Tag Archives: Sydney

Maasai Mara 2019: Day 5 of 7

On the morning of our fifth day in the Maasai Mara during this most recent trip, we woke at 5am as usual to prepare for an early start, with the intention of engaging in some landscape photography at dawn.

Unfortunately, for the fifth day in a row, the sky was terrible, and was visibly hopeless even in the darkness as we huddled around the camp fire.  The notion was quickly aborted, and once we boarded the 4WD, we headed south towards the Offbeat area.

About half-way there, we spotted an elephant in the distance.  Unusually, we had seen very few elephants during this trip.  Unlike the last trip, these giants were just not around.  We did not stop for photography, instead continuing further south.

We did not know this at the time, but we were about to experience a special sighting.  I suspect Francis already knew ahead of time, but we were none the wiser.

Around 30 minutes later, we arrived at a dramatic scene of the Offbeat Pride of lions feasting on a buffalo!

Three or four other vehicles were also at the scene as the lions gorged themselves.  Much of the kill had been devoured, but there was still plenty of food for the pride.

While it is not highly unusual for experienced lions to take down buffalo, it is quite a dangerous task, as buffalo are large, aggressive and armed with horns which could seriously injure or kill a lion.  The two species are eternal enemies, and buffalo will launch attacks on vulnerable lions, particularly cubs.

Feasting on the carcass were a several lionesses, a large pride male and several cubs.

Here is one of the many images I captured as the feast played out in front of us:

Table Manners

Table Manners

Here, the large pride male feasts, while one of the females snarls as she contends to get her share.

Naturally, the lions were not alone, as a few jackals were also lurking nearby, hoping for a piece of the action.

We spent nearly 45 minutes watching, photographing and filming as the lions consumed their meal.  I captured a lot of video footage of the lions feasting, from which I will eventually produce a video (or maybe more than one) of this trip.

During the feast, the male lion was very patient and tolerant of the cubs, only snarling and snapping once as another lion got too close.

Soon enough, the the pride male finished, and stood up.  Mario, knowing lion behaviour well, knew that the male would wander off for a drink and a rest.

Our next step was clear: we had to hastily depart the scene, get ahead of the lion and place ourselves where he would be likely to find water so that we would be able to photograph him drinking.

Within a few seconds, Francis sped off in a westerly direction, where a short distance away, there was a creek.  It was a rush, both literally and metaphorically, as we had very little time to beat the lion to his destination so that we could capture images that nobody else would capture.

The other vehicles all stayed at the kill scene.  The inhabitants of the other vehicles were probably wondering why we would suddenly race away from the scene of a pride feasting on a kill, but they did not have the Dream Team of Mario and Francis, who knew what the male lion would do, and where he would go.

Only five or six minutes after the pride male departed the kill scene, we were positioned on the western side of the creek, which runs from the Olare Orok River to the south.

All of a sudden, we saw the impressive male lion arrive on the scene, and begin drinking from the creek.

After he had lapped up some water, he decided to cross. Francis had done an excellent job of positioning the vehicle so that we were looking straight down a slope the lion would climb.  He would be heading straight towards us.  And he did!

Here is a tight portrait I captured of the pride male as he ascended the bank, looking straight at us:

Thirst Quenched

Thirst Quenched

Very noticeable is an injury to his nose.  I am not sure if he was injured during the kill, or if this was an older injury and he happens to have some of his meal still on his face.  Either way, it was fantastic to have this large pride male heading straight towards us.

Xenedette captured a fantastic video of this lion crossing the water, climbing the bank, heading straight towards us and then veering off to his right, only one or two metres from the 4WD.

The pride male headed off to find a resting place, high on a ridge.  We then raced back to the kill scene, where a lioness and three cubs were still feasting.  We captured more images and video footage from a different angle.

Sure enough, it was time for the female and the cubs to depart in search for water, so again, Francis raced back towards the creek so that we could intercept the lions and photograph them drinking and crossing the creek.

Rather than attempting to cross the creek where the pride male had crossed a short time ago, the lioness and her cubs ventured a little further north, trying to find a suitable crossing point.

We had the opportunity to see the lions drinking, and caught a few glimpses as they were out in the open on a grassy bank.

Eventually they crossed, and the female headed further west, about half-way between the creek and the ridge, where she rested under an acacia bush.

Soon she was joined by a very handsome male cub, where I captured this image of the two lions planning their next move.

Planning the Next Move

Planning the Next Move

The lions had by now probably spotted the male high on the ridge to the west, and set off to join him.

The cute male cub ventured into the open, where I captured him in the warmth of the morning sun.

Heading Towards Mummy

Heading Towards Mummy

On this morning, I had decided that I needed some downtime back at camp, so we had earlier arranged for a private breakfast back at camp.

After a wonderful morning spent with the Offbeat Pride of lions feasting on a buffalo, drinking and crossing the creek, we made our way north back to camp for a nice outdoor breakfast and some time to rest and take care of the image transfer and backup housekeeping I regularly do while on safari.

After some highly needed downtime, we joined the other guests for lunch, and then had some afternoon drinks and spent some time processing images before it was time to head back out into the field.

For afternoon drive, we headed north towards Mara North Airstrip, and within a short period of time stumbled upon some action.

We encountered a clan of hyenas feasting on a topi.  Earlier, probably while we were back at camp, two sibling male cheetahs had killed a topi and quickly lost their kill to the hyenas.

Stolen Lunch

Stolen Lunch

Unfortunately, a high percentage of kills made by cheetahs, usually of antelopes such as Thomson’s gazelle, impala and less commonly, topi, are stolen by hyenas.

As hyenas are powerful and aggressive predators, cheetahs often flee rather than trying to defend their kills.  In this case, the hyenas had won.

In the distance, we spotted Mbili and Milele, who are two sons of a female cheetah called Kiraposhe.  They were heading east, away from their stolen lunch.

Mbili and Milele roam freely between the Mara North Conservancy, Lemek Conservancy and Olare Motorogi Conservancy.

As the brothers were heading eastward, we did the same, getting ahead of Mbili and Milele so that we could intercept them and photograph and video them coming towards us.

Here is an image I captured of one of the siblings.

Defeated

Defeated

The look on this cheetah‘s face says it all: defeated.

His head is down, his ears are flat, and his demeanour is forlorn.

With numerous hyenas on the kill scene, Mbili and Milele had no choice but to depart, and they moved quite quickly towards Lemek Conservancy.

For us, it was a matter of racing ahead, capturing images, and then moving off again to continually track them from the direction in which they were ultimately heading.

Further east, the cheetahs were out in the open, and I had the opportunity to capture this image of Mbili:

Mbili on a Mission

Mbili on a Mission

We continued tracking the cheetahs further eastward, until we landed at Mara North Conservancy Headquarters.  This marks the boundary between Mara North Conservancy and Lemek Conservancy.

We could not enter Lemek Conservancy, as no reciprocal entry agreement exists between the two conservancies; so we had no choice but to leave Mbili and Milele to continue on their journey into Lemek Conservancy.

We headed north-west, and in less than 20 minutes, encountered the Cheli Pride of lions.  As always, it was fantastic to see the Cheli Pride.

This time, the pride was located in and near a tributary running from the Mara River.  We first spotted a lioness resting on a mound out in the open.

Cheli Pride at Rest

Cheli Pride at Rest

We quickly discovered that there were other lions nearby, taking shelter down the ravine.  After venturing around to the other side of the tributary, we saw a wildebeest kill down the ravine.

Amongst the pride were some very young cubs, and as the late afternoon progressed, the cubs became more active, coming out from their hiding place to explore.

One of the cubs came right out into the open, and was soon joined by a sibling.  An opportunity to capture a clean image of two very cute lion cubs in the open is not one to be missed!

Cuteness Convention

Cuteness Convention

After spending some very pleasant time in the company of the Cheli Pride, we headed off to look for a landscape photography opportunity.

When we are on safari, we anticipate and look for landscape photography opportunities during every dawn/sunrise and sunset/dusk.

We headed south to look for some interesting acacia trees to capture in silhouette at sunset.  Along the way, Mario spotted some giraffes, and was keen to photograph those against the western sky; but I was determined that we continue our pursuit for some pleasing landscape photography images, as so far we had not been rewarded with favourable conditions.

Soon enough we spotted three acacia trees which looked viable.  I had my eye on one, but Mario had his eye on another, and we went with his choice.

Once again, the sky in the west was looking decidedly terrible, but as every keen landscape photographer knows, it always pays to look in every direction.

While the Western sky was a non-event, to the north and east were some ominous clouds.  As the sun descended, we were greeted with an intense, brilliant golden hour.

Facing the acacia tree with our backs to the sun, we were able to capture rich golden colours on the Mara plains as a dark, brooding, rain-laden sky served as the backdrop.

Here is one of the earlier images I captured:

Golden Acacia

Golden Acacia

I love the richness of the beautiful light.  Late afternoon light looks most dramatic when the sun has a clear path towards a dark sky in the east.

While I was on the south-western side of this Mario was north of me, shooting a very different image of a ranger’s hut which was nearby.  He was excited about the hut, but I found it ugly and wanted to focus on the acacia tree instead.

The light was changing very rapidly, so we both scrambled around, changing positions and even lenses to capture some different views of the same subject.

I ran north-east, and borrowing Mario‘s 70-200mm lens, I opted for a vertical composition of the acacia tree from further back, positioned right near the ugly hut Mario had been photographing.

Here is the resulting image:

Quintessential

Quintessential

The light was falling, so I did something I was never intending to do, and photographed the ugly hut!

The Ugly Hut

The Ugly Hut

Africa is a land of contrasts.

This is a man-made shelter, used by rangers or farmers during the day.

It is an ugly, thrown-together, metal shed with nothing inside and no purpose other than to provide temporary shelter for people needing it when out on the expansive plains.

It looks wrong in such a land of beauty.  It completely contrasts with the natural beauty which exists in the form of the acacia tree, the plains and the dramatic sky to the east.

We photographed it anyway, if for nothing else than to show something different, and highlight the contrast that exists between man and nature in the Maasai Mara.

This was my final shot of the day before we headed back to camp for pre-dinner drinks and a communal dinner with the other guests.

What a day was Wednesday, 5th of June, 2019.  We experienced a fantastic sighting of the Offbeat Pride of lions feasting on a buffalo, photographed the large pride male drinking and crossing a creek (followed by a lioness and cubs a short while later); experienced a new cheetah encounter, during which we saw and followed Kiraposhe’s sons Mbili and Milele, who had lost their lunch to hyenas; enjoyed another encounter with the Cheli Pride in the late afternoon, and finished the day with some rewarding landscape photography in beautiful golden hour light.

The big cats had truly been the stars of the show on this day.  We still had not found a leopard, but we had a few more drives before the trip was to conclude, so there would be more opportunities.

Stay tuned for our adventures on day six.

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How Large is the Moon in a Photograph?

During the early morning of Saturday, 28 July, 2018, a special celestial event was to occur: a total lunar eclipse, resulting in a red moon — one like this:

Red Moon

Red Moon

I captured this particular red moon on 28 August, 2007.  Incidentally, it was the first and last red moon I captured!

For the most recent total lunar eclipse, I planned to rise early and capture the moon.

Unfortunately, due to cloud, I barely caught a glimpse of it, so no images were forthcoming.

The night before, however, I captured some images of the rising full moon in the early evening.

Now, there are different ways of photographing the moon.

Some people like to place the moon in the context of a broader scene, depicting trees, city architecture, animals or people.

Other people like to capture the moon in and of itself, with a view to depicting as much detail as possible.

I have historically fitted into the latter category, and I have photographed the moon numerous times with it being the only subject.

Naturally, when using only DSLR equipment and no telescopes or other space observation equipment, I like to use the longest focal length possible so that the moon in all its glory is more prominent, and therefore larger in dimension.

The maximum focal length I can achieve is 1,120mm by attaching both a 2x tele-converter and a 1.4x tele-converter to my 400mm lens.

People often wonder which focal lengths to use for capturing the moon.

Which focal length to use depends on the kind of image desired.  In my case, I want as long a focal length as possible.

Once a focal length has been decided, the next question is as follows:

How large will the moon appear in my image?

The answer is that it depends on several factors; namely:

  1. the focal length;
  2. whether the camera is a full-frame, APS-C or APS-H model (the latter two of which crop the view a full-frame lens natively provides on a full-frame camera); and
  3. the distance between the moon and the earth.

The short answer is that the moon is not very large relative to the frame.

If an APS-C camera is used, there is a distinct advantage, as the moon will appear larger relative to the frame than it would when captured with a full-frame camera.

In my case, I have only full-frame DSLR cameras.

Today I decided to explore and compare the size of the moon relative to my camera’s frame size, when shot at different focal lengths.

The night before the total lunar eclipse, I went outside to capture some test images.  I happened to capture images at both 1,120mm and 800mm.

Both focal lengths are considered extreme super-telephoto focal lengths in the DSLR world, but there is a surprising difference between them.

In both cases, the moon is not very large, relative to the frame.

I use a Canon EOS 5D Mark IV, which produces a native image size of 6,720 x 4,480px (30,105,600px).

Let us take a look at how many times the moon can fit into that frame size when captured at the two focal lengths I used.

This is an image measuring 6,720 x 4,480px (the exact image dimensions a Canon EOS 5D Mark IV produces), depicting the size of a full moon relative to the size of the frame.

Moon Captured with Canon EOS 5D Mark IV at 1,120mm

Moon Captured with Canon EOS 5D Mark IV at 1,120mm

The full moon was captured in Sydney on 27 July, 2018 at 17:50, using a focal length of 1,120mm.

The moon, when captured at 1,120mm at this particular time, measures approximately 1,751 x 1,741px (3,048,491px).

With a frame size of 6,720 x 4,480px (30,105,600px), this means that the moon occupies approximately 10.1% of the frame.

Equipment used:

This is an image measuring 6,720 x 4,480px (the exact image dimensions a Canon EOS 5D Mark IV produces), depicting the size of a full moon relative to the size of the frame.

Moon Captured with Canon EOS 5D Mark IV at 800mm

Moon Captured with Canon EOS 5D Mark IV at 800mm

The full moon was captured in Sydney on 27/07/2018 at 17:54:19, using a focal length of 800mm.

The moon, when captured at 800mm at this particular time, measures approximately 1,267 x 1,258px (1,593,886px).

With a frame size of 6,720 x 4,480px (30,105,600px), this means that the moon occupies approximately 5.3% of the frame.

Equipment used:

As can be seen, despite using long focal lengths on a full-frame DSLR, the moon is still relatively small within the frame.

Here are those key figures again:

In this case, the size of the moon nearly doubled with the use of a longer focal length, despite that focal length not being twice the size of the shorter focal length.

It is not quite an exact science, particularly when considering that the image shot with the 800mm focal length was captured just over four minutes later, by which time the moon had risen marginally higher; but it is a substantial difference.

In both cases, while the moon does not dominate the frame, it is certainly large enough to show very pleasing details.

Photographers desiring even more prominence and detail would be likely to attach the camera to a telescope, but if, like myself, a photographer does not have a telescope, but does have long focal lengths, a very pleasing result is certainly possible.

Precarious Position: First Seascape of 2018

This image of Turimetta Beach was captured during my first seascape session in nearly a year, and this was the first time I have returned to Turimetta since 2012.

Precarious Position

Precarious Position

The conditions were a lot more dangerous than this image would suggest, with a strong south-easterly wind, medium-to-large swell and an incoming tide.

Large waves were crashing near this small part of exposed rock shelf and causing splashes and surges which made standing here dangerous.  I had to be quick about composing and capturing images in between sets of larger waves.

It was good to be near the ocean again, but having been out of the seascaping scene for quite some time, this morning’s shoot had its challenges.

My New Canon EF 24mm f/1.4L II USM: Ideal for Cityscapes

Last week, I decided to buy a Canon EF 24mm f/1.4L II USM lens.

It was a lens I had entertained — but not seriously — adding to my rig.

Until the addition of this lens, my two wide lenses consisted of my Canon EF 14mm f/2.8L II USM  and Canon EF 35mm f/1.4L USM.

While I love a wide vista, sometimes 14mm is just too wide.  I never thought I would say so, but alas, it is true.

On the other hand, 35mm can sometimes be too long.

Twice in the past 12 months I have needed a focal length in between 14mm and 35mm, but did not have a lens of that focal length.

I have barely owned my Canon EF 24mm f/1.4L II USM for a week, and I have used it on two separate twilight cityscape shoots.

So far, the 24mm focal length is proving to be very useful for cityscapes — particularly when shooting skylines across the water from a distance.  With a wider lens, the skyline can shrink into a vast expanse of sky and water; and with a longer lens, the framing can be just a bit too tight, whereby there is not quite enough sky.

My first shoot, on the same day I bought the lens, resulted in the following image:

Lavender Bay on a Summer Night

Lavender Bay on a Summer Night

This particular location does not seem to be hugely popular for cityscapes, but it was something different, and the 24mm focal length was absolutely perfect for this composition.

My second shoot with the new lens was last night.

After a few lazy days at home, I felt the need to get out for a photoshoot.

I decided to re-visit Mrs Macquarie’s Point.  The last time I photographed Sydney from this location was just over eight years ago.

Mrs Macquarie's View

Mrs Macquarie’s View

From this view, the skyline has not changed a great deal, but there are some buildings which did not exist in my previous image.

For this image, I opted for a wider focal length, and waited for the rich blue light of twilight to emerge after sunset.

I am enjoying the field of view this new lens provides.  Not having used the 24mm focal length for quite a while, it made for a nice change, and has been quite suitable so far for the images I have captured with it.

I am hoping to use it more next week, but I really need to invest in the NiSi filter holder which will fit this lens, as I need to be able to use my grads and ND filters with it.

Trip to Taronga Western Plains Zoo

In late October, we headed away with some good friends of ours for a three-day trip to Mudgee and Dubbo.

Our plan, apart from sampling and buying some fantastic wine in Mudgee, was to stay at Taronga Western Plains Zoo, in its exclusive Zoofari lodge, at which ten luxurious tents, complete with mod-cons, overlook the savannah, where African, Asian and even Australian animals roam.

You know you know you are in Australia when an eland — a large African antelope — chases kangaroos away!

On day one, we headed to Mudgee, where we stopped at my favourite winery and stocked up on premium shiraz.  A nice dinner in town, followed by an overnight stay nearby, concluded the day.

On the following morning we headed up to Dubbo and went straight to the zoo.  Our official check-in was at 2pm, but we had time to roam the zoo via our inclusive two-day zoo pass.

Having been to Africa twice and spent time with truly wild animals in their natural habitat, a zoo can never quite come close; but Zoofari is an experience designed to emulate, as closely as possible, the safari experience.

Upon arriving at the zoo, our first stop was naturally the lion enclosure.  Unfortunately the lions were not terribly active or welcoming, so photography was not a terribly successful pursuit.  Incidentally and somewhat ironically, it is easier to photograph lions in the wild than in captivity.

One pleasing image I did capture at the lion enclosure was not an image of a lion, but an Australian pied cormorant, which was perched on a log over the lion enclosure’s moat in the morning sun.

Australian Pied Cormorant

Australian Pied Cormorant

Being a fan of big cats, naturally, we needed to visit the cheetahs.  We fortunately timed our arrival to see the keepers feed the cheetahs, which consisted of a king cheetah mother and several sub-adult cubs.

Contrary to popular belief, the king cheetah is not a separate species of cheetah, but rather, is a cheetah which has a rare fur pattern mutation as a result of a recessive gene.

The light was quite harsh, and the cheetah were very active — particularly as food was being provided — so photography was quite challenging, but I did land this pleasing image of the king cheetah.

King Cheetah

King Cheetah

The king cheetah is quite rare, so it was a pleasure to see one, and capture pleasing images of her.

Following the big cats theme, high on the agenda was a visit to the Sumatran tiger.

Now, I do not have many images of tigers, so I was keen to capture some pleasing tiger portraits despite the difficulty of broad daylight.

Again, we timed our visit to co-incide with the keeper’s talk and a feeding session, so this Sumatran beauty was very alert and more often than not, looked in our general direction, which is always what a wildlife photographer wants.

Striped Beauty

Striped Beauty

As the biggest of the big cats, the tiger is a very impressive big cat.

After lunch, we roamed the zoo and found our way to the siamangs.  I had never seen one before, so we spent a bit of time watching them play, and I snapped away, trying to land a pleasing image of one of them.

Siamang Stare

Siamang Stare

Not long afterwards, we headed to Zoofari lodge and checked in.

With adjacent tents, we soon joined at our tent for some afternoon lounging.  It was a taxing experience to sit on the back deck, overlooking the savannah, whilst consuming premium shiraz and munching on potato chips.  It is a tough life, but someone has to do it.

These were the appalling, slum-like conditions we had to endure during our overnight stay:

Animal View Lodge

Animal View Lodge

It was tolerable.

What cannot be seen in this image is the open door overlooking the savannah.  We decided to keep the doors and windows open so that we could hear the incredible sounds of wildlife at night, just as we experienced in South Africa and Kenya.

In the late afternoon light, we had the pleasure of watcing the giraffes grazing on the savannah, while these two particular giraffes (of the four inhabiting the reserve) shared a sticky snack.

Sharing a Sticky Snack

Sharing a Sticky Snack

During our lazy afternoon on the deck, we were visited by a peacock, which was only too happy to munch on our snacks, and sit very close with us on the deck overlooking the savannah.

In the early evening we headed to the communal dining room, where some wine tasting, and later, dinner, were served.

After dinner, we got to experience a night tour of the zoo, whereby 4WD vehicles drove us around the zoo in complete darkness.  We visited the lions, hippos and rhinos in their night enclosures, which are not accessible to the general public.

As can be imagined, photography was just not going to happen, as it was pitch-black; but it was great to be close to these animals in the darkness.

After a good night‘s sleep, the following morning saw another early start, with a pre-breakfast tour of the zoo — again, behind the scenes — during which we got to visit the cheetahs and see them from a different location; feed a giraffe; spend some time with the meerkats; and partake in an exclusive visit to the elephant ‘maintenance’ shed, in which the keepers bathed and fed the elephants in preparation for their entrance into their exhibition enclosures for the day.

Here is an image of one of the meerkats on sentry duty.

Wide-Eyed Meerkat

Wide-Eyed Meerkat

After the tour, we returned for a communal breakfast, before making our way back to the lodge to pack and check out.

On our arrival at the zoo the previous day, we had booked ourselves onto a rhino encounter.  Once the tour guide arrived, we found out that we were the only people booked on the tour, so we got an even more exclusive tour of the rhinos and spent a great morning learning about the zoo and how it operates — a much more personal tour than would have been otherwise possible.

After the conclusion of our Zoofari experience, we made another round of the zoo, before embarking on the long trip home.

All in all, it was a fantastic weekend, and I did manage to land some pleasing images of the wildlife which inhabits Taronga Western Plains Zoo.

Portrait Session with Anabelle

It has been a few years since I shot any portraits, and in recent months, the desire to shoot some more portraiture came back to me.

A friend of mine has a very photogenic daughter, Anabelle, who I thought would make a great subject.

In terms of location and conditions, I want to photograph her in natural surroundings during the warmth of the late afternoon light.

I also wanted to use my new lens for the shoot, plus my staple portraiture lens.

We headed over to Rouse Hill Regional Park, where, after some earlier recce, I had located a nice lake with trees and grasses surrounding it.

Here are some of the images I captured:

Beaming

Beaming

In this image, I captured this distant shot of Anabelle beaming as the sun shone upon her.

Anabelle in the Park

Anabelle in the Park

For this image, I specifically wanted rim lighting on Anabelle‘s hair, so I had her facing away from the sun, and I used a reflector to bounce the wam, late afternoon light back onto her.

When photographing human subjects during golden hour, the challenge is that even though the sun is low in the sky, if a human subject looks into the sun, the eyes will be largely hidden due to squinting.

That never looks good in images, so the work-around is to have the subject facing either 90 degrees or 180 degrees away from the sun, and use a reflector to bounce the light back.

Lastly, a black and white image:

Portrait of Anabelle

Portrait of Anabelle

This is a close-up portrait of Anabelle as she sat in the park during the final moments before sunset.

While this image was originally shot in colour, I also wanted a striking black and white version.

All in all, it was a fun and productive session.

It was Anabelle‘s first time modelling, and she did well.  I landed some pleasing images in the conditions I had pictured in my mind, which is always satisfying.

Whale Watching Weekend

This weekend, we are heading into the open ocean for a few hours of whale watching.

The one and only time I have ever seen whales was during a white shark diving trip in South Africa.  We stopped at Hermanus to observe the whales frolicking, before heading further south-east to Van Dyks Bay to see the ocean’s ultimate predator in its domain.

This time, we are staying much closer to home to see the ocean’s largest creatures.

Whale watching has been on the must-do list for quite a while, and I am hoping not only to see some whale action, but to capture it.

I will bring out the big lenses so that I have the best chance of capturing the action, even if it is well and truly away from our position.  Having up to 800mm of focal length should help.

Stay tuned for some images — assuming I manage to capture any!