Tag Archives: Sky

Upward View of Barangaroo

On the day I bought my new Canon EF 14mm f/2.8L II lens, I had planned a shoot for that evening.

Just before Christmas, we were around the King Street and Barangaroo area, and it was the first time I had seen the new skyscrapers since development concluded.

Looking up, I spotted some interestiong compositions, looking towards the sky, with the sleek and sharp lines of the skyscrapers forming the contrasting subject.  I captured some quick reference shots with my phone’s camera.  It was a place to which I wanted to return at twilight, for a proper photoshoot.

On the evening of 12 January, 2017, I achieved what I set out to achieve.

This ultra-wide view of the new skyscrapers at Barangaroo is my first serious image captured with my new Canon EF 14mm f/2.8L II USM lens.

Barangaroo Towers at Twilight

Barangaroo Towers at Twilight

I had purchased the lens merely a few hours before I shot this scene, and after a nice dinner, we headed to Barangaroo, where I had planned to shoot some quirky architectural images during tblue hour.

I am pleased with both the lens, and the images I captured during this summer twilight at Sydney‘s newest entertainment precinct.

After shooting this image, I re-composed.

Here is a view along Mercantile Walk in Barangaroo, west of the Sydney CBD, showing the towering skycrapers which are now the tallest in Sydney.

Mercantile Walk

Mercantile Walk

This image was captured with the ultra-wide 14mm focal length, which depicts an expansive view from the ground to the sky.

As the night wore on, I captured my final view a little further north of my original location.

To the Sky

To the Sky

This series of images signals for me new photographic study, which I had wanted to commence quite some time ago, but never got around to doing due to life being, well, life.

A new lens purchase and a recent visit to an excellent photographic location was what it took to finally inspire me to embark upon a series of striking architectural images of Sydney‘s skyscrapers, using an ultra-wide lens and extremely quirky, distortion-laden angles.

I am looking forward to exploring this style of photography more, and my new lens has certainly provided some much-needed inspiration.

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Australia Day 2017: Mudgee

For the Australia Day weekend, we decided to take a trip to Mudgee for a few days.

Mudgee is a large regional town in the central west of New South Wales, and it is a three-to-four-hour drive from Sydney.

The main purpose of the trip, other than getting away for a few days, was wine and wineries; but naturally, I packed my default photography rig, with the intention of capturing some of the sights of Mudgee at twilight.

We based ourselves at the Cobb & Co Court Boutique Hotel, where our deluxe queen room provided fantastic accommodation, as seen in this image of the separate lounge in our room:

Cobb & Co Court Boutique Hotel - Deluxe Queen Room Lounge

Cobb & Co Court Boutique Hotel – Deluxe Queen Room Lounge

After dinner and a nice bottle of Mudgee red, we took a two-minute walk down Market Street to St Mary of the Presentation Catholic Church, which I had spotted and trial-photographed earlier in the day, and identified as my primary photographic subject for later that evening.

During the ‘blergh hour’ (my name for the scungy, drab light in between golden hour and evening twilight), I set up my camera and tripod, and composed the view I wanted to capture.  It was just a matter of time before the light would be right.

As it was Australia Day, the streets were practically empty, except for us and three late-teenage or early twenty-something boys who graced us with their presence as they continued upon their mission to become inebriated.

After a few laughs and a photo I captured of the lads standing in front of the church, they departed in search of more alcohol and a good time, and I set about capturing my image.

Here is the result:

St Mary of the Presentation Catholic Church, Mudgee

St Mary of the Presentation Catholic Church, Mudgee

I found my new Canon EF 14mm f/2.8L II USM lens to be an excellent lens for capturing this scene, as the leading line of the path draws the eye towards the imposing spire of the church a short distance away.

Very soon after photographing the church, I turned around 180 degrees and crossed the road onto the roundabout at the intersection of Market Street and Church Street.  On this roundabout is Mudgee‘s clock tower, a central feature of the town.

I found it difficult to photograph the clock tower with my 14mm lens, as it was just too wide — something I am not generally known to say or experience!

There was too much visual pollution due to street lights, the street itself and other unsightly subject matter; I just wanted the clock tower in a nice, clean image, or at least with pleasing surroundings.  I switched lenses, opting for my Canon EF 35mm f/1.4L USM, which I have not used since mid-2014!

Here is the image I captured as the evening twilight became more rich and intense:

Mudgee Clock Tower

Mudgee Clock Tower

After capturing this image, we headed back across the road to St Mary of the Presentation Catholic Church, where I shot some quirky angles of the stonework, looking up towards the royal blue sky.  (I have not processed any of those images at the time of writing.)

After a few more shots around Mudgee, we headed back to our hotel as the evening twilight gave way to the darkness of night.

The next day was all about wine, but we did venture out after dinner for another twilight photoshoot, which I found frustratingly difficult, as I could not achieve a pleasing composition.

The subjects I wanted to photograph looked great with my own eyes, but through my lenses, a combination of proximity and surrounding subject matter resulted in no pleasing compositions.  I did capture a few images, but by and large, I was not content.

Never the less, it was a great few days away, and we came away with more than just a few pleasing images.

2015 Retrospective: Intense and Focused

Now that we are well into the year 2016, it is time for a retrospective look at my photographic journey in 2015.

The year can be summarised as intense and focused, as the majority of images I captured during 2015 were in the Mara North Conservancy and Maasai Mara National Reserve in Kenya, where we embarked upon an incredible seven-day safari with our friend and safari leader Mario Moreno.

Looking at my statistics, I shot more images in 2015 than I did in the years 2013 and 2014 combined.

Had the Kenya trip not happened, I suspect I would not have shot much.

Photographically, my year started quite late — near the end of April — with a macro/still life image of a new watch I had been given:

Certina 1888

Certina 1888

We had some family in town from overseas, so I took the opportunity to shoot some cityscape images from a location at which I had not shot before.

One afternoon we headed to the Glebe apartment and I waited for the right light to capture some views of the beautiful city skyline.

This was the result:

Dusk Descendence

Dusk Descendence

And a little later, during blue hour:

The View Sucks

The View Sucks

I also took the opportunity to capture this tight view of the Anzac Bridge as twilight fell:

Anzac Bridge

Anzac Bridge

In May, we all had an outing at the Wild Life Sydney Zoo in Darling Harbour.  I took a camera and a couple of lenses, but I did not shoot a great deal of images.

This image of a kangaroo was one of the more pleasing images I captured on the day:

One of Skippy's Mates

One of Skippy’s Mates

Later in the month, I felt compelled to head out and shoot another cityscape.

In the mid-to-late afternoon, I scouted for some vantage points along the western side of Circular Quay, and finally settled on the observation deck of the International Passenger Terminal, which affords a higher view, and additionally was empty and free from passers by.

I waited for the blue hour, and captured this view of Sydney which I have not seen (or photographed) before.

Circular Quay West

Circular Quay West

It had been a slow, but pleasing enough start to the year.

In June, the photography I had been eagerly anticipating since we booked the trip the previous year, would finally happen.

We headed to Kenya to spend seven days in the Mara North Conservancy and Maasai Mara National Reserve, where we would re-ignite our passion for wildlife and landscape photography.

So far I have published over 100 images from that trip, so I will not publish a great deal of those images in this article; but as the trip brought us a lot of first-time encounters, I will instead present some selected highlights from the trip.

We were based in the luxurious eco-lodge Elephant Pepper Camp, which afforded us total isolation and positioning right in the middle of where the action was.

This is a view of one of Elephant Pepper Camp‘s honeymoon/family tents:

Elephant Pepper Camp's Honeymoon Tent

Elephant Pepper Camp’s Honeymoon Tent

And this is a view of the camp at twilight, depicting the dining tent, lounge and camp fire:

Around the Camp Fire

Around the Camp Fire

Highlights of the trip included one of my finest bird images, which was my first frame of only two I snapped while this pied kingfisher was bobbing up and down in flight:

Suspended

Suspended

Just about every day, we were treated to lions — most prominently, the Cheli Pride.  One of the fantastic things about the Cheli Pride was its abundance of cubs, and on this trip, it was our first time seeing wild cubs, such as this cute little lion:

Lion Cub of the Cheli Pride

Lion Cub of the Cheli Pride

On one afternoon, we were fortunate enough to spend some time, in pleasing, afternoon light, in very close proximity to a lilac-breasted roller, where I captured this and a number of other images of the national bird of South Africa:

Plumage

Plumage

Naturally, a safari in Africa encompasses more than just wildlife — there are amazing opportunities for stunning, iconic landscape shots, and we certainly took advantage of that, rolling out into the plains in the pre-dawn darkness before other safari-goers were even awake.

This was one of my earlier landscape shots, captured during a moody morning:

The Moody Mara Plains

The Moody Mara Plains

On another morning, we captured the ‘postcard shot’ of a rising sun behind a lone acacia tree:

Sunrise on the Mara

Sunrise on the Mara

This particular tree is known as Mario‘s Tree, as Mario often photographs it.  We certainly did — several times — including one particular morning which greeted us with a colourful sky:

Lone Acacia

Lone Acacia

On only our second day on this trip, we were treated to a number of first-time encounters.  In the morning, we encountered our first Mara leopard, who was also also the first leopard we had seen in a tree; and in the evening we found our first male lion of the trip, again a member of the resident Cheli Pride.

We had gone back to Leopard Gorge to look for the young male cat, when we found a large, dominant male lion in the area instead.  If the leopard was around, he was hiding and would not be seen.

Here is the beautiful young male leopard perched high in an elephant pepper tree:

Leopard of the Day

Leopard of the Day

We not only encountered one male lion, but two!  His brother also emerged from the distance and joined him for some bonding and lazing before the night‘s hunting commenced.

Here is one of the stunning Cheli Pride males we encountered:

Surveying

Surveying

The day after we met the dominant males, we encountered numerous members of the pride, minus the males, feasting on a zebra kill the next afternoon.  This was another ‘first’ for us, as we had hitherto never seen lions feasting on a kill.  It was quite a sight, as this wider image shows:

Feast

Feast

The next day, we spent a dramatic afternoon with the Cheli Pride again, firstly as we encountered one of the mothers on her own, out in the open, calling for the pride.

Here is an image I captured of the lioness in the warm afternoon light:

Cheli Mother

Cheli Mother

Before long, a mighty rainstorm descended upon us, which made the big cat uncomfortable, as well as presenting challenges for us.  As the rain began to subside, camera shutters sounded like rapid gunfire as we captured action shots of the lioness shaking the water from her head.

Shake It Off

Shake It Off

Towards the end of the trip, we spent one day further south in the Maasai Mara National Reserve, where we experienced yet another first.

So far, the one species of African big cat we had never seen in the wild was the cheetah.  On that trip, we finally encountered wild cheetahs.  It was an exciting experience to firstly see them from a distance, and then drive to position ourselves optimally to be ahead of where they were headed.  It became more exciting as the cheetahs got closer, and I had a few opportunities to photograph the family, which consisted of a mother and four sub-adults.

Here is one of the nicer images I captured of these amazing big cats:

Portrait of a Young Cheetah

Portrait of a Young Cheetah

It had been a long wait, but finally we spent some time with wild cheetahs.

Our next morning in the Mara consisted of a portrait shoot with Maasai tribesman called Baba, with whom we travelled to Mario‘s Tree, where we shot some dramatic silhouette portraits of him as the sun rose on one of our final days in the Mara.

Here is one of the more striking images I captured during the session:

Baba the Maasai

Baba the Maasai

Our final evening in the Mara brought something we could have never predicted, and something which is quite rare to see: mating leopards!

At first, we spotted a young female leopard high in a tree during the warm afternoon light, but within a short time, a large, amourous male emerged from the thicket, and the two leopards began (or continued with) their ritual of rapid, exposive mating sessions, which can last for days.

We spent the rest of the drive witnessing this amazing sight, and the following image captures an intense moment as the female expresses her displeasure at the male’s advances:

Growl of the Leopardess

Growl of the Leopardess

The next morning was our final, somewhat subdued game drive in the Mara before we would fly back to Nairobi for a night and another day before departing Kenya.  We were fortunate to encounter a small pod of hippos in a watering hole, where I had the opportunity to capture some relatively close-proximity images, such as this large hippo on the bank, less than 30 metres away:

Hippo on the Bank

Hippo on the Bank

Before too long, this amazging photographic journey came to its conclusion.

After the intensity of our Mara trip, and my generally low photographic output before the trip, it was not surprising that I did not shoot much afterwards.  In fact, I shot only one more image for the remaining six months of the year!

The one image I did capture was a macro image of some red and orange roses to commemmorate our anniversary.

Fifth

Fifth

And so concludes my photographic journey for 2015.  It indeed was an intense and focused year, with Kenya dominating my photographic output, but with a few other images here and there.

Pleasant Dawn on Sydney Harbour

Since my return to seascaping last week, I have been keen to head back out at dawn to shoot more seascapes.

On the one hand, I failed; but on the other hand, I succeeded — at capturing a different kind of image at dawn.

Having checked the weather and cloud situation the night before, I knew the sky would be largely plain, which is terrible for seascapes, but great for twilight cityscapes.

So, in the pre-dawn darkness, I headed to the city and ventured further away from Circular Quay, where I had been the previous day, and where, I decided, I would be keen to capture a cityscape, depicting both the older and newer buildings of Sydney at dawn.

Here is one of the earlier images I captured:

Before Sydney Awakens

Before Sydney Awakens

It was great to be at Dawes Point on the harbour early in the morning before anyone else was out and about.

At the time, the sun had not risen, but there was a pink and orange glow in the eastern sky, which was due to rise 35 minutes later.

I also turned the camera around and pointed to the west, where the sky was darker, but where the increasing warmth and softness of the early morning light cast a pleasing glow on the wooden walkway and buildings along Campbell’s Cove.

Along the Walkway

Along the Walkway

This is a view along the walkway at the northern end of Campbell’s Cove.

On the left is Campbell’s Cove and the old woolsheds in Sydney‘s historic The Rocks, which these days contain restaurants.

In the distance is the southern end of the Sydney Harbour Bridge.

On the right and in the distance central to the frame is the expensive and very nicely positioned Park Hyatt hotel.

One of the challenges presented when photographing a city like Sydney is to capture a less common view.  It’s all too easy to shoot the ‘postcard material’, but the city’s famous landmarks have been captured many times, and it’s difficult to depict a different or more interesting view of these, or of the city in general.

There are different views of the Sydney skyline, and this particular spot in Campbell’s Cove offers a view of the old and the new, and makes a change from the regular views we often see.

Later in the morning, I was treated to an unexpected and serendipitous sight of two large cruise ships making their way through the harbour.  The leading ship, Diamond Princess, docked at the Overseas Passenger Terminal depicted in my earlier image; while the second ship — a P&O oceanliner — sailed under the Sydney Harbour Bridge and docked at White Bay.

All in all, it was a nice, productive morning.

Maasai Mara: Day 6 of 7

By the sixth day in the Mara North Conservancy in Kenya‘s south-west, our incredible safari was rapidly drawing to a conclusion; but despite the ticking clock, a lot can happen in two days, and day six would be an amazing day, as we would later discover.

In addition to the routine morning and afternoon game drives, we had a few other plans.  One of the highlights of the day would be a visit to a traditional Maasai village located in the conservancy, where we would experience the culture of the Maasai.

The other activity we had that day was a portrait shoot.

One of the experiences Mario of South Cape Images likes to provide, is a combined cultural and portraiture session, in which photographers get to meet a Maasai tribesman and photograph him out on the Mara plains during dawn and sunrise.

Mario and Francis had arranged for us to meet Baba, a tall Maasai tribesman who lives in the Mara North Conservancy.  Contrary to popular opinion, not all indigenous Kenyans are tall, but Baba certainly was.

After our usual early start and brief morning campfire routine, we again departed into the darkness before any other guests rose from their slumber.  This time we had Baba with us, and dressed in traditional Maasai costume, and armed with a spear, we headed out to a familiar location not far west of camp: Mario‘s Tree.

As we had often experienced overnight or early morning rain during our time in the Mara in June, the sky, while still dark, was moody and contained some good cloud, which would soon enough contribute to the images we captured.

Once we arrived at Mario‘s Tree, we began setting up for a portraiture session with Baba.

I started with my 16-35mm lens, as I wanted to capture the vast expanse, but with both Baba and the acacia tree being prominent.

It was still dawn, and the morning sky had a blue cast to it, with some distinct, but not yet intense, reds and oranges on the horizon.

I shot Baba in silhouette, but I was not finding the images all that pleasing, so I switched to the 70-200, and found that the composition was much more striking and pleasing.  This time I omitted the tree, and focused only on Baba, having him face to the north so that I could capture him in profile.

Mario also found that he wasn’t happy with the wider angles.

The sky had not yet become intsense, but it was rapidly changing.  Five minutes later, there was rich orange and purple in the sky as I continued to capture images of Baba in silhouette.

Less than two minutes later the sun peeked over the horizon and I continued shooting. Mario and Xenedette had moved further back, and Mario had switched to his 300mm lens.  Meanwhile, I saw a pleasing composition, and was waiting for the sun to be positioned at the right place as it rapidly rose.

Mario was excited about the new composition he had found from further back with a longer lens, and was begging me to come over and shoot with him.  I was too committed to the shot I was anticipating, and yelled across the plains that I was working on a particular image.

Mario was becoming anxious, as he was afraid I’d lose the opportunity he saw.

I stuck to my guns, though, and landed the image I wanted:

Maasai at Sunrise

Maasai at Sunrise

I had to wait for the sun to be in the right position for this image, as I wanted it positioned between Baba and his spear.

I shot a few more images, and then raced over to Mario, finally placating him.

He showed me the image he had landed with a longer lens, and it was stunning.

Mario had attached his 1.4x tele-converter to his 300mm lens, so he had a 420mm focal length. I had left my 400mm lens in the 4WD, so rather than losing time while I fetched the 400, I borrowed Mario‘s 300 and shot what became one of my signature images on this trip, and what is currently featured as the desktop wallpaper on one of my computers.

Baba the Maasai

Baba the Maasai

To me, this image is one of those images which captures the essence of the Mara.  It’s a postcard-style image, which definitely makes it clear that the location is Africa.

Soon after shooting this image, I grabbed the big 400 and shot another image, this time capturing the silhouetted shape of Baba‘s earrings.

Staring at the Sun

Staring at the Sun

I love all three of these images, but what sets this apart, besides the earrings, is the tight composition, and the subtle light that can be seen shining through Baba‘s traditional Maasai robe as it drapes over his arm.

The sun continued to rise, and we decided to start shooting frontal portraits of Baba, with the sun behind us this time.

Firstly, I shot a full-length portrait of Baba in the golden hour light, with the Mara plains and scattered acacia trees behind him.

The Maasai

The Maasai

I played with a few compositions, and eventually decided on my signature style of a tight crop and a wide aperture.

I wanted to give Baba a sense of place, but focusing more on his face, so in the intensely warm morning light I carefully composed my images, and shot with a wide aperture, but also included the subtle shape of a distant acacia tree in the background.

This was the image I landed:

Contemplation

Contemplation

At about 7:15am, we wrapped up, and headed east towards camp to drop off Baba, as we were to continue on a game drive and see what we’d find.

Unusually, we didn’t find any big cats on this particular morning, but we still enjoyed some good sightings of other African fauna.

After we dropped off Baba, we encountered a black-bellied bustard just a few minutes south of camp, so we stopped to photograph it, as the background and light were pleasing, and the bustard was calling.

Using a long, 800mm focal length, I opted for a very tight crop of the bustard, with the background all but obliterated.

Black-Bellied Bustard

Black-Bellied Bustard

We spent about ten minutes with the bird, and decided to try and capture it at full call, as it was periodcally calling, and we had quickly learned its routine of contracting its neck such that its head was close to its back, followed by a rapid neck extension, during the height of which it emitted its call.

We were all firing off shots rapidly, capturing the entire sequence.

The highlight, of course, was capturing the bustard at full neck extension, with its beak open during its call.

I fortunately landed such an image.

The Bustard Can Sing

The Bustard Can Sing

After we concluded photographing the bustard, Francis took us in a south-easterly direction towards the Olare Orok River.  We were looking for a nice spot to stop for some breakfast, but along the way we encountered some male impalas up on a ridge, so we stopped for a few photos.

Antelopes can be difficult animals to photograph, and like zebras, they look directly at you — until you have a camera trained on them, at which time they turn away or otherwise hide in scrub, all of which destroys the possibility of landing decent images.

We soon abandoned the uncooperative impala herd and headed a little further south-west before stopping for breakfast.

It was good to jump out of the vehicle and get some circulation happening.  When game driving in Africa, it’s easy to lose track of time, and before you know it, you’ve been sitting with your legs at a 90-degree angle for hours at a time.

After breakfast we headed further south-west, where we encountered some grazing elephants.

Grazing Elly

Grazing Elly

After spending a bit more time with the ellies, we headed north, back towards camp.  Around ten minutes later, and not far east from camp, we spotted a juvenile martial eagle high in a tree, so we stopped to capture some images.  We had seen a juvenile martial eagle in South Africa, but it was nice to see one in Kenya too.

Juvenile Martial Eagle

Juvenile Martial Eagle

I needed 800mm of focal length for this image, but it still wasn’t enough!

We headed back to camp for some lunch, rest and time to deal with images and online happenings.

After lunch, we had plans to visit a nearby Maasai village to experience the culture of the Maasai people.

Francis drove us north-east of camp to the village, which is not far south of the C13 road which runs to Mara Rianta and beyond to the west, and Lemek and beyond to the east.

We spent around an hour in the Maasai village, where the people sang and danced for us, exposing us to their beautiful music.  We also got to step inside one of the bomas, where a tribal elder explained how the Maasai live.

During the singing and dancing, Mario and I got on the ground in the middle of the circle, photographing the Maasai people from below as they performed.  Everyone had a great time, despite the heat and the constant flies.

We were fortunate enough to be able to photograph the Maasai people, and here is a portrait I captured of a young Maasai woman, who was one of the women who sang and danced for us upon our arrival in their village.

Portrait of a Young Maasai Woman

Portrait of a Young Maasai Woman

The Maasai people also sell various African souvenirs, which Xenedette was very interested in buying.  She would have bought everything if we had more cash on us (and could carry it home), but she got down to the serious business of haggling with the Maasai over prices, after trimming down the number of items in which we were interested.  We only had very limited cash on us, as we just didn’t need to carry a lot in the Mara.

We came away with some very nice Maasai souvenirs, and it was a fantastic experience to be surrounded by Maasai people in their traditional village.

After our visit with the Maasai people, we headed back out into the Mara plains surrounding them, where soon enough, something very special awaited us.

Francis lead us north-west of the Maasai village, to a dense cluster of trees.  We didn’t know it, but he had been looking for leopards.

Francis had spotted a beautiful young leopardess resting peacefully high up in a large tree, basking in the hot afternoon sun.

We were again very excited to be in the presence of a leopard.  Leopards are so elusive, that just seeing one is an experience of its own.

We captured plenty of images of the leopardess sleeping, but in the glary conditions and contending with dappled light, photography wasn’t particularly easy.  I may go through those images at some stage and publish something.

We sat there for a while, watching the leopardess sleep, yawn and look around, continuing to snap away as she engaged in typical leopardess behaviour.

25 minutes later, something amazing happened: a male leopard emerged from the thick, long grasses, and began to climb the trees in which we found the leopardess.

Not only had we seen a leopard resting in a tree, but we had seen two leopards at the same sighting.  Double the excitement!

What we didn’t know, but quickly learned, was that these two leopards were mating!

Here is an image I captured of the larger and older male leopard commencing a tree climb:

Amourous Climber

Amourous Climber

He didn’t need to climb much higher than this, as the female descended and began walking into the scrub.

The female soon enough swished her tail and brushed against the male, signalling her readiness for mating.

Before we knew it, a ferocious, growling roar was to be heard as the male mounted the young female and engaged in only a few seconds of mating before he quickly jumped clear to avoid being attacked.

Here is the young leopardess resting in the grass after a number of intense mating sessions:

Resting Leopardess

Resting Leopardess

News of leopards — particularly mating leopards — travels fast in the Mara, and three or four other vehicles had descended upon the scene to watch a magnificent encounter between two elusive and territorial African big cats.

I cannot recall how many times the leopards mated, but every minute or two, they were at it again, and were constantly moving around the area as they engaged in the cycle.

Photography was challenging, particularly as there was rapid movement, constant movement, thick bush and falling light.

I did manage to land a few images of leopards during rare opportunities of rest in the open, including this image of the large male, whom I’ve called “Big Boy” owing to his huge build:

Big Boy

Big Boy

Isn’t he a stunning leopard?

Not even a minute after I captured this image of Big Boy in the grass, he approached the leopardess who was resting nearby.

Growl of the Leopardess

Growl of the Leopardess

I was fortunate enough to fire the camera shutter at the precise moment the leopardess told the male in no uncertain terms that she did not appreciate his advances; but she soon relented and let him know when she was ready to mate.

Some twenty seconds later, it was on again, as these two beautiful leopards played the mating game.

The Mating Game

The Mating Game

A minute or two after this explosive session, we all decided to depart, as the leopards had moved further into the dense bush by the water, and light was falling away.  We would return the next morning to see if we could find them again.

On that magical note, we headed back to camp for dinner, drinks, some great discussion and time to reflect on the incredible sightings we had just experienced with two of Africa‘s most elusive animals.

Our sixth day in the Mara had been intense, as had they all, and what a fantastic way to close off another day in Kenya.

Stay tuned for our seventh and final day in the Mara, during which we would embark upon our final game drive, but still have some new experiences for the first time.

Maasai Mara: Day 5 of 7

Our plan for day 5 in the Kenyan wilderness was to depart the Mara North Conservancy and head south into the public Maasai Mara National Reserve.  We were in search of cheetahs, the only big cats we hadn’t yet seen.

Rather than heading out for two drives (morning and afternoon) near camp, we made a single day trip further afield into the main reserve, which for us would mean more first-time experiences, as we’d later discover.

5am rolled around pretty quickly, so we went through the morning routines, spent a very short time around the camp fire, and headed out, as the main reserve was a longer journey.

Again we wanted to capture the beauty of dawn and sunrise in Kenya, so we headed to Mario‘s Tree, where a fantastic sky was to soon greet us.

The first frame was captured at 6:20am, by which time there was a sliver of intense red near the horizon under a bluish, cloud-laden sky.

Less than fifteen minutes later, I captured the first of a few images I’d publish from this sunrise, and rather than composing my landscape images in the usual landscape orientation, I rotated the camera 90 degrees and captured a vertical composition of Mario‘s Tree.

Mario's Tree

Mario’s Tree

What was also unusual about this approach was that I had decided to horizontally centre the subject, which I so rarely ever do.

In landscape photography, rule-of-thirds (RoT) composition, whereby one places both the horizon and the main subject at the imaginary horizontal and vertical lines which would appear if the frame was divided into a grid of nine sections, is usually the practice followed; but sometimes, even in landscape photography, breaking this ‘rule’ can work better than the predictability ensured by RoT composition.

I think it worked well here.

While I photographed this iconic acacia tree in portrait orientation, I naturally returned the camera to its default position and captured a composition in landscape orientation too.

Lone Acacia

Lone Acacia

Again I centred the subject horizontally, which I think works just as well here as it does in the vertically-composed image.

In this version, the negative space on either side of the tree conveys the vast expanse of land so typical in the Maasai Mara/Serengeti ecosystem.

What a fantastic sky this was, and a sight I rarely see at home these days.  My landscape images contained rich reds, blues and greens as the sun gradually rose over Kenya.

Now, I do not often like to include man-made objects in scenes depicting nature, but I decided upon a third approach to this morning’s session at Mario‘s Tree.

Mario and I decided to shoot some video footage, so he asked Francis to drive the vehicle across the scene so we could capture the presence of the 4WD in the Mara wilderness as a storytelling device.

Upon Mario‘s commands, Francis obligingly drove the vehicle from left to right, and right to left, several times, and at different speeds, as we captured stock footage for later use in some video productions.

Side-note: At the time of writing, I have yet to produce a video from the many clips I shot throughout the trip.  I have enough footage for several distinct videos, but it’s a larger project which requires an investment in time.  I’ll produce those videos eventually, but for now my story remains confined to words and images.

For my next image, I decided, also unusually, to place the 4WD in the scene, with the acacia tree taking a more subservient role in the image.  Here is the result:

Great Parking Spot

Great Parking Spot

I titled this image Great Parking Spot.  Great parking spot, indeed!

For my final image during this morning’s visit to Mario‘s Tree, which is five or ten minutes almost due west of Elephant Pepper Camp, I decided upon another storytelling image, this time placing not only the vehicle, but our people, in the scene.

I shot a silhouette of Xenedette, Mario and Francis, standing on the savannah, cameras, lenses and monopod in hand, with the 4WD parked adjacent to them, and Mario‘s Tree also prominent in the scene, all set against the intensely rich reds and blues of the magical dawn that had greeted us.

On Safari

On Safari

This scene really captures the essence of our trip specifically, and of an African wildlife photography safari in general, and it will always be a memorable image of a memorable trip.  The only thing missing is me, as I was naturally behind the camera.

In hindsight, I really should have included myself in the scene, too.  I shot it from a considerable distance, so it would have been a sprint across the wet grass to get into the scene on time.

Mario had brought a small, compact camera for Francis to use, and he made frequent use of it during the trip — at least, when he wasn’t driving, setting up breakfasts and sundowners, or looking for lions, leopards et al.

On the left is Francis, presumably “chimping” at the images he’d captured that morning.  In the middle is Xenedette, wearing a poncho and holding her Canon EOS 60D and my Canon EF 70-200mm f/2.8L IS USM.  On the right is Mario, with his Canon EOS-1D X and Canon EF 16-35mm f/4L IS USM mounted on my monopod.  Behind the Canon EOS 5D Mark II and Canon EF 16-35mm f/2.8L II USM which captured the image, is me!

After spending half an hour at Mario‘s Tree, it was time to make tracks.  Francis took us due south, further away from camp, but still within the Mara North Conservancy.

Mario loves capturing silhouettes of African wildlife, and one of his signature images, titled Rhino Sunrise, depicts a silhouette of a critically endangered rhino in Greater Kruger National Park, set against the low but rising sun.

This morning we were in the mood for silhouettes, and shortly after departing Mario‘s Tree, we saw a few giraffes.  While there are lots of giraffes in the Mara, we didn’t see a great deal of them, and didn’t spend much time photographing them; but this morning we made more of an effort, which turned out to be worthwhile.

I grabbed quite a few frames of a distant giraffes.  Mario was snapping away.  We were both outside the vehicle, so I captured a few images of him in action.  I then returned to photographing the giraffes.

For a strong silhouette of an African plains animal in the open, you need a few ingredients:

  1. a photogenic animal;
  2. a photogenic animal in the right place;
  3. a low angle so the animal isn’t ‘sinking’ into the ground;
  4. a strongly coloured background; and
  5. a photogenic animal in the right place, high on the horizon, doing something interesting against a strongly coloured background.

Easy, right?  Well, yes!

Here’s what I captured:

Wait for Me, Mum!

Wait for Me, Mum!

What a moment!  Not only had I captured a giraffe on the horizon, but the giraffe was on the move, her tail almost straight out, with her calf closely following.  Both animals were cleanly and sharply defined, which is essential in effective silhouette images.

This is one of those ‘story’ images, whereby something interesting is happening.  It’s so easy to get caught up in ‘posed’ shots of African animals sitting or standing around doing not much; but better wildlife photography depicts interesting or uncommon moments — something to elicit an emotional response in the telling of a story.

Seeing a juvenile giraffe following its mother across the savannah early in the morning is one of those images which tells the story of the African wilderness, as indeed do many other moments.

Through Mario‘s encouragement and influence, and my increased experience with African wildlife photography, this trip would be more about capturing the story unfolding than just the actors in between takes.

Now, by this time the sky was a bit grungy; there was faint colour, but it wasn’t the striking and dramatic sky we had captured earlier up north at Mario‘s Tree.  It was that “meh” time of the morning, which falls between dawn/sunrise, and golden hour.  The “meh” time is the lull between two peak periods of intense colour and light in the morning (and again in the afternoon between golden hour and sunset/dusk).

I had to push the colour and the contrast in this image, as the colour was present, but rather subdued.  The trick was to avoid going overboard, and I think I succeeded.

What’s also very appealing to me about this image is that the sun’s rays can be scene shining down on our giraffes.

Later in the day, when we were back at camp in the afternoon in the library tent we had commandeered for use as our office and charging station, Mario and I again engaged in strong debate about the merits of an image of mine.

It was similar to the leopard image I had shot early in the trip, whereby Mario and everyone else who saw it were raving about it, and I was dissatisfied, as my expectations were set pretty high.

The same general dissent transpired, this time in relation to my giraffe silhouette. Mario and Xenedette had worked on similar images across the table from me, and I was working on mine.  I wasn’t all that taken by the image at first, and insisted that it was nothing special; but again, Mario, far more experienced than I, countered. Mario was happy with it, and both he and Xenedette had shot very pleasing images; I just wasn’t quite convinced yet about my own images.

As I continued to work the image, I saw the merit of it, and certainly a few people who have seen the image consider it to be one of the more stand-out images from this trip.

Okay, so it worked.  I eventually realised it was better than I had initially thought.

Mario: 2; me: 0.

Meanwhile, back in the wilderness, many hours before the post-processing and image merit debate, we wrapped up photographing the giraffes.

Less than ten minutes from where we had captured silhouettes of the giraffes, we spotted a tawny eagle perched on a branch close to where we were passing, so we stopped, and again in silhouette mode, decided to capture the eagle in flight just as it launched from the branch.

The Eagle's Flight

The Eagle’s Flight

A few minutes later we continued southward for the Maasai Mara National Reserve.

It would be nearly an hour before we captured our next frames.  We probably spotted various plains game along the way, but we didn’t stop to photograph anything.

Where we were headed was about half-way between camp and the Kenya-Tanzania border.

After more driving and discussion, we entered the main reserve, which is quite different to the private conservancies.  In the main reserve, vehicles are not allowed to drive off-road, and must stick to the established tracks.  This makes photography challenging, as one cannot get into a good position, and if something very interesting is happening well away from the road, if your view is obstructed, or your lens isn’t long enough, the pickings are slim.

Our next sighting would be incredible.

At 8:41am, we encountered a large pride of lions called the Double Crossing Pride, which inhabits the Maasai Mara National Reserve.

This pride was the third pride we had encountered on the trip.

The lions were congregated around a deceased elephant, and many other vehicles from all parts of the reserve had descended upon the scene.

From what we could tell, the lions hadn’t killed the elephant; it had probably passed from natural causes rather than predation, but it certainly provided a huge meal for the Double Crossing Pride.

We spent time capturing images of three large lionesses feasting on the elephant, but trouble was brewing.

A deceased animal rarely goes unnoticed in the Mara, as lions, hyenas, vultures and other predators are always on the lookout.

In this case, hyenas also began to arrive on the scene, and typical of these greedy carnivores, they wanted a piece of the action.

The lionesses weren’t in the mood for sharing, though.

More and more hyenas had also congregated nearby, and their behaviour and vocalisations were becoming increasingly aggressive.

The lions weren’t happy, and were roaring and hissing at the hyenas, who were becoming closer to mounting an attack.

Stay Away

Stay Away

In this image, I had isolated one of the Double Crossing Pride females as she exposed her teeth in anger at a nearby pack of hyenas, hissing and spitting at them in no uncertain terms to warn them to stay away.

Seeing a lion pride feasting on an elephant was another first-time experience on this trip, and seeing the aggression of lions, was also a real treat, as all other lions we had encountered in the Mara and the Kruger were placid.

In the following image, three of the large Double Crossing Pride lionesses all had their say and warned the hyenas to back off:

Snarlfest

Snarlfest

The atmosphere was growing more and more tense, and it seemed certain that there would be a showdown.

All of a sudden, one of the seven or eight other vehicles at the scene took off.

I figured there was only one reason to depart a lion pride feasting and an imminent fight with hyenas: a better sighting somewhere else.  It had to be cheetahs!

Seconds after the first vehicle departed, other vehicles departed, and so did we.

There was massive excitement, as there just had to be something amazing awaiting us — not that what we had just seen wasn’t amazing enough.

As it turned out, it wasn’t a sighting somewhere else, but a sudden need to depart from a place at which we were not supposed to be.  The rangers had spotted all of the vehicles, and they were off-road at the lion sighting, which was a no-no!

The 4WDs dispersed, and we headed south-east.  We stopped for a quick breakfast, and then jumped back into the 4WD to search for more wildlife.

A little over 30 minutes after we departed the Double Crossing Pride, we caught our first glimpse of wild cheetahs!  There were five: a female and four sub-adult cubs.  Wow!

There was considerable distance between us, as even with 1,120mm of focal length, the cheetahs were quite small in the frame.  We could see them, though: one or two were sitting up upon a mound, scouting around, while the others lingered nearby.

Gradually, the cheetahs moved closer and closer to us, to the point where they walked right past us on the left side of the 4WD.

I captured the following image of a cheetah looking straight at us:

Spotted by a Cheetah

Spotted by a Cheetah

The time was approaching 11am, and the light was very harsh and glary.  I was struggling to photograph the cheetahs, both due to the harsh light and focus issues.  I unknowingly had my focus distance limiter switch on the wrong setting for the distance, which meant that the lens’s AF was not as accurate, and at times was missing, particularly as the cheetahs were moving closer and closer, not often staying still for very long.

While previewing the images I had captured, I became increasingly frustrated as I realised that I wasn’t landing the shots.  800mm is a challenging focal length to use, but add the extra complication of a moving subject, incorrect focus limiter setting and dreadful light, and the story wasn’t looking good.

The images, for the most part, were soft, and it took some time before I came to discover that I had landed a few decent images.

Mario explained that there was something about cheetah coats which makes them look soft when they’re captured.  I was sure that it wasn’t the cheetahs‘ fault that my images were missing the mark.  I persevered, though.

We moved positions several times, often needing to get ahead of the cheetahs so we could wait for them to approach us.

Cheetah on Alert

Cheetah on Alert

Here, this young cheetah, while resting on the grass, remained alert in case the need to pursue food or safety arose.

During the time the cheetahs were close by, I managed to land a shot of typical cat behaviour, which very much reminded me of our own cat.

Here, the cheetah stretches after getting up from a resting position, while one of the other cats rests behind.

Cat Stretch

Cat Stretch

Soon enough, the cheetahs were on the move again, as they were in search of food, or at least, opportunities to secure a meal.

Cheetah on the Move

Cheetah on the Move

This cheetah is out on the open plains, where a cheetah feels comfortable in spite of ever-present danger, but where a leopard would seldom be seen.

African big cats share some similarities, but of the spotted varieties (leopards and cheetahs), the cheetah is distinctly different in behaviour to the leopard.  Cheetahs don’t mind being in the open, and love expansive plains and termite mounds.  Leopards, on the other hand, are extremely elusive, difficult to find, prefer to hunt under the cover of darkness, and hide in trees.

Francis moved the vehicle as we continued to pursue the cheetah family.

I finally landed some clean portraits, which, despite the harsh light, turned out decently.

Portrait of a Young Cheetah

Portrait of a Young Cheetah

This is one of my favourite images from the few good shots I landed.  Despite the harsh light, which often plunges a cheetah‘s eyes into total darkness, I was able to bring out the details as the youngster surveys the surrounding territory.

Scouting

Scouting

In this image, two of the cheetahs are positioned quite close to us as we followed them.  There were some distant antelopes — possibly a meal — which they were slowly and distantly pursuing.

Looking at Lunch

Looking at Lunch

This cheetah was certainly aware of what was in the distance as he gazes towards his quarry.

The cheetahs continued moving in an eastward direction across the plains, moving closer and closer to the Thomson’s gazelles in the distance.

Other vehicles had also arrived in the general area, and at one point as we were parked on the road watching the cheetahs slowly stalking, I counted maybe ten other vehicles, some of which were in the distance, and some of which had driven down the plain on the other side of the location at which the cheetahs were now resting under the shade of a thicket.

We stayed there for quite a while, as both the cheetahs, and us in turn, did nothing much.

Wildlife photography can be a huge waiting game, whereby one sits in anticipation, waiting for something interesting to happen.  There was always the possibility that the cheetahs would have gone into full hunting mode and taken down a gazelle, but on the other hand, they may have sat there for a few hours as the heat of the midday sun continued to shine down.

After sitting there for a while swatting flies, hunger, boredom and irritation began to increase, so we decided to abandon our current pursuit and have a lunch break.

Francis headed a considerable distance west.

Eventually he stopped at a tree on a hill, as we needed some shade.  Of all the trees he could have picked, he picked the one that had the remains of a dead antelope hanging off a branch.  We were in a leopard‘s territory, as we would soon find out.

This kill had probably been made a few days ago, and there was little left, except for flies, which pestered us as we attempted to eat and drink in the persistent heat.

Just to the north of the tree was a watering hole which contained a hippo or two.

We finished lunch and climbed back into the 4WD, heading a little further west to a clump of trees on the south bank of the Olare Orok River, just north of the Ol Kiombo Airstrip.  A little further to the south is the Talek River, which the Olare Orok River joins.

We were definitely in leopard territory, and Francis found a stunning leopard high up in a tree.  I snapped a few frames as reference shots.  The light was terrible, there was dense foliage, and there were certainly no great opportunities for leopard photography.  This was one of those occasions on which it was enough just to see such an elusive cat.

After we’d spent some time with the leopard, Francis headed a little further south, where we encountered a lone female elephant grazing in very open, long-grassed plains.  The sky was looking a little moody as mid-afternoon wore on.  We captured a few images of the elly as she grazed on the bountiful reeds.

By now, I was ready to head back to camp, as we were considerably south, and it would be more than an hour’s drive back.

Thus ended our photography in the Maasai Mara National Reserve.  We made our way north, worn from a long, hot day, and my mood not particularly great due to the frustrating time I’d had photographing the cheetahs earlier.

We arrived back at camp, and Mario and I proceeded straight to post-processing HQ.  My mood had gone from bad to worse as I vocalised my frustration at my ineptitude at capturing good cheetah images. Mario did his best to take the edge off, but seeing my increasing frustration and louder, less G-rated rants, he decided to take affirmative action to ease my frustrations.

He got up and headed over to one of the Maasai tribesman employed as a guard at the camp, and had a quiet word with him.  He came back and told me that I had an opportunity to photograph some portraits of a Maasai tribesman, so we headed a few metres away from HQ, where I set up for a shoot as the early eve descended upon us.

I later came to realise, as evidenced by the cheetah images I’ve published here, that I didn’t do as badly as I thought, and that there were some good images amongst the mediocrity.

As it turned out, this was our only sighting of cheetahs in the wild, and while I wasn’t initially convinced I had any decent images, I was again proven wrong (fortunately), and not only did I land some decent images, but the sighting itself was a first, and a fantastic opportunity even if there were no images.

We had finally achieved our goal of seeing wild cheetahs on this trip.

Not only that, but we had seen and photographed all three species of African big cats in the one day: lion, cheetah and leopard.  How great it was to see and photograph all three in a single drive!

After photographing the Maasai tribesman, I headed back into the library tent to process images, check online happenings and run through my religious ritual of offloading Xenedette’s and my images to the laptop, as well as backing up everything onto an external drive.

About an hour after the portrait session, I realised that twilight had arrived, so I ran out of the library to grab a shot of Elephant Pepper Camp during the blue hour.  Here is the result:

Around the Camp Fire

Around the Camp Fire

What a fantastic eco-lodge! Elephant Pepper Camp was our home for seven days, and this very inviting camp fire, with the dining tent (right) and lounge tent (left) was what greeted us and all of the other guests every night after many hours spent out in the Mara with the magnificent wildlife.  The library tent, which Mario and I had commandeered, is off frame to the right.  Behind me are the flat plains of the Mara North Conservancy.

It had been a day of highs and lows, where my mood and tolerance for failing to live up to my own expectations had taken its toll; but looking back, I can honestly say that the day brought more good than bad.

A photographically frustrating day in the Mara is still a lot better than a great day at the office.

It had been another day of firsts:

  1. a new (to us) lion pride;
  2. lions feasting on an elephant;
  3. wild cheetahs (including cubs);
  4. a new (to us) leopard; and
  5. all three African big cat varieties in one drive.

Stay tuned for day 6 of our Mara adventures, during which we will meet and photograph Maasai tribesman Baba against a stunning sunrise; encounter and photograph birds in action; and spend the afternoon and early evening in the presence of a pair of mating leopards.

Maasai Mara: Day 4 of 7

Our fourth day in the Maasai Mara region of south-western Kenya had arrived after a good night’s sleep following the magical big cat activity and stunning skies we had witnessed the day before.

As had become our habit by now, we were again the first to rise from slumber at 5am, walking through the darkness of the camp, with our Maasai guard leading the way, towards the freshly stoked but unoccupied campfire, where the other guests at Elephant Pepper Camp would meet later on, well after we had already departed into the plains under the cover of darkness to capture the pre-dawn light and sunrise.

We headed to Mario‘s Tree again, which is located maybe one or two kilometres west of camp, taking five to eight minutes to reach by 4WD.

In the rapidly fading dawn, we parked a little further away from the acacia, and jumped out of the vehicle, armed with long lenses and the monopod.

We were aiming for a silhouette shot of Mario‘s Tree against the stunning colours of the African morning sky, and it did not disappoint, as can be seen in the following image:

Crimson Mara

Crimson Mara

Some stunning clouds were lingering in the eastern sky as the sun below the horizon bounced warm light rays off the clouds, producing an intense crimson colour against which the lone acacia stood out.

There was scattered plains game in the distance, and in this image, I captured a disant topi watching us, acutely aware of our presence.

A short time later, the sun peeked over the horizon and quickly rose, warming up the plains as we snapped away with 300mm and 400mm lenses.  I captured a ‘post card’ image of the African sun rising, with Mario‘s Tree providing striking contrast against the rich orange sky.

Sunrise on the Mara

Sunrise on the Mara

Again our topi friend photobombed me, but I wanted him in the scene, as he added a sense of scale, and added life and context to a scene which would otherwise just be a landscape.  There’s no mistaking this place for anywhere other than Africa when one sees an acacia tree and antelope on the savannah with a sunrise and warm sky in the distance.

We shot our last sunrise frame at 6:47am, by which time the sun had risen a little higher, but still remained quite low in the sky.

We decided to head off and look for lions again.  We ventured east-south-east, and four minutes later encountered a jackal scurrying around.  These little fox-like creatures can be very difficult to photograph, as they are constantly moving.  I snapped away furiously, and finally the jackal stood still enough for me to land a decent portrait.

The Jackal

The Jackal

By the time I captured this portrait, the light had become warm and almost golden, which made for a very flattering image of the jackal‘s reddish coat against the greens and browns of the plains.

A mere few minutes later, we continued on our search for lions.  Along the way we spotted a lone topi and grabbed a quick shot, but we pressed on, and eventually arrived at a spot south-east of camp, where we had found the Cheli Pride.  There were two or three lionesses and as many as eight cubs, which strolled along in the medium-length grasses.

I captured a few images of the Cheli cubs wandering around in the warm morning light, but I didn’t capture anything particularly fantastic, as reeds were typically cutting right across the cubs’ faces, thus ruining the shots.

We only stayed with the pride for three minutes before Francis banked sharply north and drove a few hundred meters to the zebra kill site we had visited on the previous afternoon.  We wanted to see if there was anything left.  The Cheli Pride lions we had just seen had moved south of the kill site, as they were done resting, and probably didn’t hunt overnight.

We found a breeding herd of elephants close to the kill site.  The elephants were calm, which was probably due to the fact that the lions were a few hundred metres south, and didn’t pose a threat.

We spent a good 12 minutes watching and photographing the elephants, which were somewhat playful.  Some of the larger herd members interacted affectionately with each other, which sent our cameras into rapid-fire mode as we captured these majestic giants playing in the warm golden light.

Trunk Wrestling

Trunk Wrestling

Here, two of the larger adults are engaging in some trunk wrestling during playtime.

Elephant Embrace

Elephant Embrace

These tender moments provided a strong contrast to the extreme but necessary violence which had taken a few metres from here the previous morning as the Cheli Pride took down and devoured a zebra which had straggled from the herd and been targeted by the lionesses, always looking for their next meal.

We moved over to the kill site and found that there was not much left.  The hyenas had probably been there during the night, and there were only a few signs of the deceased zebra left.  However, in the morning light, four jackals and a lone hyena had arrived at the scene to steal the last of the pickings, which were enough to provide a meal for some predators.

The jackals picked away at a few pieces of zebra remains, and a hyena emerged from the distance, grabbed a chunk and trotted off into longer grasses in the distance, where I captured him on the lookout.

Hyena on the Lookout

Hyena on the Lookout

While the predation of an animal is nature’s way in the wilderness, and at times difficult to watch or accept, nothing goes to waste, and one animal’s demise represents the continued survival of other species.  It is a fine balance, but it works.

Francis drove a little to the west, where we witnessed and photographed an elephant engaging in a colossal toilet break, emptying himself of hundreds of litres of water he had been drinking during the previous evening.

We then headed south, as the morning was wearing on and hunger was setting in.  Shortly before we stopped for a bush breakfast near a Talek River tributary, we spotted the brilliant blue and orange colours of a Hildebrandt’s starling perched on a branch.

After breakfast, we headed back to camp.

We didn’t capture any more images along the way back, until we encountered a grassland pipit just a few minutes away from camp.  We stopped and photographed the pipit for a minute, during which time I captured the bird calling before he promptly flew away.

Grassland Pipit

Grassland Pipit

After lunch and some more time processing and publishing images, poking around online and doing some backing up of image and video files, we headed back out into the Mara plains.

Having encountered the Cheli Pride quite a few times, we went out looking for these lions again.  We had seen the lions in the morning, not far south from the kill site, so it was likely that they’d still be in the general area.

Francis drove south-east of camp, right back to the area where we had been in the presence of the Cheli Pride for the last few game drives.

Just north-east of where we had found the pride earlier in the morning, we found one of the Cheli lionesses sitting on her own, out in the open, on a patch of grass.

The 4pm afternoon light was casting a warm glow on her as she began looking for the rest of the pride members, who at the time were not immediately nearby.

In the warm light, I captured this portrait of the Cheli lioness as she awaited the return of her cubs:

Cheli Mother

Cheli Mother

She’s not paticularly happy, as shown by her hunched position and the semi-flattening of her ears.

Typical of an afternoon in the Mara, a thunderstorm was brewing, and rain soon started to fall.

The lioness was intently looking into the distance left of frame, and began roaring to call her cubs.  She was plagued by flies, as indeed were we from our position 16 metres away from her.  The constant pestering by the flies, and the rain, which began to soak her, made for an unhappy lioness.

She really wanted her cubs to return to her.  They were around… somewhere… but were not quick to respond to her roars.

The rain became heavier and heavier, and the lioness got wetter and wetter, as did we.  While we had a canvas canopy above us, many parts of it were torn, and the rain pooled up and dripped onto us, covering our lenses, as well as us!  My lens was already half-exposed to the rain as I perched it on the camera platform and continued photographing the lionesses.

The lioness‘s roars became more intent and louder as she sought the company of her cubs while suffering the unpleasantness of the pounding rain.

I captured this image of the lioness in the middle or a roar:

Roaring in the Rain

Roaring in the Rain

Every now and then, the rain-soaked lionesses would shake her head rapidly to drain herself from the constant drenching she was enduring.

Mario and I began trying to capture the rapid motion of her periodic head shakes, and became very excited when we landed a sharp action image like this:

Shake It Off

Shake It Off

I would rate this as one of my best wildlife action images.  I would have liked a faster shutter speed to freeze the water droplets entirely, but the lioness‘s eyes and nose are in sharp focus, which is pleasing.

She continued roaring for the pride, and showed her eager anticipation of the arrival of her cubs.

Anticipation

Anticipation

During the next 20 minutes, she continued sitting in this position, roaring in the rain, before she got up and wandered a few hundred metres north towards the kill site, where, maybe 20 metres from the site, she sat down again and continued roaring and smelling the air for signs of proximity to the other lions.

At long last, there were signs of the other Cheli Pride lion cubs and lionesses nearby, as they emerged from the distance and headed towards the lone lioness, finally placating her after much calling and longing for their return.

As the other pride members approached, the lions all headed a few hundred metres south, so we followed, and once we perched ourselves nearby, we were treated to the joy of seeing a pride reunited.

As the lions greeted, groomed and played together in the open grass, our cameras were intently snapping and filming away as the light rapidly fell during the transition from late afternoon to early evening.

Here is a view of some of the members of the Cheli Pride, reunited after a lioness’s long endurance of flies, a rainstorm and the absence of her family:

Reunited

Reunited

After some time spent with the Cheli Pride, it was time to head back to camp, and what a fantastic way to finish the day: seeing a pride of lions together, enjoying each other’s company, and grooming, playing and resting before the long night ahead.

Stay tuned for our adventures on day five of our trip to the Maasai Mara, during which we would head out of the Mara North Conservancy and into the Maasai Mara National Reserve, closer to Tanzania.  It was a huge day, in which we saw wild cheetahs for the first time, and also got to witness lions aggression as a dispute over a meal escalated.