Tag Archives: Gear

My New Canon EF 200mm f/2L IS USM

This is my new Canon EF 200mm f/2L IS USM.

My New Canon EF 200mm f/2L IS USM

My New Canon EF 200mm f/2L IS USM

This is a lens I first tried in 2008.  It took nine years before I decided to buy one, and it is my third Canon EF super telephoto lens, joining its bigger brothers, the Canon EF 300mm f/2.8L IS USM and the Canon EF 400mm f/2.8L IS USM.

There is a bit of a story behind this lens.  I was meant to have it much sooner, except the lens which was dispatched from Canon Australia to my supplier disappeared. Canon had only one more in stock, which was no longer available by the time it was discovered that my lens vanished.

Consequently, a new lens needed to be ordered from Japan, which delayed the acqusition time.  Finally, it arrived, and here it is.

This year has seen some major gear changes in my lineup, with the Canon EF 200mm f/2L IS USM being the latest.  It replaced my long-serving Canon EF 70-200mm f/2.8L IS USM.

In this image, the big 200mm prime is mounted on my new Canon EOS 5D Mark IV, which is also a very recent acquisition.

A 200mm lens like this is not just an ordinary 200mm lens — at f/2, it is the fastest 200mm lens currently available for Canon EOS cameras.  Nikon also has a 200mm f/2 prime in its lineup.

At f/2, the bokeh is incredible, and I bought it to shoot it wide-open; to capture the unique look this lens produces.

I am looking forward to exploiting its capabilities.

Latest Lovelies

I rarely capture photographs of the gear I use to capture photographs, but this year has seen some changes to my camera and lens rig.

These are two of my latest ‘lovelies’: a Canon EF 14mm f/2.8L II USM, which I purchased on 12/01/2017 to replace my long-serving Canon EF 16-35mm f/2.8L II USM; and my much newer Canon EOS 5D Mark IV, which I purchased on 23/06/2017.

Latest Lovelies

Latest Lovelies

The Canon EOS 5D Mark IV is a substantial upgrade to my Canon EOS 5D Mark II, a 2008-vintage camera which I have been using since 2010. I will keep my 5D2, but the new 5D4 will be my main camera.

I am looking forward to taking advantage of the increased dynamic range and reduced high-ISO noise of this latest generation of full-frame Canon sensors.

Canon EOS 5D Mark IV Coming Soon

After running my Canon EOS 5D Mark II for over seven years, I have finally taken the plunge and ordered a Canon EOS 5D Mark IV.

I am looking forward to experiencing the significant feature additions and improvements the latest model offers over the substantially old (2008 model) Canon EOS 5D Mark II.

I am very keen to experiment with more low-light photography and take advantage of the low-light performance it offers.

While I rarely shoot beyond ISO 400, I have needed to shoot some images at ISO 3,200, and frankly on the Canon EOS 5D Mark II, ISO 3,200 is noisy.  The starfield images I shot in the African wilderness look great at small-to-medium sizes; but at much larger sizes the noise is very evident.  I am interested to see how the Canon EOS 5D Mark IV performs at the same ISO rating.

The in-built GPS receiver is a very appealing feature, as for years I have been recording the GPS coordinates of my shooting locations by using a smartphone app.  Now, the camera will do that automatically and embed the GPS coordinates within the metadata, which makes it fuss-free.

Being able to control the camera via Canon‘s app is also very appealing.  I have not yet checked whether my remote release (Canon TC-80N3) is compatible with the Canon EOS 5D Mark IV, but either way, I may not need it.

This is a big upgrade for me, as I am generally not inclined to change cameras very often (this will be my fifth EOS camera in 17 years); but it is now time for me to take advantage of the technology available in current-generation cameras.

Whether this new camera will change the way I shoot, or whether it will provide my images with an obvious improvement in image quality is yet to be seen, but bring it on.

Farewell, Canon EF 180mm f/3.5L Macro USM

Today I sold my Canon EF 180mm f/3.5L Macro USM lens.

For a month or two, I had been thinking of offloading it, and once or twice previously, I had entertained the thought of selling it.

I was recently put into contact with someone who might be interested in it, and today the buyer collected it.

According to my lens utilisation statistics, it was my least used lens apart from my one-month-old Canon EF 14mm f/2.8L II USM.

Looking at my images, I have only shot 10 images with it in the last five years. Two images per year is not much, and I only published a total of 36 images during the time I owned it.

I am just not a macro shooter at all, and I find macro photography too frustrating for my liking.

It is a stunning lens and is in near-mint condition, but it just is not the kind of lens I use much or really need (despite having owned it for over nine years), so it is better for it to be in the possession of someone who will exploit its capabilities.

I will use the money from its sale to fund my NiSi 150mm filter system.

My original intention was to replace the lens with a Canon EF 100mm f/2.8L Macro IS USM, but as nice as that lens is (I inspected one), it makes no sense at this point in time.

If I ever want a macro lens in the future, I’ll go and pick one up; but for now, the lack of a macro lens in my rig is not a hindrance.

With this most recent sale and last month’s replacement of my Canon EF 16-35mm f/2.8L II USM with a Canon EF 14mm f/2.8L II USM, that amounts to two lenses gone from my lineup in less than two months!

I have optimised my lens lineup in several ways, and I am content with what is now in my rig.

I would still like to replace my Canon EF 70-200mm f/2.8L IS USM with a Canon EF 200mm f/2L IS USM, but for the foreseeable future, that notion will remain confined to the realm of wishful thinking.

My New ‘Grab and Go’ Rig

Last year I bought a Lowepro Fastpack BP 250 AW II camera backpack for an international trip.

I found it to be an excellent backpack which allows me to carry a good amount of photography gear (including a small tripod) as well as my 17″ MacBook Pro.  I was tired of carrying a separate laptop bag as well as my then main camera bag (a Lowepro Nova 190 AW).

Having gone for a few shoots this year, I decided it was time to properly, and somewhat permanently, equip my Lowepro Fastpack BP 250 AW II with a camera rig which will cover 95% of my shooting requirements, and which I can literally ‘grab and go’.

Here is what I keep packed in it:

  1. Canon EOS 5D Mark II with LP-E6N battery and SanDisk Extreme 16GB CF card
  2. Canon EF 14mm f/2.8L II USM
  3. Canon EF 35mm f/1.4L USM + hood
  4. Canon EF 85mm f/1.2L II USM + hood
  5. Canon EF 135mm f/2L USM + hood
  6. Canon TC-80N3 Timer Remote Controller
  7. Canon LC-E6E battery charger + AC cable
  8. Canon LP-E6 battery (spare)
  9. SanDisk Extreme 16GB CF card (spare)
  10. SanDisk Extreme IV 8GB CF card (spare)
  11. Hotshoe-mounted spirit level
  12. Princeton Tec FUEL headlamp
  13. Lenspen
  14. Neoprene lens cleaning cloth
  15. Giottos Rocket-Air blower
  16. Business cards
  17. Print of Street Photographers’ Rights fact sheet
  18. Apple 12W iDevice charger + 1m USB cable
  19. Shintaro SH-XCR3 CF card reader + USB cable
  20. Manfrotto M3293A4 tripod and Manfrotto 494RC2 ball head

The tripod is on the outside of the bag, and is affixed to the bag via an in-built tripod foot pocket, and a strap to keep the legs close to the side of the bag.

What is not packed, but can be packed when we are heading away, is the following:

  1. Apple MacBook Pro 17” + AC power pack
  2. Western Digital MyPassport Ultra 2TB hard disk + USB cable

What is also missing is ND and GND filters.  Having recently replaced my Canon EF 16-35mm  f/2.8L II USM with a Canon EF 14mm f/2.8L II USM, I need a new NiSi 150mm filter system to replace my Lee 100mm filter system, which at the time of writing I have not yet purchased.

The good news is that my Lowepro Fastpack BP 250 AW II will easily accommodate this, and there is still room.

Now, this rig covers most of my shooting needs.  What it does not cover, however, is wildlife, for which I use my three largest lenses.

Fortunately, I have two other backpacks which can accommodate those, as well as fit a lot of the equipment packed in my Lowepro Fastpack BP 250 AW II.

I am very content with both the backpack and the array of equipment I have packed into it.  It holds a lot of gear, is not too heavy, and still has room in the top compartment for more gear if I need it.  Plus, it is ready for a shoot ay any time.

 

New Lens: Canon EF 14mm f/2.8L II USM

Today ushered in a new chapter in my photography, and simultaneously closed another.

A new lens joined its brethren here in my photography den; and an old friend parted ways.

Now, I am not one to buy gear very often.  My days of ‘Gear Acquisition Syndrome’ (GAS) are well and truly behind me; and I have settled on a photography rig which allows me to achieve what I want to achieve.

Being in a position whereby gear is not a limiting factor, is indeed a good position.  Sure, there is always something that would be nice to have; but something that is nice to have, as opposed to something that is necessary for my photographic objectives, is quite a different matter, particularly when it comes to spending money to placate a want rather than a need.

However, every now and then, a new piece of equipment joins my rig, often unexpectedly and rather suddenly.

Today, the spectacular Canon EF 14mm f/2.8L II USM lens found its way into my rig under those very circumstances.

For some odd reason, I had read The Digital Picture‘s comprehensive review of this lens (amongst others) quite recently, and I had pondered, both recently and a number of times throughout the years, the possibility of replacing my beloved Canon EF 16-35mm f/2.8L II USM with the wider, 14mm prime lens.

For years it was one of those “it would be nice…” scenarios, but today it became a reality.

At 4:16pm I declared that I was actually thinking about doing this.

At 5:33pm, l declared that I had actually done so.

I have never progressed from “I’m thinking about…” to “I just bought…” so rapidly.

The plan I had was to visit my main photographic supplier on my way elsewhere to see what kind of a deal I could get.  When I visit (which is maybe once every year or two), the guy there always recognises me, talks to me for a while, and gives me a good deal on anything I buy.

The visit was purely for research, but it went a bit further than that, as the lens was there (which I did not know before visiting), and the price was right.  I solved two ‘problems’ in one hit.

Firstly, he discounted the listed price of lens for me; and secondly, he gave me a good trade-in deal on my Canon EF 16-35mm f/2.8L II USM.

As the 14mm prime was intended to replace the zoom, I did not want to spend a significant amount up front and then need to sell my nine-year-old Canon EF 16-35mm f/2.8L II USM, which has recently been superseded by a Mark III version.  A trade-in was perfect.

The salesman was surprised at the remarkably good condition of my Canon EF 16-35mm f/2.8L II USM, to which I responded by stating that I take good care of my gear.  Indeed, I do.

The combination of the initial discount and the trade-in value put the price firmly in the “I can do this right now” category rather than the “tempting, but I cannot justify the expense now” world of misery.

So, the deal was done.  My beloved Canon EF 16-35mm f/2.8L II USM lens stayed in the shop, and a brand-new Canon EF 14mm f/2.8L II USM departed with me.

I honestly did not plan any purchases this year at all, and while I periodically think about lenses and cameras I would like (there is always something), there is a massive difference between the wishful thought, and the cash-depleting reality.

So far, 2017 has started off quite nicely in the photography department, with two pleasing shoots having taken place.

Tonight, I had plans to expand upon that.  And now I was armed with a new lens and all the kid-in-a-candy-store excitement a new toy brings.

Some people’s photography becomes re-invigorated upon acquiring a new camera or lens; some people’s photography becomes re-invigorated as a result of shooting a pleasing image.  In my case, a combination of both scenarios was achieved tonight, and my initial impression of theCanon EF 14mm f/2.8L II USM is that it is a brilliant lens.

I have shot extensively with my Canon EF 16-35mm f/2.8L II USM lens over the past nine years, and according to my lens utilisation statistics, it is my most frequently used lens.

However, I wanted an even wider lens for a more expansive view, and I also wanted to switch to a prime.  Most of my lenses are primes (now seven out of a total of eight), and even though the Canon EF 16-35mm f/2.8L II USM is a zoom, I rarely ever used its zoom capability, sticking fairly religiously to the 16mm setting, and at times forgetting that the lens’s focal length could be changed, which I realised after moving my tripod rig to a slightly different position.

So, now I have a new Canon EF 14mm f/2.8L II USM lens which opens up new possibilities and has given me a psychological boost.  Additionally, I took it for a shoot only a few hours after purchasing it, and I landed a pleasing series of images (about which I will post separately).

I hope my Canon EF 16-35mm f/2.8L II USM finds its way into the home of someone who will love it as much as I did, and that it will bring years of rewarding images.

I look forward to getting back into photography, and a new lens may just help do that.

New Backpack and Tripod

It is not very often that I discuss photography gear, but given that I purchased a few new items of gear today, I figured it was worth relating the story.

Soon enough, we are heading overseas on a trip to Israel, followed by a small sojourn to the Czech Republic for a few days.

As is always the case when travelling abroad, I bring a camera rig.  While this is not specifically a photographic trip, I certainly intend to engage in some twilight cityscaping in Prague, and may even have time for the odd cityscape in Tel Aviv or Caesarea.

My go-to camera bag for most of my photography (other than wildlife, which calls for the big lenses), is my Lowepro Nova 190 AW.  It is a shoulder bag, and I have a fairly standard array of equipment permanently packed in it, which covers most of my shooting needs, and certainly the needs I will have on this upcoming trip.  This bag has travelled internationally twice now.

However, as is also always the case when travelling internationally, I take my laptop, which has its own bag.  This time we are travelling somewhat lighter, and rather than carrying my camera gear in the Nova 190 AW, and my laptop in its own carry bag, I wanted one bag in the form of a backpack which would accommodate both.

A few months ago I discovered the Lowepro Fastpack BP 250 AW II backpack when looking in a camera shop one day.  This bag seemed to fit the bill nicely.

It has a laptop compartment which will accommodate a 15″ laptop (according to the specifications), a lower compartment (with dividers) which will accommodate a large DSLR with a 70-200/2.8 mounted, plus another medium-sized lens or two; and it also has an upper compartment which will accommodate anything else, including non-photography equipment.

Today I decided to buy a Fastpack BP 250 AW II.  Now, my laptop is a 17″ MacBook Pro, but having compared its specifications with the backpack’s specifications, it fits.  I took the MacBook Pro with me to the store, and verified that it actually does fit — it does.

So, that solved a definite problem, and has given me a comfortably-sized, airline cabin-friendly backpack which will allow me to remain hands-free whilst traversing airports, fit my camera gear and laptop in one bag, and have room for other things such as a water bottle, light jacket or other day-trip equipment.  This will be perfect for walking around Prague.  Additionally, it has a tripod compartment on the side, along with a strap for keeping the tripod in place.

This brings me to my next subject: tripods.

I am rather accustomed to larger tripods, particularly as I have a few heavy lenses and both want and need the height, stability and load-bearing capability they provide.

A few years ago I toyed with the idea of buying a smaller tripod for travelling, but did not quite find something I liked, or something which gave me much confidence, as I was wary of smaller, lighter tripods.  Additionally, they were rather expensive for what they were.

After buying the Fastpack BP 250 AW II today, I browsed around the store, and found a Manfrotto combination of a 290-series set of legs (Manfrotto T293A4) and a ball head (Manfrotto 494RC2).

I played with the tripod for maybe ten or fifteen minutes as I mentally debated whether it was suitable.  While it’s certainly not as tall as my Manfrotto 055XPROB, or even my 2005-vintage Manfrotto 190D, it is tall enough, and the extension of the centre column will give sufficient extra height if necessary.  The legs have four sections and quick release clips, which is definitely desirable.

The ball head was also quite nice, and as with all my other Manfrotto heads, it accommodates the Manfrotto 200PL quick release plate.

Soon enough I decided to buy it.  The salesperson advised me that it was a discontinued model, and as it appeared to be the last unit and lacked both the quick release plate and packaging, he gave me a nice discount.

So, now I have a suitable, light-weight but sturdy tripod which can be taken on international trips, which reduces the bulk and weight of what I am carrying, and nicely attaches to the side of my newest camera backpack.  For the kinds of photography this trip will present, this rig is more than enough to suit my needs, and it will also be quite suitable for other photographic outings locally and inter-state.