Tag Archives: Water

Twilight Delight

The view of Sydney‘s skyline from the western side of Darling Harbour is always a beautiful spectacle as the evening twilight descends.

I have photographed it before, and I will photograph it again.

This time, I captured a view of that same skyline from the south-western corner of Cockle Bay, right outside the new International Convention Centre.

Twilight Delight

Twilight Delight

The angle is different to what I have captured before, and now depicts the completed skyscrapers at Barangaroo to the far left of the frame.

This place is always a pleasure to visit and photograph.

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Milson’s Point View

A view of the Sydney Harbour Bridge from Milson’s Point at twilight.

Milson's Point View

Milson’s Point View

This year I have decided to make more of an effort to get out and shoot regularly.

For this most recent weeknight shoot (my third of 2017), I decided to re-visit the Sydney Harbour Bridge, which I rarely photograph any more.

The last time I captured a serious image here was in 2005!

So, here it is: the iconic bridge for which Sydney is famous.

Re-Visiting a Scene Six Years Later

During the week, I had the unusual opportunity to shoot a twilight cityscape.

It is not something I tend to do very often, but circumstance created the opportunity, which I seized, including a visit to a few of the big city camera stores.

I figured we would afterwards head over to Darling Harbour for some dinner, followed by a twilight cityscape in the area.

The image I had in mind was one I had shot before, but I did not mind re-visiting it, particularly with my new Canon EF 14mm f/2.8L II USM lens, which I was itching to use again after the previous week’s photoshoot in the city.

Here is the image I captured on this most recent outing:

Summer Night in the City

Summer Night in the City

Whilst having dinner very close to this scene earlier in the night, I recalled shooting a summer twilight in the same area some years ago. As it turned out, it was on the exact day (the 19th of January) in 2011 on which I shot a similar image.

This was the image I captured six years earlier:

 

City Lights and City Nights

City Lights and City Nights

It was not my intention to shoot the same scene (the composition, angle and position are somewhat different), and nor did I realise at first that the date was the same date I last shot this scene.

Sometimes strange co-incidences happen, and this was one of them.

Otherwise, it was nice to be out shooting again, particularly as I can go for months without picking up a camera.  Having a new lens certainly acts as a motivator, and I will endeavour this year to get out and about far more than I have done over the past several years.

Views of Prague at Twilight

It is hard to believe, but it has been over a month since our trip to Prague.

While it was a short European getaway for only a few days, photographically, it was very productive and rewarding, and I certainly landed a few pleasing images in that short time.

Life has been quite busy since then, and I have unfortunately neglected to post about some of my images; so, below are the two images I captured on our first twilight in Prague.

Charles Bridge by Night

Charles Bridge by Night

From a photographer’s viewpoint, no trip to Prague would be complete without capturing an image of the iconic Charles Bridge at night.

The Charles Bridge (Karlův most) is a bridge in gothic architectural style, which was named after the esteemed King Charles IV.  It runs across the Vlatva from the Old Town to the Lesser Town, and is major route to Prague Castle up on the hill, adjacent to St Vitus Cathedral.

In summer, during the day, and indeed for much of the night, Charles Bridge is crammed with tourists and street merchants selling all manner of souvenirs.

Here is a view along Charles Bridge towards the Lesser Town on the other side, and Prague Castle and St Vitus Cathedral in the distance.

Praha Twilight

Praha Twilight

We had encountered this location earlier during the day on a four-hour walking tour of Prague, and I decided that it would be a good location for a shoot at twilight.

Despite the hoardes of tourists in the area, this easily accessible spot allows for a fairly uninterrupted view along the north side of Charles Bridge, plus the still reflections of the shoreline on the Vlatva.

2015 Retrospective: Intense and Focused

Now that we are well into the year 2016, it is time for a retrospective look at my photographic journey in 2015.

The year can be summarised as intense and focused, as the majority of images I captured during 2015 were in the Mara North Conservancy and Maasai Mara National Reserve in Kenya, where we embarked upon an incredible seven-day safari with our friend and safari leader Mario Moreno.

Looking at my statistics, I shot more images in 2015 than I did in the years 2013 and 2014 combined.

Had the Kenya trip not happened, I suspect I would not have shot much.

Photographically, my year started quite late — near the end of April — with a macro/still life image of a new watch I had been given:

Certina 1888

Certina 1888

We had some family in town from overseas, so I took the opportunity to shoot some cityscape images from a location at which I had not shot before.

One afternoon we headed to the Glebe apartment and I waited for the right light to capture some views of the beautiful city skyline.

This was the result:

Dusk Descendence

Dusk Descendence

And a little later, during blue hour:

The View Sucks

The View Sucks

I also took the opportunity to capture this tight view of the Anzac Bridge as twilight fell:

Anzac Bridge

Anzac Bridge

In May, we all had an outing at the Wild Life Sydney Zoo in Darling Harbour.  I took a camera and a couple of lenses, but I did not shoot a great deal of images.

This image of a kangaroo was one of the more pleasing images I captured on the day:

One of Skippy's Mates

One of Skippy’s Mates

Later in the month, I felt compelled to head out and shoot another cityscape.

In the mid-to-late afternoon, I scouted for some vantage points along the western side of Circular Quay, and finally settled on the observation deck of the International Passenger Terminal, which affords a higher view, and additionally was empty and free from passers by.

I waited for the blue hour, and captured this view of Sydney which I have not seen (or photographed) before.

Circular Quay West

Circular Quay West

It had been a slow, but pleasing enough start to the year.

In June, the photography I had been eagerly anticipating since we booked the trip the previous year, would finally happen.

We headed to Kenya to spend seven days in the Mara North Conservancy and Maasai Mara National Reserve, where we would re-ignite our passion for wildlife and landscape photography.

So far I have published over 100 images from that trip, so I will not publish a great deal of those images in this article; but as the trip brought us a lot of first-time encounters, I will instead present some selected highlights from the trip.

We were based in the luxurious eco-lodge Elephant Pepper Camp, which afforded us total isolation and positioning right in the middle of where the action was.

This is a view of one of Elephant Pepper Camp‘s honeymoon/family tents:

Elephant Pepper Camp's Honeymoon Tent

Elephant Pepper Camp’s Honeymoon Tent

And this is a view of the camp at twilight, depicting the dining tent, lounge and camp fire:

Around the Camp Fire

Around the Camp Fire

Highlights of the trip included one of my finest bird images, which was my first frame of only two I snapped while this pied kingfisher was bobbing up and down in flight:

Suspended

Suspended

Just about every day, we were treated to lions — most prominently, the Cheli Pride.  One of the fantastic things about the Cheli Pride was its abundance of cubs, and on this trip, it was our first time seeing wild cubs, such as this cute little lion:

Lion Cub of the Cheli Pride

Lion Cub of the Cheli Pride

On one afternoon, we were fortunate enough to spend some time, in pleasing, afternoon light, in very close proximity to a lilac-breasted roller, where I captured this and a number of other images of the national bird of South Africa:

Plumage

Plumage

Naturally, a safari in Africa encompasses more than just wildlife — there are amazing opportunities for stunning, iconic landscape shots, and we certainly took advantage of that, rolling out into the plains in the pre-dawn darkness before other safari-goers were even awake.

This was one of my earlier landscape shots, captured during a moody morning:

The Moody Mara Plains

The Moody Mara Plains

On another morning, we captured the ‘postcard shot’ of a rising sun behind a lone acacia tree:

Sunrise on the Mara

Sunrise on the Mara

This particular tree is known as Mario‘s Tree, as Mario often photographs it.  We certainly did — several times — including one particular morning which greeted us with a colourful sky:

Lone Acacia

Lone Acacia

On only our second day on this trip, we were treated to a number of first-time encounters.  In the morning, we encountered our first Mara leopard, who was also also the first leopard we had seen in a tree; and in the evening we found our first male lion of the trip, again a member of the resident Cheli Pride.

We had gone back to Leopard Gorge to look for the young male cat, when we found a large, dominant male lion in the area instead.  If the leopard was around, he was hiding and would not be seen.

Here is the beautiful young male leopard perched high in an elephant pepper tree:

Leopard of the Day

Leopard of the Day

We not only encountered one male lion, but two!  His brother also emerged from the distance and joined him for some bonding and lazing before the night‘s hunting commenced.

Here is one of the stunning Cheli Pride males we encountered:

Surveying

Surveying

The day after we met the dominant males, we encountered numerous members of the pride, minus the males, feasting on a zebra kill the next afternoon.  This was another ‘first’ for us, as we had hitherto never seen lions feasting on a kill.  It was quite a sight, as this wider image shows:

Feast

Feast

The next day, we spent a dramatic afternoon with the Cheli Pride again, firstly as we encountered one of the mothers on her own, out in the open, calling for the pride.

Here is an image I captured of the lioness in the warm afternoon light:

Cheli Mother

Cheli Mother

Before long, a mighty rainstorm descended upon us, which made the big cat uncomfortable, as well as presenting challenges for us.  As the rain began to subside, camera shutters sounded like rapid gunfire as we captured action shots of the lioness shaking the water from her head.

Shake It Off

Shake It Off

Towards the end of the trip, we spent one day further south in the Maasai Mara National Reserve, where we experienced yet another first.

So far, the one species of African big cat we had never seen in the wild was the cheetah.  On that trip, we finally encountered wild cheetahs.  It was an exciting experience to firstly see them from a distance, and then drive to position ourselves optimally to be ahead of where they were headed.  It became more exciting as the cheetahs got closer, and I had a few opportunities to photograph the family, which consisted of a mother and four sub-adults.

Here is one of the nicer images I captured of these amazing big cats:

Portrait of a Young Cheetah

Portrait of a Young Cheetah

It had been a long wait, but finally we spent some time with wild cheetahs.

Our next morning in the Mara consisted of a portrait shoot with Maasai tribesman called Baba, with whom we travelled to Mario‘s Tree, where we shot some dramatic silhouette portraits of him as the sun rose on one of our final days in the Mara.

Here is one of the more striking images I captured during the session:

Baba the Maasai

Baba the Maasai

Our final evening in the Mara brought something we could have never predicted, and something which is quite rare to see: mating leopards!

At first, we spotted a young female leopard high in a tree during the warm afternoon light, but within a short time, a large, amourous male emerged from the thicket, and the two leopards began (or continued with) their ritual of rapid, exposive mating sessions, which can last for days.

We spent the rest of the drive witnessing this amazing sight, and the following image captures an intense moment as the female expresses her displeasure at the male’s advances:

Growl of the Leopardess

Growl of the Leopardess

The next morning was our final, somewhat subdued game drive in the Mara before we would fly back to Nairobi for a night and another day before departing Kenya.  We were fortunate to encounter a small pod of hippos in a watering hole, where I had the opportunity to capture some relatively close-proximity images, such as this large hippo on the bank, less than 30 metres away:

Hippo on the Bank

Hippo on the Bank

Before too long, this amazging photographic journey came to its conclusion.

After the intensity of our Mara trip, and my generally low photographic output before the trip, it was not surprising that I did not shoot much afterwards.  In fact, I shot only one more image for the remaining six months of the year!

The one image I did capture was a macro image of some red and orange roses to commemmorate our anniversary.

Fifth

Fifth

And so concludes my photographic journey for 2015.  It indeed was an intense and focused year, with Kenya dominating my photographic output, but with a few other images here and there.

Little Austinmer’s Rinse Cycle

Nearly a month ago, I experienced a great dawn seascape shoot at Little Austinmer, where there is an abundance of interesting water and rock features on the rock shelf.

During the earlier part of the shoot, I shot some long exposures in and around the main gorge.

Here is one of them:

Little Austinmer's Rinse Cycle

Little Austinmer’s Rinse Cycle

Here, I opted for a different style of processing, going for a more muted appearance, as for this image, tonality was more important than colour.

Landscape photographers usually try to emphasise the rich colours revealed by low, soft light; but sometimes playing down the colours produces a more interesting result.  Admittedly, this particular morning was quite moody, but there was some colour in the sky.

I’ve processed a few images in this style, and for the conditions I experienced on that morning, it works well.

The One

A few photography friends of mine, who have shot Little Austinmer before, told me that it can take quite a few attempts to land a cracking good image.

I first ventured to Little Austi just a little over a week before I shot this image, and while I found it a stunning location, the sky was craptacular.

Today, things were different.

The One

The One

Little Austi really needs a moody sky, as well as the right kind of ocean conditions — specifically, an incoming tide and a moderate swell.

Today, all three essential elements were present. Not only that, but an intense red sun peeked over the horizon to add a splash of colour.

On only my second visit, I landed “the one” — the image I had been seeking.

This is it.

I landed quite a few pleasing images this morning, so I am spoilt for choice.

There will be more images to come.