occasionally used my 300mm lens.  I wanted to shoot wide-open and isolate my subjects from their mostly busy backgrounds.

We headed out on an extremely cold morning, and were amongst the first visitors to the park on that day.

Having photographed penguins there before, I naturally wanted to photograph them again.  Here is the stand-out image from the many penguin images I captured:

Profile of a Little Penguin

Profile of a Little Penguin

These creatures can be very difficult to photograph, as they constantly scurry around and often stand in front of annoying backgrounds.  Not so in this case, as I was able to isolate this penguin against his sandy surroundings.

As can be seen in this image, the Canon EF 200mm f/2L IS USM is very sharp, and produces very pleasing background blur.  Had the penguin been higher and further away from the background, the background blur would have been even creamier.

We had some warm morning light during our visit, and whilst wandering amongst the bird section, I spotted this white-browed woodswallow perched in the warmth of the sun.

White-Browed Woodswallow

White-Browed Woodswallow

Unfortunately the woodswallow is enclosed in a cage, and even when shooting wide-open at f/2 within close proximity to the cage, it was not possible to obliterate the pattern of the cage against the background.

Despite this annoyance, the lens has again shown itself to be a tack-sharp performer, capable of easily isolating a subject.

Earlier during the visit, I spotted a kookaburra sunning himself in a narrow sliver of sunlight on a branch.

Catching Some Rays

Catching Some Rays

For this image, needing more reach to fill the frame, I used my Canon EF 300mm f/2.8L IS USM and 1.4x tele-converter.  I have not used that lens for quite a while now, so it was good to give it another run.

It was an enjoyable — albeit cold — morning, and using my new gear was certainly enjoyable too.

Given the capabilties of the Canon EF 200mm f/2L IS USM, I am very much looking forward to using it in the near future for some portraiture.

Latest Lovelies

I rarely capture photographs of the gear I use to capture photographs, but this year has seen some changes to my camera and lens rig.

These are two of my latest ‘lovelies’: a Canon EF 14mm f/2.8L II USM, which I purchased on 12/01/2017 to replace my long-serving Canon EF 16-35mm f/2.8L II USM; and my much newer Canon EOS 5D Mark IV, which I purchased on 23/06/2017.

Latest Lovelies

Latest Lovelies

The Canon EOS 5D Mark IV is a substantial upgrade to my Canon EOS 5D Mark II, a 2008-vintage camera which I have been using since 2010. I will keep my 5D2, but the new 5D4 will be my main camera.

I am looking forward to taking advantage of the increased dynamic range and reduced high-ISO noise of this latest generation of full-frame Canon sensors.