Category Archives: Light Painting

Articles relating to photography using light painting techniques

Xenedette’s African Wildlife Photography Début

We’ve been back from Africa for over two months now, but it has taken a while for Xenedette to get around to working with her images.

With a little help today, Xenedette has made her African wildlife photography début on 500px, with the upload of her first image — a stunning portrait of Makepisi male, the first leopard we encountered on our very first game drive in the Motswari Private Game Reserve in the Timbavati region of greater Kruger National Park, Mpumalanga province, South Africa.

Here is Xenedette’s portrait of Makepisi:

Makepisi

Makepisi

Please visit her image at 500px.com and show some love.

Advertisements

Africa: Day 4 – The Big Five in One Drive

By Day 4 of our time in Africa, and Day 3 of our safari in the Motswari Private Game Reserve in greater Kruger Park, the motions of waking before 5am, driving in the bushveld for three hours, coming back for breakfast, a rest, lunch and then going out for another game drive from 3:30pm until the darkness of night, had become normal — almost routine.

A rather fantastic routine, that is.

By Day 4 (Day 3 in Motswari), we had been for three game drives, which was half of our safari in terms of wildlife sightings and photography.  We’d been out twice for afternoon/evening game drives, and once in the morning.  The 6th of October was a full day worth of game drives, and much awaited us.

Astute readers will have noticed that so far, we had not seen any lions.  We had seen and photographed two unique leopards (Makepisi male and Rockfig Jr female), but the King of the Jungle had been somewhat elusive, which is ironic when it is to be considered that leopards are very elusive, and we’d seen two of those.

Lions were very much on the mind of Chad Cocking, our guide.  He was well aware that we’d not seen any yet, but he was also aware that lion activity in the reserve had been somewhat subdued over the past few days.  There were some small signs of lion activity, but no guarantee we’d encounter any.  Chad probably felt under pressure, but being the reserved professional he is, it did not show.

As we embarked upon our second morning drive at 5:30am before the rest of the guests at the lodge departed 30 minutes later, Xenedette and I were mentally resigned to the fact that we just may not see any lions at all.  However, we were only half-way through our game drives, so the situation was not as dire as it may have seemed.  Still, we were over the moon to have seen everything we had seen to this point, and not seeing lions was not going to otherwise diminish the awe of what we had seen and experienced.

A few minutes into the morning drive, before sunrise, we encountered a giraffe grazing near the Motswari airstrip.  We stopped for some silhouette images against the reddish glow of the pre-sunrise sky.  Here is one of the images I captured:

Standing Tall at Sunrise

Standing Tall at Sunrise

After a short visit with this lanky individual, we proceeded onwards.  Our next stop was Argyle Dam, home to hippos and crocs, and a popualar watering hole for much of the Motswari wildlife.

Chad took the Land Rover onto the muddy banks of Argyle Dam, where we disembarked, and in so doing entered the back yard of the most dangerous animal in Africa: no, not a predatory cat, but the hippopotamus.

Mario and I dashed off for a silhouette landscape we captured just after sunrise, while Chad followed us, and spent his downtime videoing and photographing Mario (our safari leader) and I in action, using one of Mario’s cameras, which he’d brought to shoot video footage of the safari.

Throughout the trip he shot his stills with a Canon EOS-1D Mark IV and a Canon EOS 5D Mark II, and used a Canon EOS 60D for video.  Meanwhile, Xenedette and Petros (our tracker) stood on the bank chatting.

Here’s an image I captured of a sunrise over Argyle Dam:

Sunrise over Argyle Dam

Sunrise over Argyle Dam

A faint reflection of the rising sun in the water can be seen.  What was more interesting was what we’d next see.

The sun continued to rise, and the light became very warm.  We could hear the distinctive grunts and snorts of hippos echoing throughout the morning silence of the Timbavati.  The hippos were only a little way in the distance in Argyle Dam.

Mario and I set about photographing the hippos, patiently waiting for a hippo to yawn, as it makes for much more interesting imagery than what otherwise looks like a submerged rock in the water rather than the hippo that it is.

Finally, our patience paid off.  Not only did we both land shots of a hippo yawning, but the angle and direction of the sunlight backlit the hairs on the hippo’s nose.

The Hippo's Yawn

The Hippo’s Yawn

Soon enough, it was time to make tracks for further wildlife viewing.

Well after sunrise, our next encounter was a pair of southern yellow-billed hornbills perched high atop a tree.  From where we were, even with a focal length of 600mm, it was not going to be possible to feature a hornbill prominently in the frame, so some liberal cropping would later be needed.

We sat for a few minutes, capturing these distinctive birds in their habitat.  Fortunately our vantage point was such that the warm morning light shone upon the hornbills.

Portrait of a Southern Yellow-Billed Hornbill

Portrait of a Southern Yellow-Billed Hornbill

As we continued on our morning drive, we had sightings and captured images of impala, a Wahlberg’s eagle, a solitary crocodile basking in the morning sun, and more impala.

Ten minutes after the most recent impala image I shot, we were laying our eyes upon something magical.

The Motswari trackers and guides had been hard at work, and all of sudden, in front of us, resting on a termite mound in the morning sunshine, were two Jacaranda pride lionesses.  Wow!  Finally, we’d seen one of the species of majestic big cats we had longed to see.

Not only did we finally lay our eyes upon wild lionesses, but we were a matter of only a few metres away from them.

Jacaranda Pride Lioness

Jacaranda Pride Lioness

Just to be seeing these regal big cats was an awesome experience, but the photographic opportunities were also fantastic, with warm morning light in the right place, and a relatively clean background.

Even though we were quite close, I used long focal lengths to produce tightly framed portraits, isolating the Jacaranda pride lionesses from the bushveld surrounding them.

Pretty Kitty

Pretty Kitty

During the 25 minutes we spent with the lionesses, something rather unexpected happened.

One of the Jacaranda lionesses got up, climbed down off the mound and wandered about 20 metres away.  We followed her, and observed her doing something out of our direct sight.  Little did we realise at the time, but we had observed the most unexciting lion kill in history.  She had found a small tortoise and killed it!

She returned to the mound, where we shot stills and video of her with the small tortoise in her mouth!  I haven’t processed or published any images from that spectacle yet, but will eventually get to it.

Soon we departed, had a morning coffee and biscuit on the banks of the Nhlaralumi, and eventually made our way back to the lodge for breakfast.

As exciting as it was to see Jacaranda lionesses towards the end of the morning drive, we didn’t know that on our afternoon drive, we’d see and photograph every African wildlife species in the ‘Big Five’: Cape buffalo, elephant, leopard, lion and rhino.

Within a short time of embarking on our afternoon drive, we encountered six Cape buffalo bulls in the bush near the Sohebele River.  While we stopped to photograph them, I didn’t land any great images, as the light was still quite harsh and the buffalo were in thick bush, with points of contention being branches, foliage and messy backgrounds.

Our next sightings included kudu, elephants (again in thick scrub under harsh light), a large crocodile on the other side of Argyle Dam (where we had been that morning), and giraffes.  We also spotted baboons running through the scrub, which as it turned out, was to be the only baboon sighting we’d have during our time in Africa.

That aside, it had been only 15 minutes, and we had seen and photographed two of the big five.

Our next sighting, merely an hour after embarking, was a familiar creature: Makepisi, the male leopard we had encountered on our first night.  We found him again, less than 48 hours after our first sighting; and looking at the GPS coordinates, he was in almost exactly the same spot.  On this occasion when we found Makepisi, he was sitting in the shade.  The sun was a little lower, but still quite hot, in the high thirties.

I captured a number of images of Makepisi, and have one ready to publish, but haven’t quite got to it yet; I’ll post that image on another day.

Our second encounter with Makepisi meant we’d seen three members of the Big Five in the one drive.  So far, that is.

The next sighting was an elephant bull grazing in the scrub, and we spent a bit of time there watching, photographing and videoing him.

As the sun got lower in the sky, our next encounter was three white rhino grazing in the warm afternoon light.  They were heading for a drink, so we got ahead of them and parked down on the banks on the watering hole in anticipation of their arrival.  I kept my eyes on the bush up the banks, and spotted the tell-tale shape and movement the first rhino.  Sure enough, two of the rhino came down to the waterline for a drink, with the third following a short time later.

Fresh from a Mud Bath

Fresh from a Mud Bath

This rhino sighting clocked four of the Big Five.

The best, and last member of the Big Five was yet to come, only we didn’t know it.

Less than 20 minutes after watching white rhino drinking from a watering pan, we found ourselves in a dry river bed where two Ximpoko male lions were resting in the late afternoon light.  Another big wow!

Seeing male lions was a real highlight of  this drive, and of the whole day.  We were rapidly losing light, and the lions were quite sleepy, but we did manage to land a few shots and witness them moving around a little, with just a hint of a roar from one of them.

I managed to land a pleasing image of one of the Ximpoko males looking directly at us, and what a majestic lion he was.

The King's Face

The King’s Face

As darkness fell, Petros brought out the spotlight for some lion light painting!

The King of Timbavati

The King of Timbavati

The lions soon moved up the river bank and plonked themselves on the ground for more rest and sleep before the big night they had ahead of them.  We shortly thereafter departed and rushed back to the lodge.

A pleasant and unexpected surprise was a sighting of two porcupines in the bush along the road.  During the night drives, Petros waved his spotlight in an arc across our field of vision, looking for wildlife.  How he managed to see these two porcupines in the darkness and hindered by the speed at which we were travelling, I don’t quite know; but he is a tracker, and his job is to find the wildlife that prefers not to be found!

Earlier that day, I had mentioned to our party that it was Xenedette’s birthday.  To have seen all members of the Big Five in one day, and even more incredibly, in one drive, was a magnificent birthday present.  Of seeing what we saw that day, Xenedette said it was the best birthday present she could ever have received.  There we were, in the African bushveld, seeing and photographing some amazing wildlife, right in the thick of nature’s finest.

We soon arrived back at the lodge, and headed to the boma (escorted, of course) for dinner and celebratory drinks.  It was Xenedette’s birthday, and she had experienced some amazing sightings that day.  A cause for celebration indeed, and there we were, having the experience of a lifetime.  What a day it had been.

Stay tuned for Day 5 of our African trip, which would be our final day in the Timbavati.

Contrasting Conditions at Turimetta

Here are two vastly different images from the same dawn seascape shoot at Turimetta last Tuesday.

Seaweed

Seaweed

The first image above was taken shortly after arrival, and in the pre-dawn darkness, the moving water is abstracted to the point where its movement is almost invisible.  A sense of calm is evoked as the clump of seaweed sits stranded on the sand bank.

Nearly an hour later, I shot this image:

Northern Aspect

Northern Aspect

The above image is very different to the first, in that the distant brooding sky, turmoil in the water and calm, warm tones of the rocks provide contrast within the image itself, and also contrast with the earlier image.

This goes to show that it’s possible, in the same shoot at the same general location, to achieve varying images with a distinctly different look and feel.

Feature Article in Australian Photography Magazine – November, 2011

A few months ago, I was asked by Robert Keeley, the editor of Australian Photography magazine, if I would consider writing a feature for the magazine.

I had sent some images for the magazine’s competition, and when he received them for review, he saw a story in one of the images.

The image which captured his attention was one in which I had used a variety of light painting techniques in the darkness to produce an interesting image.

So began my foray into the world of article writing for magazines, with a story on creative light painting.

It was quite a difficult experience, as space in magazines is extremely limited, and for someone as liberal with wordsmithing as I tend to be, there just isn’t sufficient space.  As such, I had to come up with some creative ways of preserving all of the information I wanted to get across, while fitting within the limitations.

I submitted my first draft, and after some minor edits, the article was published in a six-page spread, along with numerous light painting images I have produced, and stories about what went into them.

Here’s a preview of my article, which features in the November, 2011 edition of Australian Photography.

Feature Article in Australian Photography Magazine - November, 2011

Feature Article in Australian Photography Magazine – November, 2011

I hope those who read my article learn something new, enjoy what I have written, and gain inspiration to go out and try some creative light painting.

 

Lonely Darkroom: Light Painting Revisited

Here’s a nocturnal urban landscape I shot at Sydney’s Middle Head Fort using creative light painting techniques back in 2009.

I had never published it until now.

Lonely Darkroom

Lonely Darkroom

To create this image I used a combination of fluorescent white light and a red cold cathode light to illuminate the bunker in the night sky to create an eerie and dramatic effect.

The image is a composite of four images, all shot with a Canon EOS 5D and 16-35mm f/2.8 lens for 30 seconds at f/5.6 and ISO 200.

One image was created with a powerful fluorescent light, which bathed the scene in white light to reveal details; the remaining three exposures were made while I wandered in and around the bunker, shining rich red light on parts of the concrete with a cold cathode light.

I needed to be careful as I moved throughout the scene, ensuring that the source of the light remained hidden from the camera’s view so that bright, distracting trails and hot spots were avoided, leaving only the red glow.  Because I was moving and hiding inside the bunker, the long exposure prevented the camera from capturing ghosted images of me in the scene.

Post-processing in Adobe Photoshop CS4 consisted of raw conversion, manual blending of the four exposures using layers and masks, minor cloning of hot spots, vignetting, mild desaturation and colour adjustment in the sky area.

Solid Gold

This morning I took some friends from my camera club to Turimetta on Sydney’s northern beaches.  Some hadn’t shot seascapes (or shot them much), so were keen to try upon my offer.

Unfortunately my wish for a good sky this morning yet again did not come true; the sky was plain and very bright.

I didn’t shoot much at all, and gave up out of frustration, packing up my camera quite a while before the others were done.  I’ve had a frustrating few days.

The conditions were wrong in every way; the sky sucked, it was blowing a gale, the tide was too high and much of the famous Turimetta gorge was filled with sand, covering the great rocks for which this location is well-known.

However, during the pre-dawn light I did land one gem thanks to some light painting I did with my trusty Maglite 6D torch.  Here it is:

Solid Gold

Solid Gold

Thankfully my companions got to experience some dawn seascaping, and for some, a fairly new form of photography.  On parting they expressed to me their thanks and enjoyment of the morning.

All was not lost, and hopefully they are keen to explore this subject more.

Camp Cove Twilight

Most of my outdoor landscape/seascape photography takes place around dawn.

Tonight I broke with tradition and shot at dusk.  Sure, I’m still incredibly fussy about light and tend to avoid the bright, glary stuff which is present for most daylight hours, but dusk produces some pleasing results and is much easier on the system (no 4am starts).

Some friends and I headed to Camp Cove in Watson’s Bay, and shot this hut-like structure as the day’s light was rapidly fading behind the city in the distance.

Camp Cove at Twilight

Camp Cove at Twilight

It was an enjoyable night, spent consuming cheese, crackers and wine, and having plenty of laughs.

I brought my trusty Maglite 6D torch and light-painted the hut, which would otherwise have appeared in silhouette.  My Maglite’s batteries are somewhat elderly, so the light’s intensity has diminished considerably, as well as taken on a warmer tone.

I think the warm tone nicely complements the cool wintery blues in the sky and water.

An enjoyable night, and an image different to my usual offering of dawn seascapes.