Tag Archives: Clouds

Maasai Mara 2019: Day 5 of 7

On the morning of our fifth day in the Maasai Mara during this most recent trip, we woke at 5am as usual to prepare for an early start, with the intention of engaging in some landscape photography at dawn.

Unfortunately, for the fifth day in a row, the sky was terrible, and was visibly hopeless even in the darkness as we huddled around the camp fire.  The notion was quickly aborted, and once we boarded the 4WD, we headed south towards the Offbeat area.

About half-way there, we spotted an elephant in the distance.  Unusually, we had seen very few elephants during this trip.  Unlike the last trip, these giants were just not around.  We did not stop for photography, instead continuing further south.

We did not know this at the time, but we were about to experience a special sighting.  I suspect Francis already knew ahead of time, but we were none the wiser.

Around 30 minutes later, we arrived at a dramatic scene of the Offbeat Pride of lions feasting on a buffalo!

Three or four other vehicles were also at the scene as the lions gorged themselves.  Much of the kill had been devoured, but there was still plenty of food for the pride.

While it is not highly unusual for experienced lions to take down buffalo, it is quite a dangerous task, as buffalo are large, aggressive and armed with horns which could seriously injure or kill a lion.  The two species are eternal enemies, and buffalo will launch attacks on vulnerable lions, particularly cubs.

Feasting on the carcass were a several lionesses, a large pride male and several cubs.

Here is one of the many images I captured as the feast played out in front of us:

Table Manners

Table Manners

Here, the large pride male feasts, while one of the females snarls as she contends to get her share.

Naturally, the lions were not alone, as a few jackals were also lurking nearby, hoping for a piece of the action.

We spent nearly 45 minutes watching, photographing and filming as the lions consumed their meal.  I captured a lot of video footage of the lions feasting, from which I will eventually produce a video (or maybe more than one) of this trip.

During the feast, the male lion was very patient and tolerant of the cubs, only snarling and snapping once as another lion got too close.

Soon enough, the the pride male finished, and stood up.  Mario, knowing lion behaviour well, knew that the male would wander off for a drink and a rest.

Our next step was clear: we had to hastily depart the scene, get ahead of the lion and place ourselves where he would be likely to find water so that we would be able to photograph him drinking.

Within a few seconds, Francis sped off in a westerly direction, where a short distance away, there was a creek.  It was a rush, both literally and metaphorically, as we had very little time to beat the lion to his destination so that we could capture images that nobody else would capture.

The other vehicles all stayed at the kill scene.  The inhabitants of the other vehicles were probably wondering why we would suddenly race away from the scene of a pride feasting on a kill, but they did not have the Dream Team of Mario and Francis, who knew what the male lion would do, and where he would go.

Only five or six minutes after the pride male departed the kill scene, we were positioned on the western side of the creek, which runs from the Olare Orok River to the south.

All of a sudden, we saw the impressive male lion arrive on the scene, and begin drinking from the creek.

After he had lapped up some water, he decided to cross. Francis had done an excellent job of positioning the vehicle so that we were looking straight down a slope the lion would climb.  He would be heading straight towards us.  And he did!

Here is a tight portrait I captured of the pride male as he ascended the bank, looking straight at us:

Thirst Quenched

Thirst Quenched

Very noticeable is an injury to his nose.  I am not sure if he was injured during the kill, or if this was an older injury and he happens to have some of his meal still on his face.  Either way, it was fantastic to have this large pride male heading straight towards us.

Xenedette captured a fantastic video of this lion crossing the water, climbing the bank, heading straight towards us and then veering off to his right, only one or two metres from the 4WD.

The pride male headed off to find a resting place, high on a ridge.  We then raced back to the kill scene, where a lioness and three cubs were still feasting.  We captured more images and video footage from a different angle.

Sure enough, it was time for the female and the cubs to depart in search for water, so again, Francis raced back towards the creek so that we could intercept the lions and photograph them drinking and crossing the creek.

Rather than attempting to cross the creek where the pride male had crossed a short time ago, the lioness and her cubs ventured a little further north, trying to find a suitable crossing point.

We had the opportunity to see the lions drinking, and caught a few glimpses as they were out in the open on a grassy bank.

Eventually they crossed, and the female headed further west, about half-way between the creek and the ridge, where she rested under an acacia bush.

Soon she was joined by a very handsome male cub, where I captured this image of the two lions planning their next move.

Planning the Next Move

Planning the Next Move

The lions had by now probably spotted the male high on the ridge to the west, and set off to join him.

The cute male cub ventured into the open, where I captured him in the warmth of the morning sun.

Heading Towards Mummy

Heading Towards Mummy

On this morning, I had decided that I needed some downtime back at camp, so we had earlier arranged for a private breakfast back at camp.

After a wonderful morning spent with the Offbeat Pride of lions feasting on a buffalo, drinking and crossing the creek, we made our way north back to camp for a nice outdoor breakfast and some time to rest and take care of the image transfer and backup housekeeping I regularly do while on safari.

After some highly needed downtime, we joined the other guests for lunch, and then had some afternoon drinks and spent some time processing images before it was time to head back out into the field.

For afternoon drive, we headed north towards Mara North Airstrip, and within a short period of time stumbled upon some action.

We encountered a clan of hyenas feasting on a topi.  Earlier, probably while we were back at camp, two sibling male cheetahs had killed a topi and quickly lost their kill to the hyenas.

Stolen Lunch

Stolen Lunch

Unfortunately, a high percentage of kills made by cheetahs, usually of antelopes such as Thomson’s gazelle, impala and less commonly, topi, are stolen by hyenas.

As hyenas are powerful and aggressive predators, cheetahs often flee rather than trying to defend their kills.  In this case, the hyenas had won.

In the distance, we spotted Mbili and Milele, who are two sons of a female cheetah called Kiraposhe.  They were heading east, away from their stolen lunch.

Mbili and Milele roam freely between the Mara North Conservancy, Lemek Conservancy and Olare Motorogi Conservancy.

As the brothers were heading eastward, we did the same, getting ahead of Mbili and Milele so that we could intercept them and photograph and video them coming towards us.

Here is an image I captured of one of the siblings.

Defeated

Defeated

The look on this cheetah‘s face says it all: defeated.

His head is down, his ears are flat, and his demeanour is forlorn.

With numerous hyenas on the kill scene, Mbili and Milele had no choice but to depart, and they moved quite quickly towards Lemek Conservancy.

For us, it was a matter of racing ahead, capturing images, and then moving off again to continually track them from the direction in which they were ultimately heading.

Further east, the cheetahs were out in the open, and I had the opportunity to capture this image of Mbili:

Mbili on a Mission

Mbili on a Mission

We continued tracking the cheetahs further eastward, until we landed at Mara North Conservancy Headquarters.  This marks the boundary between Mara North Conservancy and Lemek Conservancy.

We could not enter Lemek Conservancy, as no reciprocal entry agreement exists between the two conservancies; so we had no choice but to leave Mbili and Milele to continue on their journey into Lemek Conservancy.

We headed north-west, and in less than 20 minutes, encountered the Cheli Pride of lions.  As always, it was fantastic to see the Cheli Pride.

This time, the pride was located in and near a tributary running from the Mara River.  We first spotted a lioness resting on a mound out in the open.

Cheli Pride at Rest

Cheli Pride at Rest

We quickly discovered that there were other lions nearby, taking shelter down the ravine.  After venturing around to the other side of the tributary, we saw a wildebeest kill down the ravine.

Amongst the pride were some very young cubs, and as the late afternoon progressed, the cubs became more active, coming out from their hiding place to explore.

One of the cubs came right out into the open, and was soon joined by a sibling.  An opportunity to capture a clean image of two very cute lion cubs in the open is not one to be missed!

Cuteness Convention

Cuteness Convention

After spending some very pleasant time in the company of the Cheli Pride, we headed off to look for a landscape photography opportunity.

When we are on safari, we anticipate and look for landscape photography opportunities during every dawn/sunrise and sunset/dusk.

We headed south to look for some interesting acacia trees to capture in silhouette at sunset.  Along the way, Mario spotted some giraffes, and was keen to photograph those against the western sky; but I was determined that we continue our pursuit for some pleasing landscape photography images, as so far we had not been rewarded with favourable conditions.

Soon enough we spotted three acacia trees which looked viable.  I had my eye on one, but Mario had his eye on another, and we went with his choice.

Once again, the sky in the west was looking decidedly terrible, but as every keen landscape photographer knows, it always pays to look in every direction.

While the Western sky was a non-event, to the north and east were some ominous clouds.  As the sun descended, we were greeted with an intense, brilliant golden hour.

Facing the acacia tree with our backs to the sun, we were able to capture rich golden colours on the Mara plains as a dark, brooding, rain-laden sky served as the backdrop.

Here is one of the earlier images I captured:

Golden Acacia

Golden Acacia

I love the richness of the beautiful light.  Late afternoon light looks most dramatic when the sun has a clear path towards a dark sky in the east.

While I was on the south-western side of this Mario was north of me, shooting a very different image of a ranger’s hut which was nearby.  He was excited about the hut, but I found it ugly and wanted to focus on the acacia tree instead.

The light was changing very rapidly, so we both scrambled around, changing positions and even lenses to capture some different views of the same subject.

I ran north-east, and borrowing Mario‘s 70-200mm lens, I opted for a vertical composition of the acacia tree from further back, positioned right near the ugly hut Mario had been photographing.

Here is the resulting image:

Quintessential

Quintessential

The light was falling, so I did something I was never intending to do, and photographed the ugly hut!

The Ugly Hut

The Ugly Hut

Africa is a land of contrasts.

This is a man-made shelter, used by rangers or farmers during the day.

It is an ugly, thrown-together, metal shed with nothing inside and no purpose other than to provide temporary shelter for people needing it when out on the expansive plains.

It looks wrong in such a land of beauty.  It completely contrasts with the natural beauty which exists in the form of the acacia tree, the plains and the dramatic sky to the east.

We photographed it anyway, if for nothing else than to show something different, and highlight the contrast that exists between man and nature in the Maasai Mara.

This was my final shot of the day before we headed back to camp for pre-dinner drinks and a communal dinner with the other guests.

What a day was Wednesday, 5th of June, 2019.  We experienced a fantastic sighting of the Offbeat Pride of lions feasting on a buffalo, photographed the large pride male drinking and crossing a creek (followed by a lioness and cubs a short while later); experienced a new cheetah encounter, during which we saw and followed Kiraposhe’s sons Mbili and Milele, who had lost their lunch to hyenas; enjoyed another encounter with the Cheli Pride in the late afternoon, and finished the day with some rewarding landscape photography in beautiful golden hour light.

The big cats had truly been the stars of the show on this day.  We still had not found a leopard, but we had a few more drives before the trip was to conclude, so there would be more opportunities.

Stay tuned for our adventures on day six.

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Maasai Mara 2019: Day 4 of 7

Our fourth day of this trip to the Maasai Mara was to be largely spent as an all-day trip to the Maasai Mara National Reserve, south of Mara North Conservancy, and north of the Kenya-Tanzania border.

A day or two earlier, Mario had decided that it would be worth visiting the Maasai Mara National Reserve, just as we had done last time, as it provided a change of scenery, a somewhat different environment, and plenty of opportunities which we may not have had if we had stayed in Mara North.

As the morning greeted us, we had no idea that the day would be another day of first-time experiences.

After our usual morning ritual of a hot drink by the camp fire in the darkness before dawn, we headed out, and ventured south-west towards a familiar location: Leopard Gorge.

We had visited Leopard Gorge a few times during our first trip to the Maasai Mara.  Leopard Gorge is a fantastic location, which was made famous as a result the BBC’s highly successful production Big Cat Diary.  Some of the series was shot at Leopard Gorge, particularly during the seasons which featured the female leopard Bella and her cubs, who inhabited this very area.

During our visits to Leopard Gorge in 2015, we encountered two large male lion siblings from the Cheli Pride, as well as a young male leopard perched in an elephant pepper tree.

When we returned during this visit, the residents were somewhat different.

We entered Leopard Gorge from the north-eastern side, and as there were apparently no predators around, we decided to disembark from the 4WD and shoot some landscape images.

The morning was grey and cloudy, which had become the norm for the trip so far.

From down in the centre of the gorge, I shot a few landscape images featuring the large fig tree to the north-east.  I found myself struggling with composition, as the altitude was just not right, the sky was uninteresting and the composition just was not working for me.  There was too much sky, and also a lack of foreground interest.

I usually find composition very easy, but on this occasion I was just not finding anything pleasing, so I decided to climb the embankment on the southern side for a different view.  Playing around with a few compositions, I finally landed something more interesting than what I had seen below, and this time the sky had improved, as moody cloud was drifting in from the west.

Here is the image I captured:

Leopard Gorge

Leopard Gorge

While the four of us were near the position from which I captured this image, Mario decided to publish a live broadcast on Instagram.

Given the fame this location had achieved as a result of Big Cat Diary, and the somewhat disappointing fact that there were no big cats in the immediate area during our visit, we humorously shot our first and only episode of No Cat Diary, featuring a non-existent leopard.

After we had finished shooting landscape images, we headed back down to the 4WD and continued south-west through the gorge, stopping to look at the elephant pepper tree in which I had captured a pleasing image of a young male leopard four years earlier.

We did not spot a leopard in the tree, but soon enough, we saw baboons on the top of the ridge, which was a sure sign that there was not likely to be a leopard nearby.  There were also some hyenas a little further away from the gorge, which was another sign that spotted felines would not be found.

Mario suggested that we shoot some silhouette images of the baboons against the moody sky.

It was a good call, as we landed some good images which were quite different to what we had shot so far.

Of the numerous images I shot, there were two which stood out.  This is the image I chose to process and publish:

Baboon at Leopard Gorge

Baboon at Leopard Gorge

When shooting a subject in silhouette, it is very important for the subject’s shape to be clearly defined, and not touching any other subject matter in the scene; and with wildlife in particular, this can be more challenging, as legs and tails can easily become obscured when they are intersecting with an other part of the animal.

In this image, the shape of the young baboon can clearly be seen.  While there are little patches of grass which make the image less clean than I would like, the image still turned out well.  In the other image I had short-listed, the shape of the baboon was more pleasing, but there was an annoying clump of grass between the two centre legs, which I found distracting and detracting.

Moving further south-west through the gorge, we turned our attention to the cliff face on our right, where we spotted a group of rock hyraxes (also known as dassies).

We had seen these cute mammals at Leopard Gorge during the last trip, but I had never photographed them.

This time I took the opportunity, and captured this image:

Rock Hyraxes

Rock Hyraxes

Apart from the cuteness of these rock hyraxes, what appeals to me about this image is that it is very different to the type of image I typically shoot in the Mara, and it depicts a subject not often featured in images.

After we had captured our images of the rock hyraxes, we continued further towards the south-western end of Leopard Gorge; but we were not done yet.

We spotted a common eland, which is one of Africa‘s largest largest plains game, and the second largest type of antelope in the world.

Continuing the silhouette theme, I captured some images of the eland.

Eland and Friends

Eland and Friends

Here, this male, who sports a damaged antler — probably the result of a dispute with another male eland — stands high on the south-western edge of Leopard Gorge, joined by three oxpeckers.

Again this made for an interesting image, and the damaged antler shows that in Africa, not everything is perfect.  Wild animals do fight, and they do suffer injury and death.

After five or six minutes photographing the eland, and also a hyena which had arrived, we exited Leopard Gorge and headed further south-west towards Figtree Ridge, another location made famous by Big Cat Diary.

Because we were going to spend most of the day in the Maasai Mara National Reserve, we were heading towards Musiara Gate, which is positioned further south-west of Figtree Ridge.

Musiara Gate is one of the entrances to the Maasai Mara National Reserve, and is the entrance one would use if entering from the Mara North Conservancy.

After arriving at Musiara Gate at 8:15am, we stopped to check the tyres.  The term “checking the tyres” was a euphemism Mario and Francis had used during our last trip, and again this time, to refer to the need to respond to nature’s call.

While we were refreshing and stretching our legs, the Maasai women who sell beadwork at the gate decided to descend upon us like vultures on a kill.  They sure like to haggle, but after some time, we managed to land the beadwork we wanted for the price we wanted to pay.

A short time later, we headed south, and spotted a pair of topi fighting.

When animals are fighting, it is a story to be told, and always makes for compelling wildlife images.

Topi Tussle

Topi Tussle

Here I captured the two topi engaging in a fight for dominance, locking horns as they battled to be the boss.

After we captured this event, we headed south, where a new ‘first’ was awaiting us.

Not far south of Musiara Airstrip was the famous lion pride which inhabits the Musiara area: the Marsh Pride.

The Marsh Pride, which has inhabited the Musiara marsh for decades, is the resident pride, made famous by the BBC’s Big Cat Diary.  This was the first time we had seen the Marsh Pride with our own eyes.

There were several lionesses and numerous cubs, all resting under the cover of a stream embankment.  Quite a few vehicles had arrived on the scene, with people taking delight in seeing this famous lion pride.

I captured a few images, but photographically it was not a good sighting, as the lions were difficult to see, and there was too much foliage.  It was great to at least see the Marsh Pride for ourselves.

After our time with the Marsh Pride, we departed in an easterly direction, and soon encountered a few hyenas.

We had quite an unusual sighting of a hyena taking cover inside the hollow trunk of a large tree, peeking out to look for danger or opportunities, while another hyena rested outside on the grass.

Peekaboo

Peekaboo

This was fantastic opportunity for a very different kind of image, and shows that hyenas, while fierce predators and enemies of big cats, can exhibit cuteness and vulnerability.

After some time with the hyenas, we headed south-east for breakfast, and then headed south-west, eventually encountering a very typical Mara scene of two topi standing on a mound, facing opposite directions, surveying their surroundings for signs of danger.  In the distance was a Cape buffalo.

Less than ten minutes later, further south-west, it was time for some big cat action.  We encountered a large male lion and a lioness from a familiar pride: the Double Crossing Pride.

We first encountered this pride during our first visit to the Maasai Mara National Reserve in 2015, further east towards Olare Orok Conservancy.

The Double Crossing Pride lions we found this time had apparently been mating, and shortly after our arrival, they made their way to the shade of a large tree for some rest.

Unfortunately the lions did not continue to mate in our presence, and were content simply resting in the shade.  It was late morning, and quite hot, so we may not have seen much action even if we had stayed for longer.

We did land a few portraits, such as this image depicting the male looking towards us:

Busy Boy at Rest

Busy Boy at Rest

Soon enough, we decided to leave the lions to rest, and headed south towards the Talek River.

A very short distance from the western bank of the Olare Orok River, Francis stopped the vehicle, as he had spotted something.  It turned out to be a dung beetle on the road.

We leaned out of the right side of the vehicle, and saw the beetle in action.  It scurried under the vehicle, emerging from underneath the left side of the vehicle, and made its way away.

This was another first-time sighting, and as great as it is to see Africa‘s larger animals, it is also special to see the smaller creatures which may not normally be seen or noticed.

Ironically, just ten metres ahead of where we had seen the dung beetle, a large Cape buffalo was resting in a thicket.

There, we had seen one of Africa‘s smallest animals, and one of its largest, within metres and minutes of each other.  Africa is a land of contrasts!

Francis continued south, and we crossed the Talek River, spotting an eland in the distance.

As we continued on, we found that we were in the midst of the beginnings of the Great Migration!  The plains were already populated by herds of wildebeest which had been early migrants from Tanzania to the south.

Being early June, it was quite unusual to see any signs of the Great Migration in Kenya, as it usually takes place in this area from July; but this year, the herds had already crossed the Sand River in a northerly direction, and had arrived in the Maasai Mara National Reserve.

As we made our way further south from the Talek River, we saw plenty of wildebeest, and I captured some brief video footage of two males fighting before one fled.

Further along the way, we spotted a dead wildebeest calf hung over a branch in a balanites tree.  This was so far the only evidence of the presence of a leopard in the area, but of course, we did not see one.  So far, four days into the trip, leopards had not been seen.

Francis changed direction, heading south-west.  Fifteen minutes later, we experienced a special sighting.

For the first time, we encountered the Five Musketeers.

The Five Musketeers (also known as the Fast Five, and by various other names) is a coalition of five male cheetahs which has dominated the Mara plains and caused quite a stir.

Male cheetahs often form coalitions, and can often contain siblings.  To encounter a coalition of five is not very common, and these particular cheetahs have achieved infamy.

When we encountered these legendary cheetahs, it was early afternoon and quite hot, so they were resting under croton bushes and not doing very much, only occasionally standing alert to something in the distance.

Photographically, it was not a great sighting, but that did not stop me from capturing numerous images of the Five Musketeers as they rested.

One of the Five Musketeers

One of the Five Musketeers

Despite their lack of activity during our visit, it was great to see this rare and legendary coalition of cheetahs.

This was our fourth day, and our fourth sighting of cheetahs.  We were doing quite well in the cheetah department, and by now, had seen nine individuals.

After spending 30 minutes with the Five Musketeers, it was time for lunch, so we headed east, and Francis found a tree which we would use for a lunch stop.  Before we stopped, we saw numerous wildebeest congregating around the base of the tree.  As we approached, they ran away, but one of them decided to come back and challenge us!  He was apparently annoyed at being interrupted.

After lunch, we headed north-west and crossed the Talek River closer to Olkiombo Airstrip, further north-east of where we had crossed the river earlier in the day.

We then headed north-east, spotting a hartebeest along the way, before continuing further north in the general direction of camp.

Shortly before 4pm, we spotted a female impala in the distance, with a very young calf beside her.  The calf must have been only a day or two old.

As the afternoon was getting late, Francis continued north, exiting the Maasai Mara National Reserve and re-entering the Mara North Conservancy.

We drove through the lush Offbeat area, and further north, encountered two Cape buffalo bulls.

I am not impartial to photographing Cape buffalo, as the textures of hair and hides can look quite striking in an image.  Plus, we had a clean background and some nice afternoon light.

Here is one of the images I captured:

Big Buffalo Bull

Big Buffalo Bull

After photographing the large bull, we continued further north, and an hour later, stopped at a location not far south from camp, for a sundowner and a landscape photography session.

In the distance was a distinctive, lone acacia tree.  As the sun continued to descend towards the cloud-laden horizon, we shot numerous silhouette images of the acacia tree.

Sundowner

Sundowner

Within a few days of publishing this image on Flickr, it attracted a lot of attention, and as of the time of writing, it has been viewed over 17,000 times.   In over 13 years on Flickr, this image has been my most popular.

After our sundowner and photography session, we headed back to camp for drinks and dinner with the other guests.  By now, more guests had arrived at Elephant Pepper Camp, so we had some new people to meet.

Tuesday, 4th June, 2019 had been another great day in the Mara, with most of it having been spent south in the Maasai Mara National Reserve, where we had enjoyed more first-time experiences, a variety of wildlife, and captured different images.

We had visited Leopard Gorge for some landscape photography, and had also photographed baboons, rock hyraxes and an eland in the process; we saw and photographed topi fighting; spent time with the Marsh Pride of lions for the first time; captured the cuteness and vulnerability of hyenas; encountered the Double Crossing Pride lions for the second time; saw a dung beetle; experienced our first sighting of the legendary Five Musketeers coalition of cheetahs; witnessed the early stages of the Great Migration of 2019; seen a newborn impala; captured a pleasing image of a Cape buffalo; and finished off the day with a pleasing silhouette images of an acacia tree.

Stay tuned for our adventures on day five.

Magical Light in Perth

Looking back, I have unfortunately neglected to write much here for the second half of 2018. Photographically, 2018 was not a big year.

However, 2019 started off very nicely with a trip to Western Australia, in which we were based in Perth.

This was a first-time experience, and naturally, I had a list of subjects and places I wanted to photograph.

In our short time, I did not capture all of the images I wanted to captured, but I did tick a few off the list, and came away with some rare images.

On our second day, we did some tourist activities in the city, one of which was a visit to Kings Park.  It was one of the locations on my list.  In fact, for that day, I had planned to shoot Elizabeth Quay at twilight; but I also wanted to shoot the war memorial in Kings Park at golden hour, followed by a cityscape at twilight.

Kings Park offers sublime elevated views of Perth, and may just be the only major Australian city which offers an elevated view from a publicly accessible place.

After our first visit of that day to Kings Park, I changed my mind about the plan, and decided that we should return and execute the photography plan there on that day.

As the afternoon wore on, the cloud increased, and the light became very glary, flat and dull.  My hopes for golden hour were fading, but I figured we would stick around anyway, as there was still the potential for a moody twilight.

Late in the afternoon — actually, technically evening — some golden light started to appear on the buildings across the water.

I set up my rig and played the waiting game.

Within a matter of minutes, the light started getting interesting, and before too long, there was an amazing glow of golden light on buildings.

This is what I saw:

Gold Rush

Gold Rush

Despite the horrible cloudy sky, the cloud in the west had not completely obscured the sun, and as a result, some intense light struck the city.

The combination of a darker, cloud-laden sky in the east as the intense warmth of the sun shone through from the west, made for an amazing sight.

The next image I captured showed a blend of golden light, plus the beginning of the more intense warm colours as the sun inched its way closer to the horizon.

Picture-Perfect Perth

Picture-Perfect Perth

Later, just after sunset, the light became really interesting.  A glow of pinks, purples and reds immersed the entire city in intensely rich light.

I was in paradise.  This was the spectacle which had unfolded:

Best of the West

Best of the West

Light like this is so rare.  It really is the stuff of postcards.  I have only seen conditions like this on a few occasions, and rarely am I in the right place at the right time.

On this day, I was, and I captured the magnificence of light which is not only amazing in a photographic image, but exceedingly pleasant to watch with one’s own eyes.

A little while later, this magical pink glow gave way to the onset of twilight, and I completed the sequence of images.

Here is the result:

Perth by Night

Perth by Night

What a magical afternoon for photography.

Earlier in the afternoon, the conditions looked decidedly atrocious, and if we were somewhere else and not already committed to the shoot, I would have likely decided not to bother, because the light was terrible.

What I did not know was that it was a blessing in disguise.  The conditions were ideal; I just did not know it at the time, as we had restricted visibility of the western sky from where we were positioned.

In one session, the sky went from dull grey to intensely golden, and then to intensely pink and red, followed by gold and blue as evening fell.

What a shoot.  Conditions like this are rare, but this was the one occasion on which the big fish did not get away.

Precarious Position: First Seascape of 2018

This image of Turimetta Beach was captured during my first seascape session in nearly a year, and this was the first time I have returned to Turimetta since 2012.

Precarious Position

Precarious Position

The conditions were a lot more dangerous than this image would suggest, with a strong south-easterly wind, medium-to-large swell and an incoming tide.

Large waves were crashing near this small part of exposed rock shelf and causing splashes and surges which made standing here dangerous.  I had to be quick about composing and capturing images in between sets of larger waves.

It was good to be near the ocean again, but having been out of the seascaping scene for quite some time, this morning’s shoot had its challenges.

Brisbane and South-East Queensland Visit – 2017

Late in 2017, we headed to Brisbane and south-east Queensland for the first time since 2013.

It was high time to visit Dave and Lea, and engage in some photography, tomfoolery and shiraz consumption.

On our first full day, we decided to head south-west to Queen Mary Falls, as there had been some recent rain in the Gold Coast area, and there was predicted cloud cover, which made waterfall photography ideal.

Our first stop was at Daggs Falls, where an observation platform provided a great view.  Unfortunately, the platform was very prone to vibrations, which made shooting long exposures with a 200mm lens and ten-stop ND filter somewhat impossible.

We drove up the road for a few minutes and got to Queen Mary Falls, which had a much more stable observation platform.  This time, I used my 14mm lens to capture the vast expanse of the scenery and the high view.

Long Way Down

Long Way Down

After we had finished shooting, we decided it was time for a late lunch.  Heading north-east for around five minutes, we happened across the Spring Creek Mountain Café, which offers a very pleasant view of the Scenic Rim.

While waiting for our lunch at an outside table, I took advantage of the light and cloud conditions over the valley, and captured this view.

Spring Creek Mountain

Spring Creek Mountain

The plan for the same day was to visit Brisbane‘s iconic Story Bridge for a twilight shoot.  The last time I photographed the Story Bridge was in 2008, and it was time for a new look at it, applying the experience and gear I have acquired since I last shot it.

The bridge is often photographed from Wilson Outlook Reserve, high up on the cliffs to the east.

This time, we decided to venture down onto the Brisbane River Walk below and try a different vantage point, which gave us a lower angle, allowing the reflections of the lights in the water to appear much more prominently.

During the session, the bridge put on an ever-changing show of multi-coloured lights, which created a nice contrast to the blue and cloudy night sky.

Story of Colour

Story of Colour

On the topic of the sky, the clouds were somewhat annoying and detracted from the image I had pictured, but it was what it was, and I had to make the best of the conditions at the time we were there.

After our shoot concluded, we walked to New Farm and stopped in an Italian restaurant for a late dinner before making the drive north-west to Cedar Creek.

The next day, the plan was to head out for an afternoon landscape shoot during golden hour.  This time, Dave and I headed out on our own.

We decided, given all the driving the day before, to remain in the local vicinity, and we threw around a few ideas.  We figured we would look for a view of the mountains in the area such that the sun would be behind us.

Driving around, we ended up at Mount Pleasant, but the scenes we visited just were not right, so we continued on, and this time headed up Mount Mee.

While driving north along Mount Mee Road, Dave spotted an interesting tree on the right at the junction with Sellin Road.

We stopped and headed over to the eastern side of the road to photograph the tree, which also had some grazing cows lingering nearby.

The light was warm, as it was quite late in the afternoon, but not quite warm enough for what we had in mind.  However, the light was still decent enough, so we snapped away as the cows grazed.

Here is what I captured:

High Steaks

High Steaks

For this image, and the image I was to shoot later in the day, I used my Canon EF 200mm f/2L IS USM lens.  Now, this lens was not one I bought to shoot landscapes, and I rarely ever use a telephoto lens for landscapes, much preferring the wide vista provided by an ultra-wide lens; however, from where we were standing, the 200mm focal length was just right, and provided a nice amount of compression.

After we had finished shooting at this spot, we headed west along Sellin Road, and spotted a lone tree we had photographed at dawn back in 2010.  To our surprise, there was now a large house now on the property, close to Sellin Road.  We could still see the tree further up the paddock in the distance.

Here are the stand-out images I captured of the ‘ Mount Mee Tree‘ in 2010:

Dawn on Mount Mee

Dawn on Mount Mee

Tree on Mee

Tree on Mee

We continued westward, and found some lovely side-lighting htting the lush green grasses down the ravine, but compositionally, there was not much on offer; so, we turned around and headed east.

I was beginning to think that we may not find much at all, and I pointed out that one really needs to scout and plan a location, which, we clearly had not done.

However, heading further east to where we had photographed the cows, I spotted a lovely, large tree down a valley to our left.  After driving past it, we swung back around and pulled up, with this location to be our final location for the day, in which we would photograph this beautiful tree in the rich and warm golden hour light which would greet us a little later.

I quickly found my composition, again using my Canon EF 200mm f/2L IS USM lens.  The view I found from the spot where I perched myself also contained some lush, long green grasses in the foreground, which I purposefully kept in the frame.  I liked the extra interest, as well as the framing device, it provided.

From then, it was a waiting game.

Once the light became even warmer, we snapped away.  Dave was capturing all sorts of images of different subjects in the area, from varying positions.  I remain focused on the tree.  That was my image, and I was not interested in anything else.

After waiting for the right light, here is the image I shot:

Glowing Tree

Glowing Tree

After the lovely light had disappeared, we headed back to Samford to collect some cows (of the non-grazing variety) and fermented grape juice for dinner at the house.

Thus, my photography for this trip was completed.

During our stay, Dave and I decided to compare our 200mm lenses.  He owns a Canon EF 200mm f/1.8L USM (a legendary and relatively rare lens, with only 8,000 having been built), and I own a Canon EF 200mm f/2L IS USM, which effectively replaced the 200/1.8L some 20 years after it was introduced.

We lined them up for a ‘family portrait’, and Dave captured an image of the two lenses side-by-side.  Later during the visit, we also staged a semi-scientific shoot, with a foam rubber dinosaur as the subject.  We photographed the dinosaur with both lenses, using the widest apertures available on both, as well as the widest aperture common to both.

Upon inspecting the resulting images, there is not a great deal of difference in sharpness between the two lenses.  Both deliver outstanding results.

All in all, it was a fun trip, and while photographically the conditions were not super exciting, I did manage to capture a few pleasing images along the way.

Upward View of Barangaroo

On the day I bought my new Canon EF 14mm f/2.8L II lens, I had planned a shoot for that evening.

Just before Christmas, we were around the King Street and Barangaroo area, and it was the first time I had seen the new skyscrapers since development concluded.

Looking up, I spotted some interestiong compositions, looking towards the sky, with the sleek and sharp lines of the skyscrapers forming the contrasting subject.  I captured some quick reference shots with my phone’s camera.  It was a place to which I wanted to return at twilight, for a proper photoshoot.

On the evening of 12 January, 2017, I achieved what I set out to achieve.

This ultra-wide view of the new skyscrapers at Barangaroo is my first serious image captured with my new Canon EF 14mm f/2.8L II USM lens.

Barangaroo Towers at Twilight

Barangaroo Towers at Twilight

I had purchased the lens merely a few hours before I shot this scene, and after a nice dinner, we headed to Barangaroo, where I had planned to shoot some quirky architectural images during tblue hour.

I am pleased with both the lens, and the images I captured during this summer twilight at Sydney‘s newest entertainment precinct.

After shooting this image, I re-composed.

Here is a view along Mercantile Walk in Barangaroo, west of the Sydney CBD, showing the towering skycrapers which are now the tallest in Sydney.

Mercantile Walk

Mercantile Walk

This image was captured with the ultra-wide 14mm focal length, which depicts an expansive view from the ground to the sky.

As the night wore on, I captured my final view a little further north of my original location.

To the Sky

To the Sky

This series of images signals for me new photographic study, which I had wanted to commence quite some time ago, but never got around to doing due to life being, well, life.

A new lens purchase and a recent visit to an excellent photographic location was what it took to finally inspire me to embark upon a series of striking architectural images of Sydney‘s skyscrapers, using an ultra-wide lens and extremely quirky, distortion-laden angles.

I am looking forward to exploring this style of photography more, and my new lens has certainly provided some much-needed inspiration.

Tančící Dům at Twilight

Apologies for my lack of updates over the last few months.  I have not been shooting much at all.  I have shot a few images, and published some older images which were worth a visit.

In the mean time, here’s a new image from a mid-year shoot.

A view of Tančící Dům (the Dancing House) in Prague, at twilight.

Tančící Dům at Twilight

Tančící Dům at Twilight

This is a slightly different composition to my earlier image of this unique building.

Here, more of the intersecting roads can be seen, and despite outward appearances, it is not as deserted as it looks.

It was a matter of timing to avoid cars and trams; but a careful look will reveal the streak of a car’s tail lights as the vehicle passed through my frame.