Category Archives: Australia

Articles relating to travel and photography in Australia

Autumn Adventures in Mount Wilson

Mount Wilson, in the Blue Mountains to the west of Sydney, is a wonderful location for landscape photography.  Its specific appeal is the rich colours of the leaves during autumn, and many photographers venture to Mount Wilson to capture these colours.

The quiet little mountain township had been on my never-ending list of photography locations/subjects, and it was a place which required autumn weather for the kind of images I wanted to capture.

I missed the opportunity in 2017, so I was determined not to miss the opportunity in 2018.

I had been following and participating in an online discussion about locations in Sydney at which to photograph the autumn colours, and naturally locations such as Mount Wilson and other parts of the Blue Mountains entered the discussion.

There was a specific image I wanted to create.  A few years ago on Instagram, I had seen a fantastic image of a stone staircase in Breenhold Gardens, captured by landscape photographer Kalan Robb, whom I follow on various sites.  The image was rich with colour and atmosphere, and I wanted to create that kind of image.

Through following the online discussion, in which a few people who lived in the mountains (or had visited) reported on conditions, I had a good idea about when would be a good time to visit.

In the autumn of 2018, the cool change came quite late, as there had been unusually warm temperatures.  Usually mid-to-late April is a good time to capture the autumn colours, but the temperatures did not drop until early-to-mid May, resulting in late development of the colour of the leaves.

We happened to be going away to the Blue Mountains on the weekend of 12-13 May, 2018, and as the time for photographing Mount Wilson‘s autumn colours is very limited, a visit to this location was a must.

We departed early in the morning to get to Mount Wilson for two reasons: to capture the location in good light; and to avoid the crowds of day-trippers who would descend upon the area as the morning wore on.

We entered Breenhold Gardens, and wandered around.  I photographed a few locations, with one of my earlier images capturing Socrates Garden.

Socrates Garden

Socrates Garden

Socrates Garden is a tranquil enclosure within Breenhold Gardens.

High on my agenda was a visit to Laburnum Steps, which was the feature I specifically wanted to photograph.  We procured a map and made our way to the steps.

Armed with my tripod, camera and 14mm lens, I went about my particular routine of setting up my gear and composition.

Here is one of the images I captured:

Laburnum Steps

Laburnum Steps

I was fortunate to see some stunning autumnal colours, but based on other images I have seen, it did not look like it had reached the intensity exhibited during colder years.

The rich red colour of the Japanese maples was present, and there were leaves scattered around on the steps and the dirt path perpendicular to the steps.

In the distance was a mix of greens, oranges and yellows, so it was a smörgåsbord of colour.

I was quite happy with this image, but I felt that I had not captured this location at its best.

In an earlier shot, I moved closer to the steps and shot an image in portrait orientation.  Here is the result:

Mount Wilson in Autumn

Mount Wilson in Autumn

Here, the orange ands red colours of the fallen Japanese maple leaves can be seen more prominently, and the viewer’s eye is led up the winding staircase into the distance.

Incidentally, I have never actually climbed that staircase, or even set foot on it!

From that brief visit, I came away with at least two pleasing images, plus a number of other images I captured at different locations within Breenhold Gardens.  I should re-visit those images and see if there is something worth publishing.

However, my work was not complete.  I did not feel that the autumnal weather conditions had peaked, and with Kalan’s image in my mind, I knew I had to return.

On our way out of Breenhold Gardens, we met one of the managers of the gardens, who lives on site, and often stands at the entrance, meeting and greeting visitors.

I spoke with her for a few minutes, telling her of my interest in the colours, and of being there early in the morning.  She said that she could allow me earlier access.  Normally the opening time is 10am, which is too late for moody photography, and too late if peace and quiet is what one seeks.

She told me that the following weekend would be the best time to visit, as the conditions would very soon deteriorate.  Heeding her advice, I contacted her later that weekend and made arrangements to gain access at dawn.

So, on the following weekend, we headed back to Breenhold Gardens, even earlier, arriving just before dawn.  I wanted to be ready to capture Laburnum Steps in great conditions.

Through the darkness, we took the short walk to the steps, where I again went through my fussy ritual of setting up my composition and waiting for the right light.

This time, I opted to shoot with my 24mm lens.  I felt that 14mm was too wide to feature the steps prominently enough, and I wanted a different image of the same subject.

On this morning, I found that the light was flatter and more subdued.  We were there earlier, and due to the mountainous location, the warm morning light falls upon the scene much later, by which time it is too late for serious photography, as all of the day-trippers have crowded the scene.

We were there for the better part of an hour, waiting for the light to change.  I realised that the sun would not hit the steps and foliage until much later, and continued shooting.

Here is one of the earlier images I captured during that morning:

Laburnum Steps Revisited

Laburnum Steps Revisited

The flatter nature of the light can be seen in this image.  This image was captured at 6:47am, whereas my image from the previous weekend had been captured at 9:37am — nearly three hours later.

What was also noticeable is that the colour had not dramatically intensified, and the number of leaves on the steps and surrounding areas had not really increased.

I was somewhat disappointed that the conditions had not improved much within a week.

As was the case during the previous visit, I also shot a vertical composition.

Enchanting

Enchanting

I shot a few more compositions of Laburnum Steps before I decided to wrap up and head off to find some other locations in Mount Wilson.

Only a few metres away from Laburnum Steps is another set of steps called Acer Steps.  In fact, descending this staircase is one of three ways of accessing Laburnum Steps, and it was the route we took on both visits.

Heading back up Acer Steps, I noticed that the backlighting of the scene worked very well with the Japanese maple whose canopy shelters the steps.  The light and the intense colour instantly attracted me, so I scrambled to set up for another shot.

I struggled to compose (which is not a problem I usually have), and moved the tripod a matter of inches here and there (and sometimes even greater distances) to try and get the best composition from a tricky scene.  I was trying to avoid some distracting elements being positioned too close to the edges, while also prominently featuring the backlit red leaves, and avoiding any direct light from the still-rising sun.

After much fussing around and making of micro-adjustments, here is the image I eventually captured:

Acer Steps

Acer Steps

After this shot, we headed to Church Lane, where I found this charming entrance to a property containing the Koonawarra guest house, located in Dennarque Estate.

Entrance to Dennarque Estate

Entrance to Dennarque Estate

The rich reds and oranges in the distant trees looked radiant in the warmth of the morning light.

Church Lane itself can look fantastic in autumn, but it needs the right conditions, and there is the problem of power poles, power lines and parked cars polluting an otherwise quaint scene.

After shooting this image, we went looking for the chestnut picking farms, for which we had seen signs the week before.  Unfortunately there was no sign of any chestnut picking opportunities in the area, so I found one more spot to photograph before we headed home.

Along Waterfall Road, there are some picnic tables, and I focused my lens on one of them while a group of tourists/photographers engaged in some frivolity and portraiture not far from where I was shooting.

Breakfast Stop

Breakfast Stop

This spot would make a great location for breakfast in the crisp, autumn air.

Having captured what I decided was my final image for this visit and for this year, we headed back home.

It was an interesting couple of visits to Mount Wilson.  There is a lot to photograph, and I came away with some key learnings.

Firstly, it really is a location best photographed in autumn.  The conditions can make or break an image.  While I had some nice conditions, there was still something lacking.

Mount Wilson contains many locations to photograph, but some can be deceptive in photographic appearance.  For example, the quaint Church Lane actually contains ugly power poles along it, which detracts from the look and feel of the street.

Some locations simply look better when viewed with one’s own eyes, and producing a pleasing image which captures the essence of the place is not a simple matter of plonking down a tripod and pointing the camera at what looks good without a camera.

A location such as Mount Wilson really warrants planning, in terms of the specific location, time of day, and weather.  Of course, not everything is necessarily controllable.  Sometimes it is a matter of luck, particularly when coming from a place where the weather can be quite different.

Mount Wilson is a location which needs more than one visit (or even two visits) to do it justice.  I am sure I will head back there again next autumn, but unless the conditions I seek all align serendipitously, I do not think I can achieve a better image of Laburnum Steps.  What I captured  is as good as I can get unless a specific set of conditions exists.

On that note, Kalan Robb happened to be a member of the site on which the online discussion about autumn photography was taking place, and joined in the discussion.  I suspect it came to his attention because I had mentioned him there and provided a link to his excellent article on photography in Mount Wilson.

About his image of Laburnum Steps — the image which was my source of inspiration — he provided some insight into it.

Firstly, he does process his images quite differently to the way I process mine, which I suspected, and which he confirmed.  His processing is more intense, but effective.

What was more important was the conditions, which he said made up for 70% of the result.

He shot his images in 2015, during whose autumn it got colder much faster than what I had experienced.  Crucially, it was wet at the time.  On that morning, he explained, it had been raining steadily, which produced the misty glow.

What my images lacked was wetness and mist.  It simply had not rained and was not cold enough to produce those highly atmospheric conditions I wanted.

Kalan explained that the abundance of leaves on the ground was due to heavy rain and wind the day before.  My deduction is that while many of the leaves had fallen from the trees, they had not been blown away; and that the rain-soaked ground may have played a significant part in keeping them in place.

So, there is some insight into the conditions.  These conditions would have been perfect for my desires, but on both visits, it was not to be.  It could take me years to encounter conditions like that, and it may simply never happen.

What I do have is a chance, so I will return next autumn and see what I encounter.  There is more work to be done at Mount Wilson.

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Guest Speaker at a Camera Club v3.0

Last year, a good friend of mine, who runs a growing camera club, asked me if I would return for the third occasion as a guest speaker.

I had the honour and privilege of presenting an audio-visual show and talk about light and composition in September of 2017, and in February of 2016, I presented some images and spoke about wildlife photography and our adventures in South Africa and Kenya.

This time, I decided to focus my presentation on seascape photography, which has been one of my major photographic pursuits for over a decade now.

During my time off work over the Christmas and new year period, I re-visited a seascape presentation I had delivered at another camera club in 2010, and revised the content.  I also created a new AV presentation of my favourite and most compelling seascape images, as I had produced my best work after 2010.

My presentation will provide an introduction to this popular form of photography, and will cover topics such as when, where and why to shoot seascapes, considerations such as weather, tides and safety (it can sometimes be a dangerous pursuit); equipment (both photographic and non-photographic), more detail about filters; techniques such as composition, focusing and exposure; and how to capture the image.

There will also be a small show-and-tell, where people can have a look at the equipment I use for my seascape photography.

I was also asked to provide short critiques of the members’ photos produced for the club’s monthly challenge, so I am looking forward to seeing what the members have been shooting, and giving them some good, constructive critique to help them with their journey.

Precarious Position: First Seascape of 2018

This image of Turimetta Beach was captured during my first seascape session in nearly a year, and this was the first time I have returned to Turimetta since 2012.

Precarious Position

Precarious Position

The conditions were a lot more dangerous than this image would suggest, with a strong south-easterly wind, medium-to-large swell and an incoming tide.

Large waves were crashing near this small part of exposed rock shelf and causing splashes and surges which made standing here dangerous.  I had to be quick about composing and capturing images in between sets of larger waves.

It was good to be near the ocean again, but having been out of the seascaping scene for quite some time, this morning’s shoot had its challenges.

My New Canon EF 24mm f/1.4L II USM: Ideal for Cityscapes

Last week, I decided to buy a Canon EF 24mm f/1.4L II USM lens.

It was a lens I had entertained — but not seriously — adding to my rig.

Until the addition of this lens, my two wide lenses consisted of my Canon EF 14mm f/2.8L II USM  and Canon EF 35mm f/1.4L USM.

While I love a wide vista, sometimes 14mm is just too wide.  I never thought I would say so, but alas, it is true.

On the other hand, 35mm can sometimes be too long.

Twice in the past 12 months I have needed a focal length in between 14mm and 35mm, but did not have a lens of that focal length.

I have barely owned my Canon EF 24mm f/1.4L II USM for a week, and I have used it on two separate twilight cityscape shoots.

So far, the 24mm focal length is proving to be very useful for cityscapes — particularly when shooting skylines across the water from a distance.  With a wider lens, the skyline can shrink into a vast expanse of sky and water; and with a longer lens, the framing can be just a bit too tight, whereby there is not quite enough sky.

My first shoot, on the same day I bought the lens, resulted in the following image:

Lavender Bay on a Summer Night

Lavender Bay on a Summer Night

This particular location does not seem to be hugely popular for cityscapes, but it was something different, and the 24mm focal length was absolutely perfect for this composition.

My second shoot with the new lens was last night.

After a few lazy days at home, I felt the need to get out for a photoshoot.

I decided to re-visit Mrs Macquarie’s Point.  The last time I photographed Sydney from this location was just over eight years ago.

Mrs Macquarie's View

Mrs Macquarie’s View

From this view, the skyline has not changed a great deal, but there are some buildings which did not exist in my previous image.

For this image, I opted for a wider focal length, and waited for the rich blue light of twilight to emerge after sunset.

I am enjoying the field of view this new lens provides.  Not having used the  24mm focal length for quite a while, it made for a nice change, and has been quite suitable so far for the images I have captured with it.

I am hoping to use it more next week, but I really need to invest in the NiSi filter holder which will fit this lens, as I need to be able to use my grads and ND filters with it.

Brisbane and South-East Queensland Visit – 2017

Late in 2017, we headed to Brisbane and south-east Queensland for the first time since 2013.

It was high time to visit Dave and Lea, and engage in some photography, tomfoolery and shiraz consumption.

On our first full day, we decided to head south-west to Queen Mary Falls, as there had been some recent rain in the Gold Coast area, and there was predicted cloud cover, which made waterfall photography ideal.

Our first stop was at Daggs Falls, where an observation platform provided a great view.  Unfortunately, the platform was very prone to vibrations, which made shooting long exposures with a 200mm lens and ten-stop ND filter somewhat impossible.

We drove up the road for a few minutes and got to Queen Mary Falls, which had a much more stable observation platform.  This time, I used my 14mm lens to capture the vast expanse of the scenery and the high view.

Long Way Down

Long Way Down

After we had finished shooting, we decided it was time for a late lunch.  Heading north-east for around five minutes, we happened across the Spring Creek Mountain Café, which offers a very pleasant view of the Scenic Rim.

While waiting for our lunch at an outside table, I took advantage of the light and cloud conditions over the valley, and captured this view.

Spring Creek Mountain

Spring Creek Mountain

The plan for the same day was to visit Brisbane‘s iconic Story Bridge for a twilight shoot.  The last time I photographed the Story Bridge was in 2008, and it was time for a new look at it, applying the experience and gear I have acquired since I last shot it.

The bridge is often photographed from Wilson Outlook Reserve, high up on the cliffs to the east.

This time, we decided to venture down onto the Brisbane River Walk below and try a different vantage point, which gave us a lower angle, allowing the reflections of the lights in the water to appear much more prominently.

During the session, the bridge put on an ever-changing show of multi-coloured lights, which created a nice contrast to the blue and cloudy night sky.

Story of Colour

Story of Colour

On the topic of the sky, the clouds were somewhat annoying and detracted from the image I had pictured, but it was what it was, and I had to make the best of the conditions at the time we were there.

After our shoot concluded, we walked to New Farm and stopped in an Italian restaurant for a late dinner before making the drive north-west to Cedar Creek.

The next day, the plan was to head out for an afternoon landscape shoot during golden hour.  This time, Dave and I headed out on our own.

We decided, given all the driving the day before, to remain in the local vicinity, and we threw around a few ideas.  We figured we would look for a view of the mountains in the area such that the sun would be behind us.

Driving around, we ended up at Mount Pleasant, but the scenes we visited just were not right, so we continued on, and this time headed up Mount Mee.

While driving north along Mount Mee Road, Dave spotted an interesting tree on the right at the junction with Sellin Road.

We stopped and headed over to the eastern side of the road to photograph the tree, which also had some grazing cows lingering nearby.

The light was warm, as it was quite late in the afternoon, but not quite warm enough for what we had in mind.  However, the light was still decent enough, so we snapped away as the cows grazed.

Here is what I captured:

High Steaks

High Steaks

For this image, and the image I was to shoot later in the day, I used my Canon EF 200mm f/2L IS USM lens.  Now, this lens was not one I bought to shoot landscapes, and I rarely ever use a telephoto lens for landscapes, much preferring the wide vista provided by an ultra-wide lens; however, from where we were standing, the 200mm focal length was just right, and provided a nice amount of compression.

After we had finished shooting at this spot, we headed west along Sellin Road, and spotted a lone tree we had photographed at dawn back in 2010.  To our surprise, there was now a large house now on the property, close to Sellin Road.  We could still see the tree further up the paddock in the distance.

Here are the stand-out images I captured of the ‘ Mount Mee Tree‘ in 2010:

Dawn on Mount Mee

Dawn on Mount Mee

Tree on Mee

Tree on Mee

We continued westward, and found some lovely side-lighting htting the lush green grasses down the ravine, but compositionally, there was not much on offer; so, we turned around and headed east.

I was beginning to think that we may not find much at all, and I pointed out that one really needs to scout and plan a location, which, we clearly had not done.

However, heading further east to where we had photographed the cows, I spotted a lovely, large tree down a valley to our left.  After driving past it, we swung back around and pulled up, with this location to be our final location for the day, in which we would photograph this beautiful tree in the rich and warm golden hour light which would greet us a little later.

I quickly found my composition, again using my Canon EF 200mm f/2L IS USM lens.  The view I found from the spot where I perched myself also contained some lush, long green grasses in the foreground, which I purposefully kept in the frame.  I liked the extra interest, as well as the framing device, it provided.

From then, it was a waiting game.

Once the light became even warmer, we snapped away.  Dave was capturing all sorts of images of different subjects in the area, from varying positions.  I remain focused on the tree.  That was my image, and I was not interested in anything else.

After waiting for the right light, here is the image I shot:

Glowing Tree

Glowing Tree

After the lovely light had disappeared, we headed back to Samford to collect some cows (of the non-grazing variety) and fermented grape juice for dinner at the house.

Thus, my photography for this trip was completed.

During our stay, Dave and I decided to compare our 200mm lenses.  He owns a Canon EF 200mm f/1.8L USM (a legendary and relatively rare lens, with only 8,000 having been built), and I own a Canon EF 200mm f/2L IS USM, which effectively replaced the 200/1.8L some 20 years after it was introduced.

We lined them up for a ‘family portrait’, and Dave captured an image of the two lenses side-by-side.  Later during the visit, we also staged a semi-scientific shoot, with a foam rubber dinosaur as the subject.  We photographed the dinosaur with both lenses, using the widest apertures available on both, as well as the widest aperture common to both.

Upon inspecting the resulting images, there is not a great deal of difference in sharpness between the two lenses.  Both deliver outstanding results.

All in all, it was a fun trip, and while photographically the conditions were not super exciting, I did manage to capture a few pleasing images along the way.

Trip to Taronga Western Plains Zoo

In late October, we headed away with some good friends of ours for a three-day trip to Mudgee and Dubbo.

Our plan, apart from sampling and buying some fantastic wine in Mudgee, was to stay at Taronga Western Plains Zoo, in its exclusive Zoofari lodge, at which ten luxurious tents, complete with mod-cons, overlook the savannah, where African, Asian and even Australiananimals roam.

You know you know you are in Australia when an eland — a large Africanantelope — chases kangaroos away!

On day one, we headed to Mudgee, where we stopped at my favourite winery and stocked up on premium shiraz.  A nice dinner in town, followed by an overnight stay nearby, concluded the day.

On the following morning we headed up to Dubbo and went straight to the zoo.  Our official check-in was at 2pm, but we had time to roam the zoo via our inclusive two-day zoo pass.

Having been to Africa twice and spent time with truly wild animals in their natural habitat, a zoo can never quite come close; but Zoofari is an experience designed to emulate, as closely as possible, the safari experience.

Upon arriving at the zoo, our first stop was naturally the lion enclosure.  Unfortunately the lions were not terribly active or welcoming, so photography was not a terribly successful pursuit.  Incidentally and somewhat ironically, it is easier to photograph lions in the wild than in captivity.

One pleasing image I did capture at the lion enclosure was not an image of a lion, but an Australian pied cormorant, which was perched on a log over the lion enclosure’s moat in the morning sun.

Australian Pied Cormorant

Australian Pied Cormorant

Being a fan of big cats, naturally, we needed to visit the cheetahs.  We fortunately timed our arrival to see the keepers feed the cheetahs, which consisted of a king cheetah mother and several sub-adult cubs.

Contrary to popular belief, the king cheetah is not a separate species of cheetah, but rather, is a cheetah which has a rare fur pattern mutation as a result of a recessive gene.

The light was quite harsh, and the cheetah were very active — particularly as food was being provided — so photography was quite challenging, but I did land this pleasing image of the king cheetah.

King Cheetah

King Cheetah

The king cheetah is quite rare, so it was a pleasure to see one, and capture pleasing images of her.

Following the big cats theme, high on the agenda was a visit to the Sumatran tiger.

Now, I do not have many images of tigers, so I was keen to capture some pleasing tiger portraits despite the difficulty of broad daylight.

Again, we timed our visit to co-incide with the keeper’s talk and a feeding session, so this Sumatran beauty was very alert and more often than not, looked in our general direction, which is always what a wildlife photographer wants.

Striped Beauty

Striped Beauty

As the biggest of the big cats, the tiger is a very impressive big cat.

After lunch, we roamed the zoo and found our way to the siamangs.  I had never seen one before, so we spent a bit of time watching them play, and I snapped away, trying to land a pleasing image of one of them.

Siamang Stare

Siamang Stare

Not long afterwards, we headed to Zoofari lodge and checked in.

With adjacent tents, we soon joined at our tent for some afternoon lounging.  It was a taxing experience to sit on the back deck, overlooking the savannah, whilst consuming premium shiraz and munching on potato chips.  It is a tough life, but someone has to do it.

These were the appalling, slum-like conditions we had to endure during our overnight stay:

Animal View Lodge

Animal View Lodge

It was tolerable.

What cannot be seen in this image is the open door overlooking the savannah.  We decided to keep the doors and windows open so that we could hear the incredible sounds of wildlife at night, just as we experienced in South Africa and Kenya.

In the late afternoon light, we had the pleasure of watcing the giraffes grazing on the savannah, while these two particular giraffes (of the four inhabiting the reserve) shared a sticky snack.

Sharing a Sticky Snack

Sharing a Sticky Snack

During our lazy afternoon on the deck, we were visited by a peacock, which was only too happy to munch on our snacks, and sit very close with us on the deck overlooking the savannah.

In the early evening we headed to the communal dining room, where some wine tasting, and later, dinner, were served.

After dinner, we got to experience a night tour of the zoo, whereby 4WD vehicles drove us around the zoo in complete darkness.  We visited the lions, hippos and rhinos in their night enclosures, which are not accessible to the general public.

As can be imagined, photography was just not going to happen, as it was pitch-black; but it was great to be close to these animals in the darkness.

After a good night‘s sleep, the following morning saw another early start, with a pre-breakfast tour of the zoo — again, behind the scenes — during which we got to visit the cheetahs and see them from a different location; feed a giraffe; spend some time with the meerkats; and partake in an exclusive visit to the elephant ‘maintenance’ shed, in which the keepers bathed and fed the elephants in preparation for their entrance into their exhibition enclosures for the day.

Here is an image of one of the meerkats on sentry duty.

Wide-Eyed Meerkat

Wide-Eyed Meerkat

After the tour, we returned for a communal breakfast, before making our way back to the lodge to pack and check out.

On our arrival at the zoo the previous day, we had booked ourselves onto a rhino encounter.  Once the tour guide arrived, we found out that we were the only people booked on the tour, so we got an even more exclusive tour of the rhinos and spent a great morning learning about the zoo and how it operates — a much more personal tour than would have been otherwise possible.

After the conclusion of our Zoofari experience, we made another round of the zoo, before embarking on the long trip home.

All in all, it was a fantastic weekend, and I did manage to land some pleasing images of the  wildlife which inhabits Taronga Western Plains Zoo.

Portrait Session with Anabelle

It has been a few years since I shot any portraits, and in recent months, the desire to shoot some more portraiture came back to me.

A friend of mine has a very photogenic daughter, Anabelle, who I thought would make a great subject.

In terms of location and conditions, I want to photograph her in natural surroundings during the warmth of the late afternoon light.

I also wanted to use my new lens for the shoot, plus my staple portraiture lens.

We headed over to Rouse Hill Regional Park, where, after some earlier recce, I had located a nice lake with trees and grasses surrounding it.

Here are some of the images I captured:

Beaming

Beaming

In this image, I captured this distant shot of Anabelle beaming as the sun shone upon her.

Anabelle in the Park

Anabelle in the Park

For this image, I specifically wanted rim lighting on Anabelle‘s hair, so I had her facing away from the sun, and I used a reflector to bounce the wam, late afternoon light back onto her.

When photographing human subjects during golden hour, the challenge is that even though the sun is low in the sky, if a human subject looks into the sun, the eyes will be largely hidden due to squinting.

That never looks good in images, so the work-around is to have the subject facing either 90 degrees or 180 degrees away from the sun, and use a reflector to bounce the light back.

Lastly, a black and white image:

Portrait of Anabelle

Portrait of Anabelle

This is a close-up portrait of Anabelle as she sat in the park during the final moments before sunset.

While this image was originally shot in colour, I also wanted a striking black and white version.

All in all, it was a fun and productive session.

It was Anabelle‘s first time modelling, and she did well.  I landed some pleasing images in the conditions I had pictured in my mind, which is always satisfying.