Tag Archives: Buildings

Upward View of Barangaroo

On the day I bought my new Canon EF 14mm f/2.8L II lens, I had planned a shoot for that evening.

Just before Christmas, we were around the King Street and Barangaroo area, and it was the first time I had seen the new skyscrapers since development concluded.

Looking up, I spotted some interestiong compositions, looking towards the sky, with the sleek and sharp lines of the skyscrapers forming the contrasting subject.  I captured some quick reference shots with my phone’s camera.  It was a place to which I wanted to return at twilight, for a proper photoshoot.

On the evening of 12 January, 2017, I achieved what I set out to achieve.

This ultra-wide view of the new skyscrapers at Barangaroo is my first serious image captured with my new Canon EF 14mm f/2.8L II USM lens.

Barangaroo Towers at Twilight

Barangaroo Towers at Twilight

I had purchased the lens merely a few hours before I shot this scene, and after a nice dinner, we headed to Barangaroo, where I had planned to shoot some quirky architectural images during tblue hour.

I am pleased with both the lens, and the images I captured during this summer twilight at Sydney‘s newest entertainment precinct.

After shooting this image, I re-composed.

Here is a view along Mercantile Walk in Barangaroo, west of the Sydney CBD, showing the towering skycrapers which are now the tallest in Sydney.

Mercantile Walk

Mercantile Walk

This image was captured with the ultra-wide 14mm focal length, which depicts an expansive view from the ground to the sky.

As the night wore on, I captured my final view a little further north of my original location.

To the Sky

To the Sky

This series of images signals for me new photographic study, which I had wanted to commence quite some time ago, but never got around to doing due to life being, well, life.

A new lens purchase and a recent visit to an excellent photographic location was what it took to finally inspire me to embark upon a series of striking architectural images of Sydney‘s skyscrapers, using an ultra-wide lens and extremely quirky, distortion-laden angles.

I am looking forward to exploring this style of photography more, and my new lens has certainly provided some much-needed inspiration.

Milson’s Point View

A view of the Sydney Harbour Bridge from Milson’s Point at twilight.

Milson's Point View

Milson’s Point View

This year I have decided to make more of an effort to get out and shoot regularly.

For this most recent weeknight shoot (my third of 2017), I decided to re-visit the Sydney Harbour Bridge, which I rarely photograph any more.

The last time I captured a serious image here was in 2005!

So, here it is: the iconic bridge for which Sydney is famous.

Re-Visiting a Scene Six Years Later

During the week, I had the unusual opportunity to shoot a twilight cityscape.

It is not something I tend to do very often, but circumstance created the opportunity, which I seized, including a visit to a few of the big city camera stores.

I figured we would afterwards head over to Darling Harbour for some dinner, followed by a twilight cityscape in the area.

The image I had in mind was one I had shot before, but I did not mind re-visiting it, particularly with my new Canon EF 14mm f/2.8L II USM lens, which I was itching to use again after the previous week’s photoshoot in the city.

Here is the image I captured on this most recent outing:

Summer Night in the City

Summer Night in the City

Whilst having dinner very close to this scene earlier in the night, I recalled shooting a summer twilight in the same area some years ago. As it turned out, it was on the exact day (the 19th of January) in 2011 on which I shot a similar image.

This was the image I captured six years earlier:

 

City Lights and City Nights

City Lights and City Nights

It was not my intention to shoot the same scene (the composition, angle and position are somewhat different), and nor did I realise at first that the date was the same date I last shot this scene.

Sometimes strange co-incidences happen, and this was one of them.

Otherwise, it was nice to be out shooting again, particularly as I can go for months without picking up a camera.  Having a new lens certainly acts as a motivator, and I will endeavour this year to get out and about far more than I have done over the past several years.

2015 Retrospective: Intense and Focused

Now that we are well into the year 2016, it is time for a retrospective look at my photographic journey in 2015.

The year can be summarised as intense and focused, as the majority of images I captured during 2015 were in the Mara North Conservancy and Maasai Mara National Reserve in Kenya, where we embarked upon an incredible seven-day safari with our friend and safari leader Mario Moreno.

Looking at my statistics, I shot more images in 2015 than I did in the years 2013 and 2014 combined.

Had the Kenya trip not happened, I suspect I would not have shot much.

Photographically, my year started quite late — near the end of April — with a macro/still life image of a new watch I had been given:

Certina 1888

Certina 1888

We had some family in town from overseas, so I took the opportunity to shoot some cityscape images from a location at which I had not shot before.

One afternoon we headed to the Glebe apartment and I waited for the right light to capture some views of the beautiful city skyline.

This was the result:

Dusk Descendence

Dusk Descendence

And a little later, during blue hour:

The View Sucks

The View Sucks

I also took the opportunity to capture this tight view of the Anzac Bridge as twilight fell:

Anzac Bridge

Anzac Bridge

In May, we all had an outing at the Wild Life Sydney Zoo in Darling Harbour.  I took a camera and a couple of lenses, but I did not shoot a great deal of images.

This image of a kangaroo was one of the more pleasing images I captured on the day:

One of Skippy's Mates

One of Skippy’s Mates

Later in the month, I felt compelled to head out and shoot another cityscape.

In the mid-to-late afternoon, I scouted for some vantage points along the western side of Circular Quay, and finally settled on the observation deck of the International Passenger Terminal, which affords a higher view, and additionally was empty and free from passers by.

I waited for the blue hour, and captured this view of Sydney which I have not seen (or photographed) before.

Circular Quay West

Circular Quay West

It had been a slow, but pleasing enough start to the year.

In June, the photography I had been eagerly anticipating since we booked the trip the previous year, would finally happen.

We headed to Kenya to spend seven days in the Mara North Conservancy and Maasai Mara National Reserve, where we would re-ignite our passion for wildlife and landscape photography.

So far I have published over 100 images from that trip, so I will not publish a great deal of those images in this article; but as the trip brought us a lot of first-time encounters, I will instead present some selected highlights from the trip.

We were based in the luxurious eco-lodge Elephant Pepper Camp, which afforded us total isolation and positioning right in the middle of where the action was.

This is a view of one of Elephant Pepper Camp‘s honeymoon/family tents:

Elephant Pepper Camp's Honeymoon Tent

Elephant Pepper Camp’s Honeymoon Tent

And this is a view of the camp at twilight, depicting the dining tent, lounge and camp fire:

Around the Camp Fire

Around the Camp Fire

Highlights of the trip included one of my finest bird images, which was my first frame of only two I snapped while this pied kingfisher was bobbing up and down in flight:

Suspended

Suspended

Just about every day, we were treated to lions — most prominently, the Cheli Pride.  One of the fantastic things about the Cheli Pride was its abundance of cubs, and on this trip, it was our first time seeing wild cubs, such as this cute little lion:

Lion Cub of the Cheli Pride

Lion Cub of the Cheli Pride

On one afternoon, we were fortunate enough to spend some time, in pleasing, afternoon light, in very close proximity to a lilac-breasted roller, where I captured this and a number of other images of the national bird of South Africa:

Plumage

Plumage

Naturally, a safari in Africa encompasses more than just wildlife — there are amazing opportunities for stunning, iconic landscape shots, and we certainly took advantage of that, rolling out into the plains in the pre-dawn darkness before other safari-goers were even awake.

This was one of my earlier landscape shots, captured during a moody morning:

The Moody Mara Plains

The Moody Mara Plains

On another morning, we captured the ‘postcard shot’ of a rising sun behind a lone acacia tree:

Sunrise on the Mara

Sunrise on the Mara

This particular tree is known as Mario‘s Tree, as Mario often photographs it.  We certainly did — several times — including one particular morning which greeted us with a colourful sky:

Lone Acacia

Lone Acacia

On only our second day on this trip, we were treated to a number of first-time encounters.  In the morning, we encountered our first Mara leopard, who was also also the first leopard we had seen in a tree; and in the evening we found our first male lion of the trip, again a member of the resident Cheli Pride.

We had gone back to Leopard Gorge to look for the young male cat, when we found a large, dominant male lion in the area instead.  If the leopard was around, he was hiding and would not be seen.

Here is the beautiful young male leopard perched high in an elephant pepper tree:

Leopard of the Day

Leopard of the Day

We not only encountered one male lion, but two!  His brother also emerged from the distance and joined him for some bonding and lazing before the night‘s hunting commenced.

Here is one of the stunning Cheli Pride males we encountered:

Surveying

Surveying

The day after we met the dominant males, we encountered numerous members of the pride, minus the males, feasting on a zebra kill the next afternoon.  This was another ‘first’ for us, as we had hitherto never seen lions feasting on a kill.  It was quite a sight, as this wider image shows:

Feast

Feast

The next day, we spent a dramatic afternoon with the Cheli Pride again, firstly as we encountered one of the mothers on her own, out in the open, calling for the pride.

Here is an image I captured of the lioness in the warm afternoon light:

Cheli Mother

Cheli Mother

Before long, a mighty rainstorm descended upon us, which made the big cat uncomfortable, as well as presenting challenges for us.  As the rain began to subside, camera shutters sounded like rapid gunfire as we captured action shots of the lioness shaking the water from her head.

Shake It Off

Shake It Off

Towards the end of the trip, we spent one day further south in the Maasai Mara National Reserve, where we experienced yet another first.

So far, the one species of African big cat we had never seen in the wild was the cheetah.  On that trip, we finally encountered wild cheetahs.  It was an exciting experience to firstly see them from a distance, and then drive to position ourselves optimally to be ahead of where they were headed.  It became more exciting as the cheetahs got closer, and I had a few opportunities to photograph the family, which consisted of a mother and four sub-adults.

Here is one of the nicer images I captured of these amazing big cats:

Portrait of a Young Cheetah

Portrait of a Young Cheetah

It had been a long wait, but finally we spent some time with wild cheetahs.

Our next morning in the Mara consisted of a portrait shoot with Maasai tribesman called Baba, with whom we travelled to Mario‘s Tree, where we shot some dramatic silhouette portraits of him as the sun rose on one of our final days in the Mara.

Here is one of the more striking images I captured during the session:

Baba the Maasai

Baba the Maasai

Our final evening in the Mara brought something we could have never predicted, and something which is quite rare to see: mating leopards!

At first, we spotted a young female leopard high in a tree during the warm afternoon light, but within a short time, a large, amourous male emerged from the thicket, and the two leopards began (or continued with) their ritual of rapid, exposive mating sessions, which can last for days.

We spent the rest of the drive witnessing this amazing sight, and the following image captures an intense moment as the female expresses her displeasure at the male’s advances:

Growl of the Leopardess

Growl of the Leopardess

The next morning was our final, somewhat subdued game drive in the Mara before we would fly back to Nairobi for a night and another day before departing Kenya.  We were fortunate to encounter a small pod of hippos in a watering hole, where I had the opportunity to capture some relatively close-proximity images, such as this large hippo on the bank, less than 30 metres away:

Hippo on the Bank

Hippo on the Bank

Before too long, this amazging photographic journey came to its conclusion.

After the intensity of our Mara trip, and my generally low photographic output before the trip, it was not surprising that I did not shoot much afterwards.  In fact, I shot only one more image for the remaining six months of the year!

The one image I did capture was a macro image of some red and orange roses to commemmorate our anniversary.

Fifth

Fifth

And so concludes my photographic journey for 2015.  It indeed was an intense and focused year, with Kenya dominating my photographic output, but with a few other images here and there.

Pleasant Dawn on Sydney Harbour

Since my return to seascaping last week, I have been keen to head back out at dawn to shoot more seascapes.

On the one hand, I failed; but on the other hand, I succeeded — at capturing a different kind of image at dawn.

Having checked the weather and cloud situation the night before, I knew the sky would be largely plain, which is terrible for seascapes, but great for twilight cityscapes.

So, in the pre-dawn darkness, I headed to the city and ventured further away from Circular Quay, where I had been the previous day, and where, I decided, I would be keen to capture a cityscape, depicting both the older and newer buildings of Sydney at dawn.

Here is one of the earlier images I captured:

Before Sydney Awakens

Before Sydney Awakens

It was great to be at Dawes Point on the harbour early in the morning before anyone else was out and about.

At the time, the sun had not risen, but there was a pink and orange glow in the eastern sky, which was due to rise 35 minutes later.

I also turned the camera around and pointed to the west, where the sky was darker, but where the increasing warmth and softness of the early morning light cast a pleasing glow on the wooden walkway and buildings along Campbell’s Cove.

Along the Walkway

Along the Walkway

This is a view along the walkway at the northern end of Campbell’s Cove.

On the left is Campbell’s Cove and the old woolsheds in Sydney‘s historic The Rocks, which these days contain restaurants.

In the distance is the southern end of the Sydney Harbour Bridge.

On the right and in the distance central to the frame is the expensive and very nicely positioned Park Hyatt hotel.

One of the challenges presented when photographing a city like Sydney is to capture a less common view.  It’s all too easy to shoot the ‘postcard material’, but the city’s famous landmarks have been captured many times, and it’s difficult to depict a different or more interesting view of these, or of the city in general.

There are different views of the Sydney skyline, and this particular spot in Campbell’s Cove offers a view of the old and the new, and makes a change from the regular views we often see.

Later in the morning, I was treated to an unexpected and serendipitous sight of two large cruise ships making their way through the harbour.  The leading ship, Diamond Princess, docked at the Overseas Passenger Terminal depicted in my earlier image; while the second ship — a P&O oceanliner — sailed under the Sydney Harbour Bridge and docked at White Bay.

All in all, it was a nice, productive morning.

Capturing the City: Return to Action

During a time of holidays and some special times, my long-dormant urge to get out and capture images has thankfully risen to the surface, and the photographer’s itch has become pervasive.

I have been wanting to get out and shoot, and of late I have been more drawn towards cityscapes and architecture than any other subject matter.

On a rare mid-week session, I headed to Circular Quay, a very busy precinct which I haven’t photographed much for quite some years now.

In the mid-to-late afternoon, I scouted for some vantage points along the western side of the Quay, and finally settled on the observation deck of the International Passenger Terminal, which affords a higher view, and additionally was empty and free from passers by.

I waited for the blue hour, and captured this view of Sydney which I have not seen (or photographed) before.

Circular Quay West

Circular Quay West

My effort was worth it, and it was good to capture a view of the city not often seen, which I found surprising, as the International Passenger Terminal provides a good vantage point.  I’m sure other photographers have used it.

During my time scouting for a location, I had difficulty finding a pleasing composition.  I tried a few spots along the western side of the Quay, including the circular area seen at the centre of the image.

The problem I encountered there was that while the view was good, the tallest building in the scene (the darker skyscraper near the centre) wouldn’t fit into the image in landscape orientation (even with a 16mm lens), which is what I wanted for my image.

When I captured this image, it was my second visit to that particular spot.  The ideal location would have been right in the middle of the water, on an island, of course.  Unfortunately there isn’t such a location, so the view I captured was the most pleasing from the west side of the Quay.

Feeling Itchy

From a photographic perspective, things have been quiet.  A combination of a busy schedule, a change in priorities, and a general lack of motivation, has meant that I have not shot an image for months.

Here we are, over four months into 2015, and photographically I have nothing to show for it.

Until now, that is.

Tonight for the first time this year, I published a new image, one captured this year.

We have family in town, and our visitors are staying in an apartment close to the city of Sydney.  From their balcony, there is a magnificent view of the Sydney skyline, from the Anzac Bridge across to much of the city.

Tonight while visiting, I decided to shoot some twilight images of the city, and here is what I shot:

The View Sucks

The View Sucks

This is just a small part of the view from the balcony, shot with a telephoto lens to hone in on some of the skyline as twilight descended.

Over the past few days, I’ve been starting to develop an itch — the kind which makes me want to get back into photography again.  It’s all a balancing act, but I have some time off, and soon I plan to start experimenting with something I’ve not done before.

I am successful, it will be a new style of photography for me.  It’s something I’ve seen and quite liked, and while it’s been done before, and done very well, it hasn’t yet been done by me.

So, perhaps a new photographic project, combined with some time to re-engage, will get me back into the process of image making.

I might even find the inspiration to shoot a seascape again, too!